With rapid advancements in technology and crystal clear imagery, drones have allowed us to experience our cities and landscapes from unimaginable vantage points and perspectives. In its series of videos, YouTube channel Mingomatic uses drones to capture the sights and scenes of predominantly American cities and various locations from above, offering glimpses of skylines, oceans, highways and terrains (and seals!). Check out the 10 videos below for some spectacular views, and find Mingomatic’s full selection, here.
With the close of the seventh Solar Decathlon competition last month in Irvine, California, we couldn't help but reflect on our own experience in the 2013 competition as leaders of Start.Home - Stanford University's first entry into the US Department of Energy (DOE)'s biennial net-zero energy home competition which ultimately placed fifth. With the advantage of two years of hindsight, we can now clearly see that our experience in the Decathlon has had incredible educational value to us, not only as students of architecture and engineering, but also as leaders and future professionals in interdisciplinary projects.
However, echoing recent sentiments on ArchDaily, we feel it is unclear whether the Solar Decathlon still has any of the other values it set out to have; namely to showcase cutting-edge renewable and sustainable technology in residential building design to industry and the public. In fact, as the competition looks ahead with uncertain governance and sponsorship, without some serious reexamination of its fundamental goals the Solar Decathlon may be facing its own setting sun. How did the Solar Decathlon reach its current state of irrelevance? More importantly, how should it innovate to see a new dawn in the coming years?
Diller Scofidio + Renfro (DS+R) has shared initial photos by Iwan Baan of their new McMurty Building for Art & Art History at Stanford University, which will be officially unveiled to the public on October 6. The 100,000 square foot building will open for the 2015 fall semester, and allow students studying art history and students practicing fine arts to work together under the same roof for the first time at Stanford. See and read more about the soon-to-be opened project after the break.
Delving deeper into his recent engagement with smart cities, earlier this year Rem Koolhaas took a trip to California to visit the technology companies of Silicon Valley. While he was there, he managed to find time for a brief visit to Stanford University's School of Architecture, leading to this engaging profile by Pooja Bhatia for OZY; replete with snappy one-liners such as “So, what are you disrupting?” from the man who is notoriously difficult to get along with, the article offers an interesting insight into Koolhaas' ideas, both past and present. Read the article in full here.
In 1989, California's central coast was rocked by a 6.9 magnitude earthquake, destroying infrastructure and buildings in San Francisco, Oakland, and a host of coastal cities. The Loma Prieta Earthquake caused an estimated $6 trillion in damage, prompting researchers to develop techniques for management of severe seismic activity in urban centres. Twenty five years later, a team of engineers at Stanford University have invented a cost-effective foundation for residential buildings capable of withstanding three times the magnitude of the catastrophic 1989 earthquake.
Find out more on Stanford's earthquake-resistant technology after the break
In this article, originally published in 2 parts on Metropolis Magazine as "Building a University: How 5 California Schools Approach Campus Design" (Part 1 & Part 2), Sherin Wing investigates how different Californian universities utilize the design of their campus to express and enable their differing missions.
A school is more than just the sum of its intellectual records. Its legacy is very much tied to a physical place: its campus. More than a mascot or a symbol, the design of a campus and the buildings that form it greatly contribute to a university's lasting identity.
The key, then, is how a school’s material identity advances its intellectual mission. For example, academic buildings often physically symbolize the type of scholarly exploration and research that takes place therein. Administrative centers, on the other hand, anchor the more idealistic work taking place in the lecture and science wings. At the same time, individual buildings can function collectively as didactic forums for the public, demonstrating such principles as energy and water-use efficiencies. Lastly, the circulation between the buildings themselves is important. Open green space, for instance, can accommodate crowds, lectures, and even protests, providing a counterpoint to the more stately, processional routes that crisscross a campus.
Clearly these are different, and at times conflicting, agendas. How are they ranked and pursued by individual universities? Five campus architects at different California universities reveal how similar factors work in concert to produce very different visions and results. For some the initial plan of a school continues to wield influence over future developments, while in other cases a commitment to architectural movements and types gives rise to an eclectic, flexible approach to campus design.
Find out how these 5 California Universities approach their architecture after the break
Stanford University's Start.Home has won fifth place overall and tied for first place in affordability in the 2013 Solar Decathlon. Read the team’s description to learn more:
For the U.S. Department of Energy Solar Decathlon 2013, Stanford University designed the Start.Home to provide energy efficiency at the push of a button to a new generation of environmentally conscious occupants. With modular architecture and advanced controls to optimize each component, the house aims to spark a revolution by lowering the entry barrier for an ultra-efficient house and making sustainability trendy, social, and affordable.
San Francisco-based Aidlin Darling Design has broke ground on the Windhover Contemplative Center at Stanford University. Inspired by Nathan Oliveira’s meditative Windhover paintings, the single-story, 4,000 square foot spiritual retreat is intended to provide students, faculty and staff members a quiet place of refuge from the intensity of daily life.