UPDATE: We have added new night photos of the i360 as the ‘breathing’ lighting has been switched on for the first time. The lights were designed by Do-Architecture and can be programmed to display a range of color and pattern options.
David Marks of Marks Barfield Architects, explains, “The concept for the lighting at the top of the tower is that it ‘breathes’, gently increasing and decreasing in intensity at the average rate of a human being breathing at rest.”
designjunction, now in its sixth year, returns for the annual London Design Festival. Relocating to an exciting new home in King’s Cross, designjunction takes over four main sites for a curated programme of design exhibitions, installations, retail experiences, events and workshops based upon the theme #ImmersedinDesign.
New Ludgate, a retail and commercial development located two blocks east of St. Paul’s Cathedral in downtown London, has been named the City of London Building of the Year 2016. The complex consists of two new buildings, One New Ludgate by Fletcher Priest Architects and Two New Ludgate by Sauerbruch Hutton. The award was given in recognition of “the buildings that support the ambitions of the City of London in delivering a world-class working environment, by evaluating both the quality of the architectural design and the impact the building has had on the city street scene.”
On the 29th December, 1940, at the height of the Second World War, an air raid by the Luftwaffe razed a 35-acre site in the heart of the City of London to the ground. The site was known as the Barbican (a Middle English word meaning fortification), so-called for the Roman wall which once stood in the area. Following the war, the City of London Corporation—the municipal governing body for the area—started to explore possibilities to bring this historic site into the twentieth century.
A new collection of five minute-long Tall Stories—developed by the team behind The Urbanist, Monocle 24's weekly "guide to making better cities—guide the listener through the condensed narratives of a series of architectural projects from around the globe, encompassing their conception, development, use and, in some cases, eventual demise. We've selected eight of our favorites from the ongoing series, ranging from London’s Casson Pavilion to Honolulu's Waikiki Natatorium War Memorial, and the Estadio Centenario stadium in Montevideo.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. With this year’s edition featuring not just one pavilion but four additional “summer houses,” the program shows no sign of slowing down. Each of the previous sixteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 16th Pavilion this month, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
The exhibition celebrates the imagery of Forbes Massie Studio by presenting a collection of their latest commissions with renowned UK and international architectural practices, on exceptional and high profile projects. Entitled 'Seduction of Light', the collection emphasizes the Studio's approach to image making, focusing particular attention to Composition, Light, Materiality and Atmosphere.
For architects, if I may generalize an entire professional community, there are few novelists as cultishly beloved as J.G. Ballard. Borges or Calvino have their fair share of admirers, but to borrow an adjective more frequently applied to buildings, Ballard is the most iconic of literary figures—especially for readers of a concrete-expansion-joint persuasion. Witnessing war as a child, training in medicine, and thereafter writing from a rather bloodless middle-class patch of suburbia, Ballard spun tales of urban life that continue to be uncomfortably visceral.