Produce personalized presentation boards that distill complex concepts into simple visual representations with a few helpful tools and effects.

Nowadays everything is “painted” green. It's green packaging, green technologies, green materials, green cars and, of course, green architecture. A “green wave”, stimulated by the environmental and energy crisis we are facing, with emphasis on climate change and all the consequences linked to global warming. This calamitous situation is confirmed by the second part of the report entitled Climate Change 2022: Impacts, Adaptation and Vulnerability prepared by the Intergovernmental Panel on Climate Change (IPCC) and presented in recent weeks. It reveals that, although adaptation efforts are being observed in all sectors, the progress implemented so far is very low, as the actions taken are not enough.

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On the heels of the Eames Office’s 80th anniversary marked by an exhibition and a Ray-inspired sneaker, director Eames Demetrios spoke to Metropolis about the matriarch who continues to inspire design.

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Over the years, interior design has evolved according to the needs that arise, but above all according to the experiences we seek to provoke in the user. In the last two years, we witnessed a radical change and a particular interest in this subject because the pandemic forced us to pay specific attention to the configuration of the places we inhabit. This brought about much more holistic designs that cater to the wellbeing of the user, combining colours, sensory experiences, technology and natural elements that promote health.

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Tragedy, protest, insurrection, and political turmoil have led to a renewed awareness of racial injustice and democratic instability. These issues create new challenges for users and designers of public spaces in America. Cultural spasms have resulted in contested public spaces — sites of killings, protests in streets and parks, and forgotten burial grounds. These spaces need a new form of environmental justice.

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Comfortable outdoor spaces are more desirable than ever. Over the past couple of years, people have been spending more time at home, connecting with nature from the relative comfort of covered balconies, patios, and pergolas. But even with pleasant views, cooling breezes, and the warmth of the sun, covered outdoor spaces can be uncomfortable. Temperature variations, glare, rain, and wind quickly create an unpleasant experience. In warmer climates, insects can be an additional a nightmare.

Paris has been making headlines for years with its aggressive steps to anti-car, pro-pedestrian urban improvements. Faced with increasing issues around air pollution and an attempt to reclaim streets for alternate modes of transit, as outlined in their proposed plan for a 15-minute city, the French capital is seen as a leader in future-forward urbanist strategies. Recently, their department of transportation set a deadline for their lofty goals of eliminating traffic from its roads. In just two years from now, in time for the French capital to host the Olympics, Paris plans to ban non-essential traffic from its city center, effectively eliminating around 50% of vehicular mobility. What does this plan look like? And how might other cities use this strategy to eliminate their own urban issues?

Last Tuesday, March 15, Francis Kéré became the first African architect to win the Pritzker Prize, the most important award in the architecture discipline.

The election of Kéré is not only symbolic in a time of identity demands, where the institutions that make up the mainstream are required to more faithfully represent the social, cultural, and sexual realities that make up our societies, but it also confirms the recent approach of the Pritzker Prize jury.

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In recent years, there has been an increased focus on indoor lighting, especially in the context of the growing numbers of open-plan offices. In large parts of the world—and especially in Nordic countries—people can spend up to 80-90% of their time indoors. The light we are surrounded by affects both our circadian rhythm and hormones, making our indoor environment and its light an important factor of our well-being. Opinions on the optimal indoor lighting solution—and if one exists at all—are numerous and divided. To gain some more insight into this, the Danish lighting manufacturer Louis Poulsen set out to test the effects of various artificial lighting conditions in their own head office in Copenhagen.

Based in São Paulo, Atelier Marko Brajovic was founded in 2006 by architect Marko Brajovic. With a multidisciplinary practice, the idea of the hybrid manifests itself as the conceptual north of the office that operates on several fronts: architecture, scenography, expography, creative direction, interior and product design. With a vast language that explores different areas, formats and aesthetics, its projects are, above all, recognized for breaking with the modern canon and seeking solutions in nature.

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Balconies provide residents with great views while literally and figuratively looking down on the neighbors, but they also offer numerous other advantages.

Videos

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina discuss mental health and burnout in architecture, covering how the issue is perceived by different generations, why looking to other colleagues and professions can be helpful but also not helpful, passion as a solution and problem, the inherent complexity of architecture, architects being undervalued, whether or not architecture school should change, the instability of a project-based practice, and the main reasons for poor mental health and burnout exist in architecture and how they can be addressed.

Architecture education was never designed to prepare you for the entrepreneurial side of running a practice. In the minds of the creators that constructed the system which stands for what you now know to be the path to getting licensed, you were never meant to start a business in architecture prematurely. There is a code, a set of rules that drives you to obey and follow a one-sided vision of success. 

From celebrations of important conquests to expressions of wishes for someone who is sick to get better, the act of gifting someone (or oneself) with flowers is present at different stages of our lives and can carry numerous meanings. This kind of ritual materializes the expression of a feeling and, in many cultures, it is a delicate and sensitive choice, which usually takes into account the selection of specific species for each event.

For this reason, flower shops and stores specializing in flower arrangements are often places where the diversity of species is arranged in order to make it possible to choose the right arrangement or bouquet of flowers. In this sense, many florists take advantage of spatial organizations and design elements that seek to enhance the natural beauty of flowers. Some examples of this strategy are the use of more neutral tones on the surfaces, in contrast to the colors of the different species, and the use of innovative displays in dialogue with the arrangements.

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This article was originally published on Common Edge.

What, exactly, is the point of architecture criticism? The word “criticism” is derived from the Greek term krinein, meaning to separate, to sift, to make distinctions, to discern, to examine, or to judge. According to Wayne Attoe, an architect and educator who writes about architecture criticism in his book Architecture and Critical Imagination (now sadly out of print), this does not necessarily mean to disapprove of, or to find fault with. It can be favorable or unfavorable; it can praise or condemn.

Hotels are a hub for commerce, transportation and culture. Today, interior designers are redefining hospitality spaces to accommodate new forms of travel, communication and rest. From historic renovations to contemporary ground-up hotels, these projects center around leisure and memorable guest experiences. In turn, they express brand identity to rethink what interior design and hospitality will be in the future.

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