New Finnish Architecture – The New Generation, taking place April 20-21 in New York, will include two events on young architects & architecture practices by Newly Dawn – Emerging Finnish Architects. The events introduce the most interesting young, up-and-coming Finnish architects and their latest projects, visions and ways of working. Social interaction, pleasant user experience and transparency have appeared as key elements in emerging Finnish architectural offices. The architects Janne Teräsvirta (ALA Architects), Anu Puustinen (Avanto Architects), Mikko Summanen (K2S Architects) and Tuomas Toivonen (NOW for Architecture and Urbanism) will offer a fresh look into some of their upcoming projects and the latest developments in Finnish architecture. More information on the events after the break.
Created by Reiser + Umemoto for the Hong Kong & Shenzhen Bi-City Biennale, “Manhattan Memorious” explores what Manhattan could have been. The film visualizes several unrealized projects from Manhattan, including Buckminster Fuller’s dome over Midtown, Rem Koolhaas’ City of the Captive Globe, RUR’s East River Corridor, Paul Rudolph’s Eastside Redevelopment Corridor, Morphosis’ West Side Yard and others.
Jesse Reiser, Principal of Reiser + Umemoto, explains; “Before a city becomes a thing of steel, concrete and glass it is a theater of visions in conflict. As a city ages, the visions do not die but come up against the physical and ideological resistance of the place and its people. The city we see today is the direct result of radical visions, gradually changing the way the future is realized. This is an account of a Manhattan that could have been – might have been. A phantasmagorical Manhattan where the visionary meets the everyday – the absurd and the sublime. The island as we know it is but a pale reflection of a city designed by visionaries – a city of mad, incongruous utopias.”
Filmed in 1921, Manhatta reveals a typical day in Lower Manhattan in the early part of the 20th century. Painter Charles Sheeler and photographer Paul Strand created this silent film to discover the relationship between film and photography, while exploring their love to the City. Just as it is today, the City is amidst endless chaos.
The contenders: NYU and the Greenwich Village community. Let Round 2 commence.
Almost two years after we first brought you news about NYU 2031, NYU’s plans for expansion in Brooklyn, Governor’s Island, and (most controversially) in Greenwich Village, and the fight has not only continued, but escalated. A debate, hosted by The Municipal Art Society of New York, two nights ago brought about 200 NYU affiliates and community residents together, but only spatially; there was a considerable lack of willingness to compromise from either camp.
NYU’s plan, thought up by Toshiko Mori Architect, Michael Van Valkenburgh Associates, and Grimshaw Architects, has ruffled feathers mostly for the fact of its bulk. The 2.5 million square-foot development (1.1 million of which would be underground) is the largest ever proposed for the Village, and has drawn criticism for its potential to diminish light, greenery, and open space in the neighborhood.
It’s June 1966. Mies’ iconic Seagram Building dominates New York City. Bob Dylan has just released Blonde on Blonde. The Vietnam War is escalating. John Lennon has yet to meet Yoko Ono. Martin Luther King, Jr. has yet to be assassinated. And Don Draper is readjusting to married life – with his 25 year-old secretary.
The excitement over Mad Men, while always eager, was positively explosive last Sunday. The season 5 premiere resulted in the show’s highest ratings to date (3.5 million viewers, up 21% from last year). While the show has always received critical acclaim, now, for whatever reason, it has reached a fever-pitch of popularity.
On a purely aesthetic level, it’s easy to explain. The show draws in audiences with a meticulous, sumptuous set design that allows a nostalgic journey back in time: when design was innovative & clean, architecture was confident (cocky even), and modernism still held its promise.
But on another level, the show is successful because of its inevitability. The very knowledge of the ephemerality of that confidence, a theme particularly relevant to audiences in the wake of the Recession, is what strikes a chord, what makes the show positively hypnotizing.
Watching Mad Men is like watching a Modernist car crash. A beautiful demise.
More on the Modernist Landscape of Mad Men and why the show has struck a chord with audiences today after the break.
In the middle of March, we attended a community meeting for the third installment of the High Line and shared James Corner and DS + R’s visions for the final stretch of the elevated rail line. While the meeting offered an in depth look as to how it would tie together the previously featured conceptual elements, perhaps the already daring project needs a little more spice…perhaps, the High Line needs Jeff Koons. The American artist has been in contact with the founders of the Friends of the High Line (the nonprofit which saved the railway from being demolished) as it is possible the public park could be outfitted with his lastest sculpture, Train, a massive replica of a 1943 Baldwin 2900 steam locomotive. Oh, and did we mention that the train would be danging dramatically in the air, suspended from a crane?
More about Train after the break.
The project of the New York City Theatre, designed by David Vecchi & Emanuela Ortolani, stems from the intent to promote the independent play and recover the pioneer spirit that distinguished Broadway at the beginning. Exhibited in the ESA gallery as part of the Selon du Dessin in Paris, The proposal is for a mixed-use building that, in addition to the main function of theater, welcome inside offices and residences. More images and architects’ description after the break.
Many of you may already be aware that Paul Rudolph’s iconic Orange County Government Center is at risk of being demolished. Leaky roofs and a damaging flood have convinced Orange Country executive director Eddie Diana to favor this dreadfully mundane neo-colonial office building over Rudolph’s Brutalist landmark. Cost is not an issue, as the price tag for the new building exceeds the cost to renovate the historical icon, and many understand the immense cultural value of preserving a legacy; however, this battle is nearing a loss and only solidarity will save it.
The World Monuments Fund (WMF) has launched a petition to oppose the demolition. With the Orange County Legislature deciding the fate of Rudolph’s building next month (May 3), it is important you sign the petition now. WMF needs to collect 20,000 signatures. Sign the petition here.
Based on 2010 Census results, the nation’s most densely populated urbanized area is Los Angeles/Anaheim/Long Beach, California, with nearly 7,000 people per square mile. Surprised? Not only did the Los Angeles area rank first, but of the ten most densely populated urbanized areas, nine are in the West, with seven of those in California. Continue reading for more.
Architects: Arctangent Architecture + Design
Location: Upper West Side, New York City, USA
Completion Date: 2011
Total Building Floor Area: 2,080 sqm
Principals in Charge: Keitaro Nei & David Hu
Project Designers: Mark Gumienny, Javier Oddo, & Bridgett Cruz
Structural Engineer: Efraim Goldstein, PE PC
MEP Engineer: A Joselow, PC
Lighting Design: PHT Lighting Design Inc.
Photographs: Arctangent Architecture + Design, Peiheng Tsai
The Graduate School of Architecture, Planning, and Preservation (GSAPP) at Columbia University will be holding the Interpretations: Promiscuous Encounters Syposium taking place Friday, March 23rd from 12:00pm – 8:30pm. Promiscuous Encounters, which is free and open to the public, has two main ambitions: first, to examine the fascinating blurriness and productive interplay between the critical, curatorial and conceptual capacities of architecture, including how and where they intersect and overlap and, second, to expand the definitions of what these terms mean in relation to theory and practice by reexamining the sites of criticality and their modes of operation. More information on the event after the break.
Code , a collaboration between Nassim Es-Haghi, George Kontalonis, Jared Ramsdell, and Rana Zureikat, challenges the traditional campus typology that exists today, by looking into education, society, environment and networks with their ‘Vertical Ground’ Skyscraper proposal. Their concept proposes a deployable system that can reconfigure into any environment and function as a flexible and interconnected campus. The synthesis is a new definition of a campus, one that is set within today’s environment and society. More images and the team’s description after the break.
Architect: Chan-li Lin AIA, Rafael Viñoly Architects PC
Location: Waccabuc, New York, USA
Owners: Chan-li Lin & Denise Ferris
Structural Engineering: Yoshinori Nito Engineering & Design PC
Lighting Designer: LAM Partners
Construction Manager / Builder: Atlantic State Development Corporation
Project Year: 2011
Photographs: Brad Feinknopf
Considered one of Paul Rudolph’s greatest achievements, the 1970’s Orange County Government Center is an icon of the late modernist era. Poor maintenance has lead to deterioration and in September a large flood caused extensive damage to the structure, forcing county officials to close the center. Since then, the county government has been calling for the building to be demolished. Last week, Orange County Executive Ed Diana proposed to replace the cultural icon with a $75 million, 175,000 square-foot mediocre building, offering only 22,000 square-feet of space more than the existing building. With renovation estimates around $67.2 million, or $40.9 million for a “less extensive upgrade”, the architectural and preservationist communities are outraged. Continue reading for more.
Last night, ArchDaily joined the community of Chelsea and Friends of the High Line in the crowded auditorium of PS 11: The William T Harris School eager to see James Corner and Rick Scofidio’s latest ideas for the third installment of the High Line. This last segment of the amazing elevated park project is the designers’ most crucial intervention as it culminates the strategies introduced in Phases 1 and 2 and must adaptively respond to new contextual relationships between 34th and 30th Streets. Corner and Scofidio’s eloquent and coherent presentation very much responded to the community’s input from the last public meeting held in December, as the design addressed the need for a child’s play area with an idea for a section with rubberized beams, a place for spontaneous and planned performances, and more seating. Scofidio kidded, “There are some things we could do better, and that’s exactly why we get to do the third phase.”
More about Phase 3 after the break.