The Russian Ministry of Culture has announced the shortlist of 10 architecture firms who will compete to design the museum and exhibition complex of Moscow’s new National Centre for Contemporary Arts (NCCA). The NCCA, currently housed in a former factory in central Moscow, will be moved to Khoydynskoye Pole, a former airfield in northeast Moscow, as part of a larger urban planning project to develop the area.
Ten firms were selected to advance to the second stage of the competition: five on the merit of their experience and portfolio; five on the merit of the preliminary architecture concepts submitted to the jury. See the shortlist, after the break…
The purpose of the competition is to select five architectural and town-planning concepts for the creation of a multifunctional city unit with a well-developed infrastructure, integrated into the city pattern and meeting the requirements of environmentally sustainable developments. The acceptance of competition applications closes October 9.
For complete details on the rules, jury and documentation, please go to the competition’s official website.
The OAO HOTEL UKRAINA, with the support of the non-state educational institution Strelka Institute for Media, Architecture and Design, are pleased to announce the opening of a competition for the redesign of the entryway to this cultural heritage site of regional significance. This two-stage competition, lasting from 17th September 2013 to 25th February 2014, gives architects from all over the world the rare chance to work with an example of Moscow’s unique Stalinist architectural heritage.
The Ukraina Hotel is one of seven original Soviet skyscrapers (‘sisters’) that form a famous silhouette on Moscow’s skyline. Built in the 1950s, the Ukraina is today a landmark, marking the beginning of Kutuzovsky prospekt, one of the city’s main transport arteries.
Complete details after the break.
Organized by Rublyovo-Arkhangelskoye CJSC, part of Sberbank Russia group of companies, the two-stage open international competition for the development of the masterplan of the International Financial Centre in Rublyovo-Arkhangelskoye (Moscow, Russia) launches this Monday, September 2nd. The International Financial Centre is a 460 hectare mixed-use development project located in the west of ‘New Moscow’, in the floodplain of the Moscow River, five kilometers from the Moscow Outer Ring Road. The project involves the construction of offices, housing, hotels, commercial and social infrastructure. Applicants are required to have expertise in masterplanning of projects measuring over 30 hectares in order to qualify. The deadline for submissions is October 4th. For more information, please visit here.
Norman Foster has walked away from a $670 million expansion project for Moscow’s largest museum of European art: The Pushkin Museum of Fine Arts. According to The Art Newspaper, the prized British architect resigned from the project back in June after Moscow’s chief architect, Sergei Kuznetsov issued an ultimatum that demanded Foster either work and defend the project himself or turn it down.
The Ministry of Culture of the Russian Federation recently announced the international competition for the architecture concept of the Museum and Exhibition Complex of the National Center for Contemporary Arts.The two stage competition is open to any architectural bureaus, professional architects and early career professionals or young company to propose their design concept of the future museum complex. Participants can submit their proposals August 20 – September 20. To register, and for more information, please visit their official website here.
Designed by PAPER | TOTEMENT, their competition proposal for the architectural and visual image of the frontage of the new building of the State Tretyakov Gallery encompasses conceptual, imaginary and compositional aspects as well as its relation with the environment (city and the existing complex of the gallery), history and designation of the building. The current space planning design decision also implied some particular limitations and framework. And of course, the main objective was to combine all these decisions in an integral image of the Modern Russian, Moscow art museum. More images and architects’ description after the break.
Designed by SPEECH Architectural Office, their winning proposal for the Tretyakov Gallery in Moscow supports the philosophy established by the museum: preserving the national heritage and engaging in relevant dialogue with the society. This dynamic dialogue is expressed in the architectural concept of the building’s façade, decorated by white picture frames of various sizes placed according to the pattern of the original hanging of the pictures in the City Art Gallery of P. M. Tretyakov and S. M. Tretyakov, forming the image of a wall with pictures. These are living pictures created by the visitors to the museum. More images and architects’ description after the break.
The Strelka Institute for Media, Architecture and Design opened its doors three years ago. 110 students, 30 teachers and over 200 international experts took part in developing a radically new intellectual and physical space in Moscow. This collective effort resulted in a unique research, educational and public center, looking at the complex problems of a Russian city. Strelka Institute studied urban environment and the nature of its transformation, as well as changed the world around us.
Within three years of its existence, Strelka’s educational programme developed several broad themes. In their projects students researched “Public Space”, “Design”, “Preservation”, “Thinning”, “Urban Culture”, “Hinterland”, “Megacity”, “Information”, “Education”. Student projects and research, while remaining inherently student work, made a significant impact on the evolution of public discussion in Moscow, helped introduce the notion of public space into the Russian context and focus public attention on the theme of urban development.
In 2013-14 Strelka will select the theme of its research & design studios differently. We are radically shifting perspective and in the framework of intensive three month research studios are focusing on very concrete, real and seemingly familiar matters.
Applications for this program are open until July 26th. Read more about the program:
In the 20th century, it was going to be the site of the world’s tallest skyscraper, but it became the world’s largest hotel. In 2006, the hotel was replaced with a fence, the largest advertising space in all of Europe, enclosing acres of undeveloped, highly valuable land. In 2014, it will become Moscow’s first – and most important – park in over 50 years.
Zaryadye Park, located on 13 acres of land just a minute’s walk from the Kremlin and the Red Square, will become a gateway to Moscow, one that will “project a new image of Moscow and Russia to the world.” Because of the Park’s significance, the city of Moscow (with aid from the Strelka Institute for Media Architecture and Design) has decided to host an international competition for its re-design.
The 6 finalists shortlisted for this significant project, after the break…
In Russia, hundreds upon hundreds of buildings are endangered. The work of making sure they don’t become extinct? That’s in the hands of a tireless few.
One of these crusaders is Natalia Melikova, the author of The Constructivist Project, an on-line web site that seeks to preserve the memory – and hopefully inspire the protection of – Russia’s avant-garde architecture. Although it began as her thesis project, it’s steadily become one of her life passions. In Melikova’s words, “By sharing photographs (my own and others), articles, events, exhibitions, and other resources on the topic of the avant-garde, The Constructivist Project unites common interest and appreciation of Russian art and history and makes it accessible to an international English-speaking audience. This is a way to initiate discussion not only of the perilous situation of Russian avant-garde architecture but also of cultural preservation and urban development in general.”
See 10 of Melikova’s images, snapshots into a part of Russian history quickly being forgotten, with her descriptions, after the break.
Russia has madly, passionately (and not a little blindly) fallen in love. And, as with any love affair worth its salt, this one will have its fair share of consequences when the honeymoon ends.
The object of Russia’s affection? The good, old-fashioned automobile.
It started fast and has only gotten faster. In 2005, Russia’s auto industry grew 14%; in 2006, 36%; and, in 2007, a whopping 67% – an exponential growth that attracted foreign investors, particularly after 2009, when the country welcomed companies like GM & Ford with open arms. Today, the ninth largest economy in the world is the seventh-largest car market, positioned to surpass Germany as the largest in Europe by 2014.
Nowhere is this love affair more evident, more woven into the city itself, than in Moscow. The city has a reputation (perhaps rivaled only by Beijing’s) for traffic, pollution, and downright hostility to pedestrians. And, ironically, because of its epic congestion, the city continues to expand its highways and parking spaces.
We’ve heard that story before, and we know how it ends – for that matter, so does Moscow. But passion, by nature, is blind – and stopping a love affair in its tracks is far from easy.