A few days ago I took part in an AIA-organized Twitter discussion (#aiachat) focused on the subject of IDP, or what we here in the US call the Intern Development Program, administered by the National Council of Architectural Registration Boards (NCARB).

I periodically get sucked into these Twitter discussions when I’m busy procrastinating and not writing what I’m supposed to be writing. Call it a weakness for provocative questions thrown out on Twitter by faceless moderators: 

Q1: What advice do you have for interns getting started with IDP?

Q2: Many states allow concurrent completion of IDP and ARE4. What are the benefits of participating in both at the same time?

Q3: What resources have you used to help navigate IDP?

And so forth. 

The discussion brought back painful memories of my own tortuous IDP experience. By the time we got to Q7 or Q8 I came to a conclusion: IDP needs to be radically overhauled and re-conceptualized.

This AD Architecture City Guide is dedicated to the vibrant city of Tel Aviv, originally established as a garden-city on the sandy shores of the Mediterranean in 1909. Although widely known as “The White City” for boasting the world’s largest collection of International Style Buildings, Tel Aviv is not merely a monochromatic Bauhaus colony: it presents a rich mosaic of locally interpreted styles, from Eclectic to Brutalist to contemporary, which are the result of foreign and locally-born architects who adapted to the local cultural and climatic conditions.

Join us for our architectural city guide through the "Non-Stop City" after the break…

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Videos

Ever since London's Southbank Centre and Feilden Clegg Bradley revealed plans for the new ‘Festival Wing' earlier this year, the plans have come under fire - and by no group more vociferous than London's skateboarders.

The original plans proposed converting the space under Hungerford Bridge, used by skateboarders for years, into a new riverside area for urban arts. In response to skateboarders' outcry, Southbank Centre has decided to alter the design of the space so that skateboarders' needs will be taken into account. The Centre commissioned Iain Borden, skater and Professor of Architecture and Urban Culture at the Bartlett School of Architecture, UCL, and Rich Holland, skater and architectural designer at Floda31 to prepare a draft design brief earlier this summer; now, three architectural practices with skate-space experience have responded to the brief with three potential designs.·

An expert panel of skaters, including Borden, Holland, and film-maker Winstan Whitter, will then be responsible for "selecting the architect they’d most like to work with, finalising the design brief and developing the design." 

Check out the proposals from 42 Architects, SNE Architects and Rich Architecture, after the break...

The World Architecture Festival is only a few weeks away. The intense architecture event will take place between October 2nd and 4th in Singapore, a young, fast city where architecture is everywhere, as you can see on the above video.

With Birmingham's new public library opening last week, Mecanoo's latest large-scale public building has received mixed reviews from critics in the UK. Check out the critical responses from Hugh Pearman, The Telegraph's Stephen Bayley, The Guardian's Oliver Wainwright, The Observer's Rowan Moore, and The Financial Times' Edwin Heathcote after the break...

The Master Jury for the 2013 Aga Khan Award for Architecture has announced five deserving projects as winners of the prestigious, US$1 million prize. Since the award was launched 36 years ago, over 100 projects have received the prize and more than 7,500 building projects have been documented for exhibiting architectural excellence and improving the overall quality of life in their regions.

The 2013 Aga Khan Award for Architecture winners include:

UPDATE: Minutes ago Tokyo was announced as the host of the 2020 Olympics. Zaha Hadid’s design to become the Olympic stadium.

Today the International Olympic Comitee (IOC) will choose the city that will host the 2020 Olympics, with Madrid, Tokyo and Istanbul competing for the important event. The three cities just finished their presentations in Buenos Aires, Argentina, including presidents and royal members. As we await for the results, we present you the three stadiums designed to host the Olympics in each city.

More information and images:

Ever expanding population growth coupled with the continuous development of urban centres mean that buildings, in general, will continue to get taller. With the topping out of One World Trade Centre in May this year the worldwide competition to construct towers with soaring altitudes doesn’t seem to be slowing, especially in China and the UAE. The question on many people’s lips, however, is how much of these colossal buildings is actual usable space?

The shortlist for the 2013 Royal Institute of British Architects (RIBA) Manser Medal, awarded to the best new house or major extension in the UK, has been revealed. Amongst the five competing projects, which have all won either National or Regional RIBA Awards, is Astley Castle, which has also been shortlisted for the 2013 RIBA Stirling Prize.

The 2013 Manser Medal shortlist includes:

This article originally appeared in uncube magazine as "Saviour or Parasite?"

The post-war city centre of Rotterdam is ruled by commerce. Only five percent of the city's inhabitants live in the centre, which is almost entirely occupied by highstreet fashion chains, fast food restaurants, and offices. After shop closing time, the shutters go down and the streets are deserted. The municipality would like to lure more inhabitants into the centre – but space for new residential buildings is scarce. So in recent years, a 1960s cinema and church had to make way for a huge new housing complex designed by Alsop Architects, and a residential tower by Wiel Arets was speedily attached to Marcel Breuer's department store, De Bijenkorf. It was not until the municipality suggested forcing new housing high-rises into the green courtyards of the Lijnbaanhoven residential complex, designed in 1954 by Hugh Maaskant, that there were protests and the project had to be cancelled. For the time being, that is.

One densification project, however, tried not to destroy or debase the post-war building originally occupying its site. In many respects, the Karel Doorman residential high-rise could even be called the saviour of the old Ter Meulen department store. It might be rather uncommon for a valiant hero to crouch down on the shoulders of the little old lady he intends to rescue – but that's more or less what happened here.

"Architecture is more than creating a place to live," stated the late Dutch architect, Piet Blom, "you create a society." Till his death in 1999, Blom designed homes and urban schemes as if to reject the stern, coldness of post-war Modernism in light of a warmer, more human architecture. His drawings, diagrams and homes portray an affectionate commitment to reconcile elements of culture with the architecture around us. Characterized by his use of lively colors and equally expressive architectural geometries, project's such as the "Kasbah" and the cube houses in Rotterdam stand as testaments to his belief that architecture serves the people, not the other way around.

A true "People's Architect," Blom's work has endeared a growing number supporters, among these are residents who have lived in his houses and are hoping to garner donations to share these artifacts with the public. Ingeborg van der Aa, secretary of the Piet Blom Foundation, mentions that the initiative's mission is to promote recognition, new insight and appreciation with the hopes of encouraging a younger generation to be active creators of their society.

To learn more or contribute towards the Piet Blom Museum, visit there Indiegogo page here.

Follow us after the break for a rare collection of Blom's drawings. 

The US Green Building Council’s federally adopted LEED certification system has come under legislative siege with lobbyists from the timber, plastics and chemical industries crying out, “monopoly!” Mississippi, Georgia and Alabama have lead efforts to ban LEED, claiming the USGBC’s closed-door approach and narrow-minded material interests have shut out stakeholders in various industries that could otherwise aid in the sustainable construction of environmentally-sensitive buildings.

Most recently, Senator Roger Wicker of Mississippi, slipped in a last minute amendment to both the Housing and Urban Development and Department of Transportation appropriation bills stating no tax money may be used to require implementation of any green building certification system other than a system that:

Every year thousands of young hopefuls attend architecture school, entering with the expectation that, after their years of struggle and long hours in studio, they’ll come out the other end as legitimate architects doing legitimate architecture. 

How quickly they must abandon that unreasonable idea. 

From CAD monkeys to baristas, most architecture grads are not doing what they thought they would when they submitted their first tuition checks. And, to add insult to injury, those tuition checks only multiplied, leaving our grads in thousands of dollars of debt.

Surely there must be another way. PAVE, a kind of Kickstarter that connects individuals to investors, offers—if not a solution—then a very intriguing alternative.

Our friend and architectural photographer Felipe Camus recently embarked on an architectural pilgrimage to the valley of the Rhein. Located in the Graubünden region in Switzerland, the valley boasts many of the seminal works of Pritzker Prize Laureate Peter Zumthor, all within a 60-kilometer radius. Born in Graubünden himself, Zumthor designed the works in relation to their location and time by paying special attention to details and materials. As a result, the works all present Zumthor’s unparalleled skills of craftsmanship and his uncompromising integrity.

Join us for a special AD Architectural Mountain Guide, including a detailed map, photos and descriptions of Zumthor’s works, after the break….

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The students of the MSArch in Landscape and Urbanism program at Woodbury University in San Diego have shared this video on Proyecto Experimental de Vivienda (PREVI): a late 1960s social housing experiment in Lima, Peru, which, backed by the Peruvian government and the UN, involved the best social housing architects of the day.

The designs, part of the later, more humanist strain of modernism, were intended to allow families - who were used to holding complete control over the construction of their own homes - to appropriate the houses. However, they were also designed to imply how future construction might prevent the proliferation of chaos present in previous slums. The video asks how residents feel about their experimental homes today, questioning the success of this design strategy, 40 years after the project's completion.

Find out more about the outcome of the PREVI experiment, after the break...

This article originally appeared the National Endowment of the Arts' quarterly magazine as "The Suburban Canvas: An Emerging Architectural Model of Artistic Possibilities"

For much of its existence, American suburbia has been considered an architectural wasteland. From shopping malls to McMansions to residential developments, suburbs from Connecticut to California look eerily similar and share a similar pattern of quick, cheap construction that has left little if any room for thoughtful design.

But with the recent foreclosure crisis and growing environmental concerns, new opportunities have emerged to re-imagine the suburbs into sustainable, architecturally innovative communities. Although the other art forms examined in this issue have fully established themselves, suburban design -- traditionally the realm of profit-driven developers -- is only now beginning to emerge as an artistic field. Fueled by exhibits such as the Museum of Modern Art's Foreclosed: Rehousing the American Dream and Dwell magazine's Reburbia Design Competition, architects and designers are beginning to explore what the suburbs could potentially look and feel like. We spoke with several architects who are leaders within this growing trend, and are quite literally designing new artistic possibilities for all those "little boxes on the hillside." In their own words, here are some of their concerns, projects, and visions.

Zaha Hadid Architects, Coop Himmelb(l)au, UNStudio, and Snøhetta are some of the 45 shortlisted practices competing to design the International Specialized Exposition (Expo 2017) in Astana, Kazakhstan. Each practice, selected from more than a 100 proposals worldwide, has submitted their own interpretation of the expo’s theme: "Future Energy". Come September, the jury will announce which vision best represents what will be the country’s first world fair.

“The theme of our exhibition is closely related to 'green economy', which takes into account the possibility of using alternative energy sources and the autonomous water and heat provision in each of the constructions," said Kazakhstan president Nursultan Nazarbayev.

We've recently covered the topic of prison design on a number of occasions - more specifically the work of Architects, Designers and Planners for Social Responsibility, led by Raphael Sperry. ADPSR is campaigning to have the AIA forbid its members from designing prisons; however, we have previously questioned the effectiveness of this tactic, with other professionals, such as engineers, often willing to design prisons in the absence of architects. In another article on the topic, we suggested that the problem lies not with the ethics of architects, but with the US prison system itself.

This raised the question of how architects might actually change the system - are we stuck with the political landscape we are given, or are we capable of leveraging our expertise to make positive changes to society?

It turns out that Deanna VanBuren of FOURM Design Studio is doing exactly that. Through her designs, as well as workshops and events with the public and with prisoners, VanBuren is championing restorative justice: a form of incarceration centered around rehabilitation rather than punishment. We interviewed VanBuren to find out how she is encouraging people to accept restorative justice above punishment.

Read on after the break for the full interview.