The National Council of Architectural Registration Boards (NCARB), the governing body for much of the architectural profession in the US, is taking steps to take “intern” out of architectural vocabulary. In a press statement, NCARB president Dale McKinney, FAIA, NCARB, said that in the future, NCARB will only encourage regulatory language for post-licensure individuals
“Architects are those who have met all the requirements to become licensed in states and jurisdictions throughout the United States,” McKinney said. “Everyone else is not an architect. But their status also doesn’t need a regulatory title such as ‘intern’ or any similar reference. This has become a term that has been perceived as negative by many in the architecture community and a term that really does not fully value the work that aspiring architects bring to the profession.”
Richard Rogers has announced that the home he built for his parents in Wimbledon, London, will be gifted to Harvard’s Graduate School of Design (GSD) for the training of doctorates in the field of architecture. The home, which will be donated by his charity, the Richard Rogers Charitable Settlement, was completed between 1967 and 1968 by Richard and his then wife Su Rogers. Originally designed for his parents, Dr. William Nino and Dada Rogers, the Grade II* listed pre-fabrictated single storey dwelling was later adapted for Rogers’ son Ab and his family, before being put on the market in 2013 for £3.2million ($4.8million).
A new exhibition at the Harvard Graduate School of Design by Iñaki Ábalos and Renata Sentkiewicz (Ábalos+Sentkiewicz) will explore Dualisms in architecture: the notion that most historic architecture takes its “composite tension from two theoretically incompatible morphological organisations that correspond to different disciplines or languages.” Suggesting that these organisations can possess elements of “compatibility and incompatibility” simultaneously, the appearance of “a kind of hybrid ‘Frankenstein’s monster’” is characterized by dualism in architecture. For the curators, Dualisms act not only performatively, but also in a creative and composite way. “They are, at once, constraints and formative opportunities.”
National libraries, often monumental in scale and “dominated by nationalistic ambitions and overwhelming architectural details,” will be the subject of a new exhibition opening later this month at the Harvard Graduate School of Design (GSD). Icons of Knowledge: Architecture and Symbolism in National Libraries seeks to examine why national libraries are amongst the most symbolic icons of modern day countries. Amidst the global milieu of the “rapid digitisation of print,” this exhibition aims to shed light on why nations are “vehemently investing resources in the construction of buildings that will project their cultural legacy and house the most precious treasures of their written history.”
In a film for the BBC Magazine, Spanish architect Santiago Calatrava talks through his designs for the new St. Nicholas Church – the only non-secular building on the 9/11 Memorial site. The building, which broke ground last year, has been described by Calatrava as a ”tiny jewel” for lower Manhattan, comprising of a white Vermont marble shrine sat beneath a translucent central cupola that is illuminated from within. The new church, of Greek Orthodox denomination, replaces a church of the same name which was destroyed during the attacks of 9/11. It is sited close to its original location on 130 Liberty Street, overlooking the National September 11 Memorial park and museum. With the building set to open in early 2016, Calatrava discusses the key conceptual ideas and references behind its unique, controversial design.
If there is one thing that will make you crave a nap, it’s a Thanksgiving feast. To help you through the post-meal hangover, we have complied some images of our favorite nap time retreats from Pinterest. Relax, enjoy and thank you for being an ArchDaily reader.
Continue after the break for all the images…
What makes a city successful? Miami-based Knight Foundation aims to answer this question with their latest contest, the Knight Cities Challenge. Innovators across all disciplines are invited to propose their idea to improve one of 26 Knight communities, cities across the United States with an established network of support for the foundation’s initiatives. Proposals should focus on three key levers of city success: attracting and retaining talent, expanding economic opportunity, and creating a culture of robust civic engagement in the chosen community. “No project is too small — so long as your idea is big,” says Carol Coletta, Vice-President of community and national initiatives for Knight Foundation.
DesignIntelligence has released their 2015 rankings of the Best US Architecture Schools for both undergraduate and graduate programs. Over 1,400 professional practice organizations were surveyed and asked to respond to the question: “In your firm’s hiring experience in the past five years, which of the following schools are best preparing students for success in the profession?” In addition, more than 3,800 architecture, landscape architecture, interior design, and industrial design students were also surveyed about their education, in data presented separately from the rankings.
However, perhaps more enlightening than the ranking itself are the firms’ responses to several additional issues raised in the report. For example, 54.6% of the firms surveyed selected sustainability and climate change as the professions’ biggest concern, while maintaining design quality was a close second. Firms also provided insights on the most important qualities of new graduates entering the workplace, with an overwhelming 70.1% selecting attitude/personality as the most important attribute.
Read on after the break for the Top 10 undergraduate and graduate programs.
Studio Gang has broke ground on the new home for Chicago’s beloved Writers’ Theatre. Situated on the sloped Tudor Court site of the Glencoe Woman’s Library Club, the glass encased timber structure will be a theatrical spectacle, as the main performance space’s second story catwalk is designed to peer through the transparent facade.
“Our process has been built around the creative team dialogue with Writers Theatre, its audiences, and the community, and we could not be more excited to celebrate this milestone today while looking forward to the ideas that will soon become a built reality in 2016,” said Jeanne Gang. “The design of Writers Theatre’s first purpose-built theatre reinforces their important mission and vision to maximize the feeling of intimacy between actors and audience within the park-like setting of downtown Glencoe.”
New renderings and more information from the architect, after the break.
In discussion with Christopher Hawthorne of the LA Times, Renzo Piano has taken his comments of modesty – verging on “self-deprecation” – to a new level. In response to questions about the design of the proposed Motion Picture Academy in Los Angeles he has said: “I don’t think it will be that bad. [...] Actually, I’m struggling to do something good.” Although Piano’s design has previously been met with criticisms from Hawthorne, the Italian architect notes in this latest interview that ”everything we’ve made at LACMA has been extremely complicated.” The project, which has already seen a major alteration in the core design team, remains set to complete in 2015.
Breaking New Ground is an international design and ideas competition addressing the urgent affordable housing needs for farmworker and service worker families in the Coachella Valley, where efforts to improve living conditions suffers from a lack of funding and coordination. Going beyond design, the competition seeks to envision new precedents, mechanisms, and policies for affordable housing implementation and development, with implications for California and the nation.
At the competition’s conclusion, The California Endowment and County of Riverside will work together to build an affordable housing project based on the winning entries. The winning team may also be selected to participate in the design and construction of the new project.
In Boston, playgrounds are no longer just for kids. Twenty LED-lit circular swings have been installed outdoors as a part of “Swing Time,” Boston’s first interactive sculpture installation. The hanging, glowing orbs are a twist on traditional rubber-and-rope swings, dangling from a minimal steel structure similar to those used in conventional playgrounds. LED lights embedded in the swings activate and change color as each swing moves, returning to a dim white light when static. The piece is designed to blend Boston’s design community with its expanding technology sector while playfully engaging residents.
Take a seat in “Swing Time” with more photos and info after the break.
Architect Magazine has released its list of the 50 best architecture firms in the US, with Westlake Reed Leskosky, William Rawn Associates and Gensler taking home the top three slots in the overall ranking. The ranking is based on three key factors: business, design and sustainability. Westlake Reed Leskosky also ranked number 1 in the Best in Business category, along with HDR and Spector Group in second and third place, respectively. NADAAA, Behnisch Architekten and Payette were the top three firms in the Best in Design category, while EYP Architecture & Engineering, William Rawn Associates and Leddy Maytum Stacy Architects were ranked as the top three in the Best in Sustainability category. For the full list visit Architect Magazine.
BLOCK is a video game that “will breach the digital with the physical” and allow anyone to become an active participant in the future of Los Angeles. Described by FAST Co.Exist as “Minecraft for real life” the gameplay, which also bears similarity to The Sims, is founded on understanding the interdependencies of city entities such as housing, shops, parks and infrastructure. The objective of the game is to both educate people and to generate user data for design patterns for the Los Angeles of 2050, producing the first database of a future city. BLOCK allows the player to understand the ecology of the urban realm (focusing on resources such as money, waste, and social capital) ultimately encouraging entrepreneurship “through the design of an ecological urbanism.” Fundamentally, it allows for new opportunities to be conceived in the city.
In an article for the New York Times, Alexandra Lange discusses a number of US projects which are “transforming, but not disrupting,” their respective communities. In this vein, she cites Mecanoo and Sasaki Associates’ new Bruce C. Bolling Municipal Building in Roxbury, Boston, as a prime example of a new kind of architecture which “comes from understanding of past civic hopes, redesigning them to meet the future.” Examining some of the key concepts that make for successfully integrated community buildings, such as the creation of spaces that actively forge personal connections, Lange concludes that perhaps it is now “time for strategic architecture.”
The idea that urban planning could build upon citizen action, rather than consisting of imposed boulevards or housing blocks (as with the urban renewal that originally gutted Roxbury) is gaining traction.
Read the article in full here.
The 6th Annual Architecture and Design Film Festival is set to return to New York City on October 15th for five days of premieres and showings. With a special themed focus on Women in Architecture, the US’s largest architecture-related film festival will present over twenty five feature-length and short films in a programme curated by Kyle Bergman and Laura Cardello. Designed to provide “rare glimpses and intimate portrayals of seminal figures and growing movements in the fields of architecture, design, urbanism and fashion,” this year’s festival will also feature a 3D film series exploring six iconic structures from filmmakers such as Wim Wenders and Robert Redford.
Explore the highlights and find out more about the festival after the break.
After producing major revisions on a previously rejected design, BIG have had their second design rejected for the Kimball Art Center in Park City, Utah. City Hall rejected the design on the basis of appearance, arguing that it did not relate to the historic city centre “aesthetically, visually or historically.” The second design by BIG marked a complete departure from the original that was selected as the winner of an architectural contest hosted by the Kimball Art Center.