The Ministry of Culture of the Russian Federation recently announced the international competition for the architecture concept of the Museum and Exhibition Complex of the National Center for Contemporary Arts.The two stage competition is open to any architectural bureaus, professional architects and early career professionals or young company to propose their design concept of the future museum complex. Participants can submit their proposals August 20 – September 20. To register, and for more information, please visit their official website here.
Designed by PAPER | TOTEMENT, their competition proposal for the architectural and visual image of the frontage of the new building of the State Tretyakov Gallery encompasses conceptual, imaginary and compositional aspects as well as its relation with the environment (city and the existing complex of the gallery), history and designation of the building. The current space planning design decision also implied some particular limitations and framework. And of course, the main objective was to combine all these decisions in an integral image of the Modern Russian, Moscow art museum. More images and architects’ description after the break.
Designed by SPEECH Architectural Office, their winning proposal for the Tretyakov Gallery in Moscow supports the philosophy established by the museum: preserving the national heritage and engaging in relevant dialogue with the society. This dynamic dialogue is expressed in the architectural concept of the building’s façade, decorated by white picture frames of various sizes placed according to the pattern of the original hanging of the pictures in the City Art Gallery of P. M. Tretyakov and S. M. Tretyakov, forming the image of a wall with pictures. These are living pictures created by the visitors to the museum. More images and architects’ description after the break.
The Strelka Institute for Media, Architecture and Design opened its doors three years ago. 110 students, 30 teachers and over 200 international experts took part in developing a radically new intellectual and physical space in Moscow. This collective effort resulted in a unique research, educational and public center, looking at the complex problems of a Russian city. Strelka Institute studied urban environment and the nature of its transformation, as well as changed the world around us.
Within three years of its existence, Strelka’s educational programme developed several broad themes. In their projects students researched “Public Space”, “Design”, “Preservation”, “Thinning”, “Urban Culture”, “Hinterland”, “Megacity”, “Information”, “Education”. Student projects and research, while remaining inherently student work, made a significant impact on the evolution of public discussion in Moscow, helped introduce the notion of public space into the Russian context and focus public attention on the theme of urban development.
In 2013-14 Strelka will select the theme of its research & design studios differently. We are radically shifting perspective and in the framework of intensive three month research studios are focusing on very concrete, real and seemingly familiar matters.
Applications for this program are open until July 26th. Read more about the program:
In the 20th century, it was going to be the site of the world’s tallest skyscraper, but it became the world’s largest hotel. In 2006, the hotel was replaced with a fence, the largest advertising space in all of Europe, enclosing acres of undeveloped, highly valuable land. In 2014, it will become Moscow’s first – and most important – park in over 50 years.
Zaryadye Park, located on 13 acres of land just a minute’s walk from the Kremlin and the Red Square, will become a gateway to Moscow, one that will “project a new image of Moscow and Russia to the world.” Because of the Park’s significance, the city of Moscow (with aid from the Strelka Institute for Media Architecture and Design) has decided to host an international competition for its re-design.
The 6 finalists shortlisted for this significant project, after the break…
In Russia, hundreds upon hundreds of buildings are endangered. The work of making sure they don’t become extinct? That’s in the hands of a tireless few.
One of these crusaders is Natalia Melikova, the author of The Constructivist Project, an on-line web site that seeks to preserve the memory – and hopefully inspire the protection of – Russia’s avant-garde architecture. Although it began as her thesis project, it’s steadily become one of her life passions. In Melikova’s words, “By sharing photographs (my own and others), articles, events, exhibitions, and other resources on the topic of the avant-garde, The Constructivist Project unites common interest and appreciation of Russian art and history and makes it accessible to an international English-speaking audience. This is a way to initiate discussion not only of the perilous situation of Russian avant-garde architecture but also of cultural preservation and urban development in general.”
See 10 of Melikova’s images, snapshots into a part of Russian history quickly being forgotten, with her descriptions, after the break.
Russia has madly, passionately (and not a little blindly) fallen in love. And, as with any love affair worth its salt, this one will have its fair share of consequences when the honeymoon ends.
The object of Russia’s affection? The good, old-fashioned automobile.
It started fast and has only gotten faster. In 2005, Russia’s auto industry grew 14%; in 2006, 36%; and, in 2007, a whopping 67% – an exponential growth that attracted foreign investors, particularly after 2009, when the country welcomed companies like GM & Ford with open arms. Today, the ninth largest economy in the world is the seventh-largest car market, positioned to surpass Germany as the largest in Europe by 2014.
Nowhere is this love affair more evident, more woven into the city itself, than in Moscow. The city has a reputation (perhaps rivaled only by Beijing’s) for traffic, pollution, and downright hostility to pedestrians. And, ironically, because of its epic congestion, the city continues to expand its highways and parking spaces.
We’ve heard that story before, and we know how it ends – for that matter, so does Moscow. But passion, by nature, is blind – and stopping a love affair in its tracks is far from easy.
Officially launched this month by Strelka Institute for Media Architecture and Design, the International Competition for Zaryadye Park in Moscow, Russia is challenging participants to develop an Architecture and Landscaping Design Concept that will form the basis for the creation of a contemporary Park with a high quality infrastructure that will be open for the public all year round. Zaryadye is a unique historic district in downtown Moscow, and after the demolition of Hotel Russia, the site has remained abandoned for over 6 years. In late January, 2012, Prime Minister and President-Elect Vladimir Putin proposed to turn this 130 000 sq. m area into a multi-functional public park. The application deadline is May 22. For more information, please visit here.
The construction of the city is something that goes beyond architects and planners. It involves the government, the citizens and the private sector. For the ArchDaily Interview series we have interviewed many architects with very different backgrounds, and we have started to include people outside the field that have played an important role either for our profession or the city.
During our last trip to Moscow, we had the opportunity to interview Alexander Mamut, businessman and investor who is involved in projects such as the Pioner Cinema, the Waterstone book chain, the blogging service LiveJournal and other projects related to culture, media and the city. He is also one of the founders of the Strelka Institute, a post graduate school located at the Chocolate Factory in the heart of Moscow and using the city as a laboratory, with an ambitious plan to raise the quality of architectural education in the country.
The founders of Strelka (who also include Sergey Adonyev, Dmitry Likin, Ilya Oskolkov-Tsentsiper and Oleg Shapiro) invited Rem Koolhass to design the curriculum for this new school, who under the AMO research arm prepared the educational programme for Strelka, with a research agenda based on design, energy, preservation, public spaces and thinning. The institute brings together professionals from different disciplines to have a comprehensive approach to city and architecture, from architects to urbanists, writers, designers, scientists, and journalists.
The city of Moscow is facing tremendous challenges, due to the growth and changes it has undergone in the past few years, which will only accelerate as the result of its vibrant economy. The city is expected to double its population in the coming years, and many competitions, including the masterplan for the city’s expansion, are being held with this objective in mind.
In this scenario, architecture education is key in order to form the new generation of professionals that wil face the critical issues of contemporary Russia. And this is why we wanted to include Alexander Mamut, whose passion for the city led him to invest in the city in a particular way, in our interview series. He is a good example of what can be done from the private sector to develop cities with a long-term vision.
During the interview, we discuss with Alexander Mamut the future of Moscow, how education can improve the quality of life of its habitants, the importance of the private sector in the development of cities, and more.
With the aim to be a meaningful building beyond its iconic form, the new Museum & Educational Center (MEC), designed by 3XN, is about connecting with people, while opening up the world of science, technology, innovation and Russia’s extraordinary achievements in these domains. Through both an internal and external architectural expression of flexibility, this proposal, which was a finalist in the international competition, recognizes that architecture shapes behavior. More images and architects’ description after the break.
Designed by Leeser Architecture their design concept for the Polytechnic Education Center takes its cues from the rich history of modern Russian architecture of the early part of the twentieth century. Located in the Lenin Hills section of Moscow, which play an important role in the history of Moscow as a place of radical experimentation, the new institute symbolizes this incredible energy and conflation of future inventions with past achievement as a new symbol of global importance. More images and architects’ description after the break.
Museum and Educational Center of the Polytechnic Museum and Lomonosov Moscow State University Design Competition Results
Organized by the Polytechnic Museum Development Foundation, the team of MASSIMILIANO FUKSAS Architetto (Italy) and SPEECH (Russia) was recently announced the winner of Architectural Concepts Competition for the Museum and Educational Center of the Polytechnic Museum and Lomonosov Moscow State University. The challenge was to create a museum and educational center for demonstrating most recent scientific and technological discoveries using state-of-the-art multimedia technologies for accommodating multiple displays and exhibitions as well as for conducting scientific educational programs. More images and information on the winning team and finalists after the break.
Between March 15th and March 27th 2013 the Central House of Architects will host the Nordic Wood festival of wooden architecture in Moscow where the most interesting examples of wooden architecture in Scandinavia, the Baltic states and Russia will be on display. The festival is being produced by the nationwide ARCHIWOOD project. The main event of the festival is the photographic exhibition. Works by recent winners and runners-up of prizes for wooden architecture from Norway, Finland, Denmark, Estonia, Latvia and Russia will be on show, along with other works by architects building in wood from these countries. More images and information on the event after the break.