Whether built, written or drawn, the work of renowned architect, theorist and educator Peter Eisenman (born 11th August 1932) is characterized by Deconstructivism, with an interest in signs, symbols and the processes of making meaning always at the foreground. As such, Eisenman has been one of architecture's foremost theorists of recent decades; however he has also at times been a controversial figure in the architectural world, professing a disinterest in many of the more pragmatic concerns that other architects engage in.
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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Australian Pavilion. To read the initial proposal, refer to our previously published post, "Australian Pavilion at 2018 Venice Biennale to Explore Architecture's Relation to Endangered Plants."
The theme for the Australian Pavilion at the 2018 Venice Biennale is Repair. Created by Baracco+Wright Architects in collaboration with Linda Tegg, it consists of a living installation, Grasslands Repair, that presents more than 60 species of Western Plains Grasslands plants from South East Australia. By covering the ground of the pavilion with these plants, it explores the relationship between architecture and the natural environment, especially in regards to the ecologically sensitive landscape of Australia and the cultural importance of the land for the Indigenous people.
6 Projects in Brazil, Mexico, Peru, and USA Selected as Finalists for the 2018 Mies Crown Hall Americas Prize
Minutes ago in Detroit, Director Dirk Denison and 2018 MCHAP Jury Chair Ricky Burdett announced the six finalists of the 2018 edition of the Mies Crown Hall America Prize. Selected from a longer list of 31 projects announced earlier this summer in Venice, these outstanding works of architecture will compete for the top honor, the MCHAP Award, which will be announced in October. The authors of the winning award will take home $50,000 to fund research and a publication and will be recognized as the MCHAP Chair in IIT’s College of Architecture.
The six finalist buildings were completed between January 2016 and December 2017. The descriptive texts, provided by the MCHAP jury, celebrate the merits of each individual project.
Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.
Considered one of the noblest building materials - and also a favorite of many global architects - wood delivers aesthetic, structural, and practical value in the most versatile of ways. Through different techniques, such as crafted or prefabricated wood, wooden construction remains relevant not only in the history but also in the forefront of architecture and design (thanks to new technologies that have expanded its possibilities).
From temporary pavilions to single-family homes and multi-story, large-scale institutions, wood has shown its value at the same level as many other structural materials such as steel, brick, or even concrete. This is especially prominent in the United States, where renowned architects are using new techniques to advance the solutions that this material can provide. Also, new regulations are allowing architects to further explore the diversity and possibilities of building with wood.
With the help of ThinkWood, we’ve gathered 100 examples of the best wood structures in the United States.
The installation of wood laminate flooring may seem basic or even alien to what we do as architectural designers, but that should not be the case. When we understand the characteristics of the materials we specify and their assembly processes, we can design in a more efficient manner, adjusting our proposals to the requirements of the project.
With this in mind, below we present a step-by-step assembly process for EGGER's UNI fit wood laminate flooring—a type of flooring that sits above the slab and does not require the use of screws or glue. The elements of this system join together with "click" system, allowing the installed floor to sit freely over what is below it.
In his first public statement since the June 16th fire, Glasgow School of Art director Tom Inns said today that the Mackintosh Building would be rebuilt. This commitment, while putting an end to weeks of speculation, is still no guarantee of the famed structure’s future.
As Inns explained to The Guardian, “The building is insured and we’re confident that we can rebuild the building based on that.” The renovations that were begun after the first fire that hit the building in 2014 and damaged around a third of the interior, were made possible by large-scale fundraising efforts from both the public and government bodies. However, it is unclear whether similar efforts will be necessary for future rebuilding efforts, with Inns maintaining that “at the moment, we’re not requesting support from either government [Scottish or UK].”
Held every two years, the International VELUX Award challenges students to generate projects that take advantage of daylight, with the aim of developing a deeper understanding of this energy source.
A jury of renowned architects chose 9 regional winners for its 2018 iteration, who will now compete for the winning title at the World Architecture Festival in November. The winners were chosen from projects presented by students from 250 different architecture schools in 58 countries.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Austrian Pavilion. To read the initial proposal, refer to our previously published post, "Austrian Pavilion at 2018 Venice Biennale to Focus on the Importance of "Free Space" in Urban Spaces."
Part of the Austrian Pavilion at the 2018 Venice Biennale, Henke Schreieck’s “Layers of Atmosphere” installation creates two opposing but interconnected spaces; one features a simple wooden structure, whereas the other offers a simple light atrium whose walls are covered in thin layers of paper. Connected by a walking bridge, the spaces provoke questions about architecture as space and architecture that creates space.
Architectural Record released the 2018 edition of its annual list of the Top 300 Architecture Firms in the United States. Compiled by Record's sister publication Engineering News-Record, the list ranks firms based on architectural revenue from services performed in 2017. Gensler remains at the top for the seventh consecutive year. For more insight and comments from the leading firms' leadership, see Architectural Record's announcement.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Finnish Pavilion. To read the initial proposal, refer to our previously published post, "Finnish Pavilion at the 2018 Venice Biennale to Examine the Future of Libraries."
Conceived by Commissioner Hanna Harris, Director of Archinfo Finland, and Curator Dr Anni Vartola, the Finnish Pavilion presents Mind-Building at the 2018 Venice Biennale, an exhibition that explores the importance of the public library in Finnish culture. With exhibition design by Tuomas Siitonen and graphic design by Johannes Nieminen, it showcases Finnish libraries through a thematic selection of architectural designs, objects and specially commissioned sound and video work.
Wood as a building material is experiencing a bit of a renaissance. Though elemental and deceivingly simple, applied technology has transformed the building material. If you have questions about how to choose and use wood, Think Wood's mission is to provide access to the expanding pool of research and information.
In support of this year’s AIA theme, Blueprint for Better Cities, Think Wood is at the AIA Conference on Architecture to share research and resources on the benefits of wood and how it offers better solutions for the communities where we work, live and play. If you're at the conference be sure to stop by the Wood Pavilion at booth 757. If you can't make but are interested in learning more, read on to see the benefits of wood.
As part of our 2018 Venice Architecture Biennale coverage, coverage, we present the completed Lebanese Pavilion. To read the initial proposal, refer to our previously published post "Lebanon Pavilion at 2018 Venice Biennale To Reflect on The Built Environment Through a Reflection on The Unbuilt Land."
Titled “The Place that Remains” the Lebanese Pavilion, in the country's first participation in the Venice Biennale, showcased the characteristics and prospects of unbuilt Lebanese territories, and how these lands can improve the built environment and its living conditions. Curator Hala Younis chose to focus on Nahr Beirut (Beirut River) and its watershed, evaluating its bedrock and the challenges that come with it, such as the “fragile nature of territory, scarcity of resources, and commodification.”
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With more digital tools available to architects than ever before, one has to ask themselves why the sketch remains one of the most valued pieces of representation in the architectural field. Renderings, three-dimensional models, and virtual reality are powerful and efficient innovations that allow architects to express their ideas and designs. However, in our fast-paced world where messages are sent across the globe in a matter of seconds, it seems that nothing compares to the hand-drawn, imperfection of a sketch.
While some sketches are chaotic scribbles developed during the design stage, others are true works of art, aimed to convince clients. Below, we compiled a list of 100 sketches made by architects from around the world to inspire you.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Turkish Pavilion. To read the initial proposal, refer to our previously published posts, "Turkey's Entry to the 2018 Venice Biennale to Offer Space for Creative Encounter" and “Turkish Pavilion at the 2018 Venice Biennale to Host a Series of Student Workshops”
Kerem Piker of the firm Kerem Piker Mimarlık curated this year’s Pavilion of Turkey entitled Vardiya (the Shift), together with associate curators Cansu Cürgen, Yelta Köm, Nizam Onur Sönmez, Yağız Söylev and Erdem Tüzün. Coordinated by the Istanbul Foundation for Culture and Arts (İKSV) and installed at Sale d’Armi, Arsenale, the pavilion functions as a space for gathering, conversation and sharing ideas, with a series of video installations projected on draped fabric screens as well as a lecture and meeting space designed to host the 122 architecture students invited from around the world to participate in workshops, discussions and keynote lectures in the space.
Pre-Announcement: International Tender For the Architectural Design of Qianhai International Financial Exchange Center
The Overall Planning for the Development of the Qianhai Shenzhen-Hong Kong Modern Service Industry Cooperation Zone was approved by the State Council in 2010. The Planning defines Qianhai as an innovative cooperation demonstration zone for Guangdong-Hong Kong modern service industry.