Barricades in the streets of Bordeaux during the May 1968 protests in France. ImageCourtesy of Wikimedia
This article was originally published as "What Marchers Today Can Learn from the May 1968Protests in Paris" on CommonEdge in May 2018. In the 50 years since the historic and worldwide protests of 1968, much has changed. But today's political climate seems equally volatile, with seismic changes threatening social and political establishments across the globe. Lessons from the past are, to borrow the phrase of the moment, more relevant than ever.
American friends recently sent an email: “What’s going on with the French political system? Why all the strikes? What about the endless protest marches? We’d like to visit you in Paris, but we’re a little wary.”
It's not easy to find theory in the implementation of architectural models: a practical model that allows you to analyze and showcase the organization of material elements according to a particular process. They also allow you to detect and modify the key elements of a project while also addressing the project's executive procedures.
Together with architectonic construction details, the development of the constructive facets is pushed to the background up until the ultimate steps of the design process, but this is also when we identify what is appropriate for a certain stage in the process in order to facilitate a seamless execution.
In the search to bring ourselves closer to the presentation and utility of architectural models, we invite you to take a look at a series of examples:
The Ritterman Building. Image courtesy of bpr architects.
For bpr architects, BIM Level 2 is becoming business as usual. This medium-sized, employee-owned firm based in the UK focuses on how good design can add value to a client’s vision. Led by Directors Paul Beaty-Pownall and Steve Cowell, the firm specializes in three core sectors: higher education, rail stations, and regeneration.
Walk into a room bathed in cozy, inviting light and you’ll feel instantly at ease. Walk into the same room buzzing with harsh fluorescents, and your teeth may start to grind.
Why?
In 2014, a Journal of Consumer Psychology study found that the more intense the lighting, the more affected and intense the participants’ emotions were — both positive and negative.
The study included six experiments that examined the link between emotion and ambient brightness. Feelings of warmth increased when participants were exposed to bright light with hints of reddish hues. A sensation of angst increased when bluer light dominated.
And the brighter the light, the more intense the participants’ emotions became. Both the intensity and the color of the light affected people’s moods.
Is Artificial Intelligence (AI) the doom of the architecture profession and design services (as some warn) or a way to improve the overall design quality of the built environment, expanding and extending design services in ways yet to be explored? I sat down with my University of Hartford colleague Imdat As. Dr. As is an architect with an expertise in digital design who is an assistant professor of architecture and the co-founder of Arcbazar.com, a crowd-sourced design site. His current research on AI and its impact on architectural design and practice is funded by the US Department of Defense. Recently we sat down and talked about how this emerging technology might change design and practice as we now know it—and if so, would that be such a bad thing?
The iconic Empire State Building, the first construction to have more than 100 floors, went on to define the modern concept of the skyscraper. These images—originally published by HomeAdvisor—allow us to indulge in the brief folly of what the Empire State Building might have looked had it been conceived under a variety of easily recognizable architectural styles.
It’s well understood that a sense of place is an essential value for people, architecture, and cities. Everyone from designers to planners to city governments speak breathlessly of the power of places to transform cities for the better - but it’s not clear what placemaking really means.
https://www.archdaily.com/902961/this-week-in-architecture-what-makes-a-placeKatherine Allen
In 1948, the architect Charles-Édouard Jeanneret-Gris, better known as Le Corbusier, released one of his most famous publications titled Modular, followed by Modular 2 (1953). In these texts, Le Corbusier expressed his support of the research that Vitrubio, DaVinci, and Leon Battista Alberti started centuries before: to find the mathematical relationship between human dimensions and nature.
The research of the previously mentioned authors also represents the search to explain the Parthenon, the temples, and cathedrals built according to exact measurements that reference a code of essentiality. Knowing what instruments were used in finding the essence of these buildings was the starting point, instruments that at first glance seemed to bypass time and space. It wouldn't be farfetched to say that the measurements came from essence: parts of the body such as the elbow, the finger, thumb, foot, arm, palm, etc. In fact, there are instruments and measurements that carry names alluding to parts of the human body, an indication of architecture's proximity to it.
In a world where autonomous vehicles, artificial intelligence (AI,) Internet of Things (IoT,) virtual reality (VR) and augmented reality (AR) are becoming commonplace terms across the globe, the average AEC client will soon expect consistently high-quality presentations and renderings throughout the design process.
Many people are already anticipating future demand for these technologies, but few are prepared to integrate them with each other. Enscape has developed a system combining several of these features to create lively, immersive, and unforgettable experiences for clients.
In late January I attended a moving memorial service at Yale’s Battell Chapel for Vincent Scully, the man who led me to architecture as a career, and who continues to inspire me as a writer and historian. While there I took the opportunity to tour Benjamin Franklin and Pauli Murray Colleges, Yale’s first new residential colleges in half a century. I came away marveling at the quality of the architecture, and thanking my alma mater for its vision and commitment to enhancing the city and the campus.
https://www.archdaily.com/902651/forget-the-critics-traditional-architecture-can-still-make-a-contemporary-placeMark Alan Hewitt
It's no secret that post-modernism has, in recent years, experienced something of a revival. The much-maligned movement's exhuberant and joyful take on architecture is perhaps a solace in difficult moments. Or, for the more jaded among us, perhaps it simply lends itself to Instagram.
That said, it's not quite the postmodernism that took off in the 60s. Post postmodernism is also concerned with history and context, but with contemporary spins made possible by new technologies. Installations and other temporary typologies also bring with them a fresh perspective, preserved forever on the internet for our vicarious enjoyment. But perhaps most crucially, it is no longer so wholly a reaction against the hegemony of modernism; something that the original postmodernists were fixated with. Today's postmodernism can be at once joyful and reserved, vernacular and high-tech.
Researchers, academics and those with tireless curiosity will know the thrill of chasing down the details of something mysterious or unexplained. In this tweet thread from 2017, Paul Cooper noticed a difference in a nearly 100-year-old photo that led him to uncover the real story behind a strange "appendage" on the top of the Temple of Athenian Zeus. What follows is the Twitter equivalent of an architectural thriller. What is it? Why were depictions of the temple altered? Mr. Cooper takes us on a rollercoaster 18-tweet journey that uncovers the mystery.
Uruguay's architecture scene has long taken the backseat to those of its more popular neighbours. Brazil, to the north, has a modernist history that rivals (if not shades) that of its European peers; Chile, to the west, boasts an innovative climate for architecture unparalleled in the world today.
Recently, a new trend in architecture has emerged: Several of the latest projects highlighted by ArchDaily, including some winners in the Building of the Year Awards, are using permeable facades as an attractive option for their exterior finishes.
Designing a home is no mean feat. It is a project of intimate importance to the client, and one small enough in which each seemingly minor decision can have a significant experiential impact. But when clients are willing to take part in a collaborative process, it is possible to create magic. Architect and author Duo Dickinson describes in this op-ed his experience with such a project, looking back at the work with clear eyes and a vision to the future. This article was originally published by Dickinson on his blog Saved by Design.
The entertainment industry frequently captures unusual architecture from theme parks that explore bygone eras to remote locales in the hills of Las Vegas that often go unseen.
A two-hour drive from Rio de Janeiro's renowned beaches you can find a 20th century French Normandy building in the state's sierra region: The Palácio Quitandinha.
Robert Venturi - and the postmodernist movement he helped to form - was occasionally a divisive figure. For hardcore modernists, the referencing of prior styles was an affront to the future-facing architecture they had tried to promote. For traditionalists, the ebullient and kitschy take on classicism was an insult to the elegance of the past.
https://www.archdaily.com/902446/this-week-in-architecture-complexity-and-contradictionKatherine Allen
In 2001, the Mexican Secretary of Tourism (SECTUR) created an initiative called "Pueblo Mágico/Magical Town." This program seeks to highlight towns around the country that offer a unique and "magical experience – by reason of their natural beauty, cultural richness, traditions, folklore, historical relevance, cuisine, arts & crafts, and hospitality."
You can find SECTUR's "Magical Town" definition here.
A town that through time and before modernity, was conserved, valued and defended for its historical, cultural and natural heritage; and manifests in it various expressions through its tangible and intangible heritage. A "Magical Town" is a locality that has unique, symbolic attributes, authentic stories, transcendent facts, daily life, which means a great opportunity for tourism, taking into account the motivations and needs of travelers.
