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Currently, most global citizens have been directed into lockdown due to COVID-19. After spending more than two months under these circumstances, two broad reflections emerge—regardless of the personal challenges faced by each household. The first is that we might adapt and live in relative harmony within our living spaces; the second is that our living space may not be adequate for our comfort. We will delve into this second point to empathize with vulnerable populations who choose to abandon their lives in one place to migrate toward better opportunities, and to examine how architecture addresses—or fails to address—the migration emergency.

With more competition entries coming our way, our curated selection of best-unbuilt architecture features this week, exceptional projects presented in an international context. ArchDaily has rounded up another collection of proposals, gathering interventions from across the world, and highlighting never-seen-before programs, designs, and innovations from our readers’ submissions.

The article includes a couple of groundbreaking projects from the Far East with a Panda Sightseeing Tower, a production complex, and the regeneration of an industrial area in China. In addition, the selection showcases a proposal for the Jacques Rougerie Foundation Space and Sea Generation in Melbourne, Australia, and a finalist for the LACMA Not LackMA International Design Competition. Other proposals highlighted encompass a Multi-cultural Complex in South Korea, a recreational zone on an Austrian lake, a peace pavilion in Senegal, and a dream mansion "between mountain and sea" by Penda China, to name a few.

A characteristic feature of the classes of YACademy - the school of architecture founded by YAC in 2018 - is offering students interesting, hands-on workshops. In the school's curriculum, a key focus is the relational dynamics between natural and artificial, between anthropic intervention and landscape pre-existence. These themes prompted YACademy to create a High-Level Training Course in Architecture for Landscape: a program made up of lectures by renowned professionals, followed by internships in some of the most well-regarded firms in the world.

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Lukáš Likavčan takes us on a rich and satisfying philosophical journey. From Agamben's apparatus, through Hegel's positive religion (in contemporary robes), on to its materialization in Graeber's fetishes, the author reads the smart objects that are at the basis of the smart city paradigm as fetishes of sorts. In this perspective, it is necessary to redefine the autonomy of humans through an act of reverse prostheticization: what position should humans occupy in the technosphere? And what kind of relationships are emerging, or are being consolidated, between us (humans) and them (objects)? By accepting a collective vision of intelligence as a product of human and non-human data, it is possible to move away from the notion of fetish, towards an anti-narcissistic condition that sees humans as one of the entities having agency in a universe that has moved far beyond the phenomenological.  

For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.

The World Health Organisation (WHO) supports that even if vaccines are found, COVID-19 may never go away. ‘Post-virus’ recovery mechanisms suddenly become out-of-place and obsolete. If we wait for the coronavirus crisis to be over to tackle climate change, then many of us may be swimming in deep waters. Coordinated and immediate actions, coupled with planetary-scale cooperation, to tackle both crises in parallel is now needed. For cities, this means adopting mechanisms that enable both economic recovery and sustainable transitions.

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It is a rare occasion for a historic neighborhood to have new buildings. Never the less, this is exactly what happened along the elegant and ornate structures of Frederiksberg Allé in Copenhagen. The historical avenue was inspired by Parisian architecture and features many buildings notable for their intricate architectural detail. 

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On April 16, a ground-breaking ceremony was held in the city of Guangzhou, China, for what is to be the world’s largest soccer stadium. The most controversial aspect of the project was not its $1.7 billion price tag, but its bold lotus shape causing a backlash from the local architectural community but praise from the general public.

While virtual reality is not a new tool, its adoption across various industries has been gradual. In the architecture and cultural sectors, virtual tours have become increasingly common, offering a much broader perspective of spaces and—in the case of art—their relationship with the exhibited works. Various efforts have been made to promote this spatial mapping, closing the gap between cities, countries, and continents. A prime example is the Google Arts & Culture project, which features a library of 4,500 institutions that can be explored virtually.

As the number of smaller and more compact apartments grows, architects and interior designers are challenged to create multifunctional solutions and systems capable of optimizing spaces, in a way that every inch seems to make a difference. As a result, it is increasingly common for professionals to focus on designing creative furniture solutions that allow the space to transform completely in a few seconds.

ArchDaily has already published numerous articles on how to design for compact spaces, from closets and shelves to plan solutions for small apartments. We have now put together a collection of interesting projects in which the beds seem to camouflage themselves among the furniture and architectural elements, thanks to smart systems which, by using hinges and sliding tracks, allow them to be concealed in a matter of seconds, saving space and allowing versatility.

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Earth is a material that has been used for building since time immemorial. Its low environmental impact and the variety of techniques available for working with it have enabled its enduring relevance in architectural projects worldwide. Whether using rammed earth, wattle and daub, earthen wall systems, or adobe structures, various contemporary projects rework and reinterpret these traditional methods to shape their spaces.

This article by Alejandro Campos Uribe was originally published in the 9th issue of rita_ magazine under the title "How to Draw the Architecture of Aldo van Eyck: Five Drawings of the Van Eyck Family House in Loenen."

ArchDaily has created a list of best articles, news and projects that address everything you need to know about bamboo.

For more than a century, architects have been addressing the world as a project through speculative designs in an attempt to imagine the future and reframe global issues. Globalisation, the ever-increasing interconnectedness demands action on a worldwide scale and invites a reflection on the profession's responsibilities. The latter is precisely what the book The World as an Architectural Project achieves, through a compilation of world-scale speculative projects of the past century, making a compelling case for the agency of architecture.

There are strange elements of connection within this phenomenon of social distancing: not only is the whole world experiencing it simultaneously, but we also seem to share a global momentum of awareness that something unique is taking place, which demands to be documented and gradually understood.

Moved by that impulse and under the guidance of professor Erieta Attali, 16 students from The Cooper Union, explored, through photography, their everyday life now ruled by isolation and social distancing. And they did so, not from a single city, but from 10 different places, as they returned to their home countries amidst the crisis.

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In a home, the bathroom is undoubtedly the most intimate and private space. Or at least, it used to be. Synonymous with relaxation, this room is increasingly being explored by architects, gaining significant prominence and design importance. While once limited to a sink, toilet, and shower, it has now given way to veritable bathing sanctuaries, redefining its use and becoming an experiential space. With this in mind, the concept of closed "boxes" with minimal openings is giving way to new possibilities—and, above all, to the outdoors, as the integration with nature is achieved through generous openings that incorporate the surrounding landscape.

Moving away from its early exclusive focus on natural disasters, resilient architecture and design tackles the much tougher challenge of helping ecosystems regenerate.

Thirty years ago, as a high school student at the Cranbrook boarding school in suburban Detroit, I wrote a research-based investigative report on the environmental crisis for the student newspaper. I had been encouraged to do so by a faculty adviser, David Watson, who lived a double life as a radical environmentalist writing under the pseudonym George Bradford for the anarchist tabloid Fifth Estate. His diatribe How Deep Is Deep Ecology? questioned a recurring bit of cant from the radical environmental movement: Leaders of groups like Earth First! frequently disparaged the value of human life in favor of protecting nature.

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Seeking to gather ideas and reflections from professionals, students, and collaborators amidst the local and global health emergency, the Colegio de Arquitectos de la Provincia de Santa Fe has called upon architects to collectively contribute ideas to address the current issues associated with the spread of COVID-19. As such, the open call serves as an impetus to create a space for design development fueled by disciplinary thinking, aiming to offer responses to the ongoing health crisis while reclaiming and rethinking the role of architects in society.

Overall, when designing exhibition spaces, certain aspects contribute to an effective display of the pieces: diffuse lighting, spatial distribution, and high ceilings are some of them. The combination of these features with rooms that are able to transform themselves (using elements that can be perforated, repainted, and adapted according to each exhibition), is common in many art galleries, expressing the dialogue between art and architecture.

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