This 3D model is as close as you can get to the real thing, as Omega House is one of the few Case Study Houses that was never built. Presented early in the case study program of Arts & Architecture magazine in 1945, it presents one of the most innovative design concepts in the series, one you can now explore in your browser.

The architect, Richard Neutra, was a celebrity in his own lifetime, and among the most esteemed of the high modernists. Neutra was born in Vienna and already over 30 when he arrived in America in 1923. He worked for Erich Mendelsohn, for Frank Lloyd Wright, and briefly with Rudolph Schindler. Many of his commissions were domestic houses, structures that he managed to make wonderfully photogenic. Neutra carried himself with some of the aristocratic manner of a Mies van der Rohe, but tempered by the lively west coast egalitarianism of Charles and Ray Eames (link to previous project). He made the cover of Time Magazine in the forties, and might be one of the only prominent architects ever to build a drive-in church. Perhaps most remarkably, Ayn Rand wrote the screenplay to The Fountainhead whilst living in a house designed by Neutra.

If you've been through architecture school you're probably wary of craft knives, which can puncture the skin of an non-alert, caffeinated student at a fraction of a second's notice. Even if you manage to avoid the hospital, though, these scourges of the studio still know how to hurt you: their designs are the antithesis of ergonomics, making a marathon modeling session a mighty endurance battle against hand cramps and joint pain. Aiming for a more comfortable solution, architecture graduate Sean Riley developed the Ergo Kiwi, and today is launching a Kickstarter campaign to help bring the product to market.

In addition, Riley has also meticulously cataloged his design and production process. At ArchDaily, we thought it gave a fascinating insight into not only the design of Ergo Kiwi, the but the steps involved in developing and bringing to market a convincing product. As a result, we invited him to share his story.

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OMA has been selected to renovate Kaufhaus des Westens (KaDeWe), a historic department store in Berlin – and the biggest in continental Europe. Its giant size “makes it akin to a city: a three dimensional network of paths, squares, neighbourhoods, activitiies and views unfolding through its large extensions and providing opportunities for commercial, social and cultural encounters,” writes OMA.

To address the size, their design divides the department store into four quadrants, breaking “the original mass into smaller, easily accessible and navigable components.” Each quadrant will target different audiences and act as an independent department store. Learn more about the design after the break.

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As the first month of 2016 draws to a close, we decided to tap into our network and ask an esteemed group of architects, critics, theorists and educators to tell us what they are looking forward to this year in architecture. 

What are you looking forward to in architecture this year?

In an age when companies of all types are seeking diverse and creative ways to achieve their goals, the traditional model of architectural practice appears to be increasingly old-fashioned. Last year, one of the most dramatic changes in the make-up of architectural practice was the foundation of product design firm BIG Ideas, an off-shoot of Bjarke Ingels Group, which is tasked with solving problems that are usually outside the scope of an architect's work. In this interview, originally published by Archipreneur in their "Archipreneur Insights" series as "Making BIG Ideas Happen Through Design With Jakob Lange," the head of BIG Ideas speaks to Tobias Maescher about the foundation of this entrepreneurial company and the value of keeping such close connections between a product design company and its parent architecture firm.

Today’s interview is with Jakob Lange, Partner at BIG (Bjarke Ingels Group) and Head of the BIG Ideas project unit, which was established in 2014. With this unit, BIG is broadening the scope of their architectural practice to a wider field. Combining technology and product design, this remarkable incubator creates prototypes, products and new materials within the building industry.

The Friday Smart Lock, an electronic door lock that pairs with a user’s mobile device, is one great example of an innovative product the team at BIG have helped to produce. They have also utilized creative methods for financing their projects, including a recent Kickstarter campaign for the prototype of a steam ring generator at a BIG-designed power plant in Copenhagen.

We think it is fascinating that one of the world’s most innovative and successful architectural offices is moving into other fields of practice—a very archipreneurial move! However, this is just one of many ways that architects can apply their skillsets to future business innovations. Here are Jakob’s thoughts on architecture, design and product development.

While its status as an epicenter of architectural production is legendary, Chicago is sometimes overlooked by contemporary architectural debate, forced out of the spotlight by the proliferation of media outlets and educational institutions in the area around New York. However in the latter part of the 20th century and into the 21st, few people have been as devoted to fostering architectural discussion in the city as Stanley Tigerman. In this interview excerpt, originally published by MAS Context as "It’s Not What You Say, It’s What You Do," Iker Gil and Ann Lui speak with the famously antagonistic architect about everything from Chicago, to the New York Five, to the importance of keeping friends at arm's length.

At one point in this interview, Stanley Tigerman asked us: “You know the character you need to be an architect? You need to be brave. You need to be strong. You have to have a very strong backbone. You have to have very thick skin because you’re going to get beat to shit by others, without question. You have to have that quality in you to take the criticism that will come your way no matter what.”

At the core of this advice is the central belief that vigorous debate—including harsh criticism, strong positions, and the prioritization of powerful new ideas even at the cost of one’s own comfort—is essential to the forward movement of architecture.

As an idea that was developed fairly early on in the movement for sustainability, and picked up significant traction a few years into the new millennium, "Design for Deconstruction" has been around for some years. Yet still, considered on the scale of building lifespans, the idea is still in its infancy, with few opportunities to test its principles. In this post originally published on Autodesk's Redshift publication as "Recycled Buildings or Bridges? Designing for Deconstruction Beyond Adaptive Reuse," Timothy A Schuler looks at the advances that have been made, and the challenges that still face, the design for deconstruction movement.

This summer, the Oakland Museum of California announced a new public arts grant program. Except instead of money, selected artists would receive steel. Tons of it.

The Bay Bridge Steel Program emerged out of a desire to salvage and repurpose the metal that once made up the eastern span of San Francisco’s Bay Bridge, originally constructed in 1933 (it was replaced in 2013). The steel in question, sourced from “spans referred to as ‘504s’ and ‘288s’ (in reference to their length in feet),” according to the application material, would be available for civic and public art projects within the state of California.

The program represents a unique opportunity to adaptively reuse infrastructure, upcycling what might have been waste. And yet any instance of adaptive reuse is inherently reactive because the design process is dictated by an existing condition.

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A boathouse by Studio Gang, the Smithsonian's BIG plan, and a new Baltimore school by Rogers Partners' are some of 18 projects selected for the 2016 American Institute of Architects (AIA) Honor Awards. The awarded projects were chosen from 500 submissions as the US' best new architecture, interiors and urban design projects. Each recipient will be honored at the AIA 2016 National Convention in Philadelphia.

The 2016 Institute Honor Awards for Architecture are...

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Museums, restaurants, shops, theaters. These are the types of spaces the public interact with on a regular basis in a city. But these spaces alone do not make a city - in fact, the vast majority of buildings house spaces that 99 percent of the population will never see. Yet a true city experience cannot exist without these buildings. What is the true value of private buildings to the tourist or the passer-by on the street? Is it simply a matter of aesthetic and identity? Could the same result be achieved with a streetwall made up of only facades? These are the implicit questions embedded in “Apparences,” the new video from Claire and Max of Menilmonde. The duo uses video editing and CGI to alter iconic Paris views, making the city of romance appear to be little more than the world’s largest movie set.

A city with the history and imagery of Paris cannot be mistaken for a Potemkin Village - the city functions still as one of the preeminent economic centers in the world. Yet its status as one of the world’s most visited cities and tales of its beauty and luxury often plant false visions of grandeur in visitors’ minds.

Zaha Hadid is facing new hurdles regarding her scrapped Tokyo National Stadium design; according to the architect, the Japan Sport Council (JSC) is withholding an overdue payment until ZHA agrees to relinquish ownership of their original designs.

After working on the design for more than two years, the British practice was decommissioned from the project over cost objections last summer. Since, Japanese architect Kengo Kuma has been reassigned the project, offering a design that ZHA says is suspiciously similar to their original proposal "in the structure, layout and numerous elements."

Now, the JSC has requested ZHA agrees to new "Compliance Rules" that would allow the stadium's new architect to "use any product of work ... regardless of its copyright."

Last week the New York Public Library made over 180,000 images from their digital archives available in the public domain, and free for high-resolution download. Not only are the images available for download, but since they are in the public domain and free of any copyright restrictions, users have the freedom to get creative and alter, modify, and reuse the images in any manner they see fit. Featuring a wide variety of images including drawings, engravings, photographs, maps, postcards, and in some cases, digitized copies of entire books, the collection has been noted for fascinating historical artifacts such as a set of color drawings of Egyptian gods and goddesses, and a digitized book from the 18th century containing over 400 color plates depicting various current and historical fashion trends.

Of course, the archive also includes a significant assortment of captivating architectural images that range from everyday scenes to historic treasures. We've trawled the database to find some of the most unusual and insightful examples - read on to see a selection of the most interesting architectural images from NYPL’s digital archives.

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Referencing architecture's intimate past with the arts, Steven Holl argues the importance of collaborating with other artists for the benefit of the profession alongside choreographer and dancer Jessica Lang. "If we don't intermix the arts and collaborate, we are going to close... The arts are going to fade out individually. We are stronger together."

Watch the Spirit of Space video above to learn more about Holl and Lang's collaboration - Dance with Architecture - that uses dance to explore the four types of architecture: "under the ground, in the ground, on the ground, and over the ground."

Videos

Alejandro Aravena has been named as the winner of the 2016 Pritzker Prize. Highlighting his dedication to improve urban environments and to address the global housing crisis, the Pritzker Prize jury praised the way in which the Chilean architect has "risen to the demands of practicing architecture as an artful endeavor, as well as meeting today's social and economic challenges." Aravena is the 41st Pritzker Prize laureate and the first Chilean to receive the award.

At 48 years of age, Aravena has a large portfolio of private, public and educational projects in Chile, the USA, Mexico, China and Switzerland. But perhaps more notably, through his “Do Tank” firm ELEMENTAL he has managed to build 2,500 units of social housing, engaging in the public housing policies of governments where he works and taking an opportunistic approach to market forces to generate a powerful impact on lower-income communities.

"Alejandro Aravena epitomizes the revival of a more socially engaged architect, especially in his long-term commitment to tackling the global housing crisis and fighting for a better urban environment for all,” explained the Jury in their citation. “He has a deep understanding of both architecture and civil society, as is reflected in his writing, his activism and his designs. The role of the architect is now being challenged to serve greater social and humanitarian needs, and Alejandro Aravena has clearly, generously and fully responded to this challenge."

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Mumbai, home of 1.5 million person Dharavi slum known to be one of Asia's largest, will soon be host the world's first slum museum. As Smithsonian Magazine reports, the Design Museum Dharavi is being envisioned by Spanish artist Jorge Mañes Rubio to showcase works that “reimagines and revives [forgotten] sites as attention-worthy destinations.”

“Despite the tough conditions [the people of Dharavi] live in, they are capable of creating, designing, manufacturing and commercializing all kinds of goods,” said the museum’s founders. “We believe that the objects made in Dharavi could be as valuable as those collected by design museums.”

In early April 2015, the New York Times reported on Leonardo DiCaprio’s recent purchase of Blackadore Caye, a small island off the coast of Belize that has faced significant environmental degradation and erosion. A patron of several environmental projects, DiCaprio is partnering with Paul Scialla, CEO of the Delos real estate and wellness platform, to create an eco-resort intended to serve as the latest model of cutting-edge, environmentally-responsible tourism development. The development plans include a row of floating guest suites built over the water, 48 private villas (ringing in at $5-15 million), human health and anti-aging wellness programs, and a conservation area. The project is advertised as meeting the ambitious green building standards of the Living Building Challenge and the WELL Building Standard®.

Many Times readers in the comments section sardonically noted that the private jets and the shipment of building materials and daily resources for island development come with large environmental and social price tags that far outweigh the conservation efforts associated with the resort. On the other hand, a few commentators pointed out that the development will employ local labor and save the island from complete degradation. The discussion surrounding the pros and cons of “eco-tourism” development is not a new one, and not one that is easily settled.

But beyond the (important) discussion of the impacts of eco-tourism, the development raises questions about the emergence of alternative green building market standards, which ostensibly aim to transform the building industry by setting measurable targets for the environmental and social effects of the places we live and work.

We believe good projects should be able to express and explain themselves. Architectural representation plays a fundamental role in how a project is perceived by the audience, which is why today ArchDaily is recognizing the most outstanding, original and self explanatory drawings of the year.

The selected drawings cover the diverse range of different techniques used in architectural representation today, from hand drawing images to perfectly detailed axonometrics and animated GIFs - but one thing they all have in common is the deep insights they provide into the appearance, construction or concept of the buildings they represent.

The Architecture Project recently invited us to visit the city of Aarhus, Denmark as part of a press tour related to health and architecture, with the aim of seeing the latest healing projects that are arising in the city.

Overshadowed for years by Copenhagen, Aarhus is a port city that seeks to reinvent itself and shine once again – and it is succeeding. The pleasant surprise is that it is the architects who have driven this change. Architecture has invaded all of the city's spaces, from the forgotten industrial port to the downtown areas full of historical buildings.

This visit has taught us some important lessons: 'healing architecture' isn't only about hospital projects, but rather about encouraging people, about creating friendly spaces to live and coexist, and about getting as connected as possible with users to give them what they really need. 

Check out some of the strategies used to achieve these goals after the break. 

What if a power plant could also be a home, an office, or even a park? That is the question behind Cypher CO₂ling Plant, a conceptual design developed by Kawan Golmohamadi, Shilan Golmohamadi, and Soad Moarefi. Power plants are a ubiquitous and inevitable byproduct of modern lifestyles, but they are typically located in remote areas, far from where the power is actually needed, due to their unsightly appearance and the emissions associated with combustion-fueled energy generation. Cypher CO₂ling Plant proposes an alternative scenario that utilizes the infrastructure of the power plant’s cooling towers to support mixed-use development, while also mitigating the less desirable aspects of energy generation.

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