In an interesting analysis in the Guardian, Olly Wainwright draws attention to the questionable process by which of Thomas Heatherwick‘s Garden Bridge proposal has gained such strong support from the British government. It is, according to Wainwright, the product of “one voguish designer, one national treasure and one icon-hungry mayor” – however he contends that compared to other more needed potential bridges over the Thames, the Garden Bridge may just be ”a spectacular solution to a problem that doesn’t really exist,” and a terrific waste of infrastructure funds. You can read the article in full here.
British practice Marks Barfield Architects, famous for designing the London Eye, are a step closer to realising their latest urban observation structure: the i360 Brighton. This week the international team who created the London landmark were reunited on Brighton beach as as loans of more than £40 million have been agreed to begin the tower’s construction. Bringing together companies from the UK, France (Poma), the USA (Jacobs Enginneering) and the Netherlands (Hollandia), the project has been described as “truly unique.”
The Royal Academy of Arts’ annual Summer Exhibition is the world’s largest open submission exhibition providing “a unique platform for emerging and established artists to showcase their works to an international audience.” From 12,000 total works of art, spanning a complete range of disciplines, 140 architectural works have been selected and hung by Royal Academician and Architect Eric Parry, after some early dialogue with former RIBA President Sir Richard MacCormac. Work featured this year includes a model by Thomas Heatherwick and prints by Louisa Hutton of Sauerbruch Hutton, alongside Norman Foster, Zaha Hadid, Nicholas Grimshaw, Richard Rogers and Eva Jiřičná.
UPDATE: Check out video from today’s press conference at the Serpentine Pavilion!
The 2014 Serpentine Gallery Pavilion, designed by Chilean architect Smiljan Radic, opened this morning in London‘s Hyde Park. The pavilion, a glass-fibre reinforced plastic shell resting on large quarry stones, was inspired by a papier mâché model which Radic created four years ago as a response to the Oscar Wilde story ‘The Selfish Giant‘.
More images after the break
The plan to resurrect London’s Crystal Palace is encountering delays, as talks between the Chinese Development group ZhongRong and Bromley Council have stalled. With a shortlist announced in February of six high-profile practices competing to design a project with “the spirit, scale and magnificence of the original” – including Zaha Hadid, Richard Rogers, David Chipperfield and Nicholas Grimshaw - it was expected that a winner would be announced later this summer, with a scheme submitted for planning permission by the end of the year. However, all of these deadlines are now at risk thanks to the delays.
Read on after the break for details on what is causing the delay
Sheffield born Alison Gill, later to be known as Alison Smithson, was one half of one of the most influential Brutalist architectural partnerships in history. On the day that she would be celebrating her 86th birthday we take a look at how the impact of her and Peter Smithson’s architecture still resonates well into the 21st century, most notably in the British Pavilion at this year’s Venice Biennale. With London’s Robin Hood Gardens, one of their most well known and large scale social housing projects, facing imminent demolition how might their style, hailed by Reyner Banham in 1955 as the ”new brutalism”, hold the key for future housing projects?
This summer, the art, architecture and design of Finland will be celebrated in London. Reason & Intuition – Alvar Aalto & Ola Kolehmainen in Soane is a new exhibition bringing together the finest works of an acknowledged great of international modernist architecture and design and three collections of images by an acclaimed Finnish photographer.
Alvar Aalto (1898-1976) was a central figure in international modernism. His sculptural, and highly functional, furniture produced in the 1930s remains influential and very popular.
Reason & Intuition will feature around forty Aalto creations, including chairs, tables, lights, glassware and textiles, as well as rarer pieces, such as a collection of original designs and plans for some of Aalto’s 500 buildings and glassware designed by his first wife and collaborator, Aino.
Title: Exhibition / Reason & Intuition: Alvar Aalto & Ola Kolehmainen in Soane
From: Fri, 04 Jul 2014
Until: Sun, 24 Aug 2014
Venue: PM Gallery & House
Address: London, UK
As part of the London Festival of Architecture, Cloud Architecture is conducting a participation-based research and design project from a pop up studio in Old Spitalfields Market in central London. Running until June 20th, the project aims to engage visitors to the market with the ideas and process of architectural design studios, which members of the public rarely get to experience first-hand.
At the same time, visitors to the studio will be encouraged to take part in a project to redesign the Old Spitalfields Market, based on data collected on site and the participatory input and opinions of those who use it.
Read on after the break for more on the studio and some of the results from the first week of research
The debate over the future of London‘s Skyline stepped up a gear on Tuesday, as the issue was taken up by the London Assembly’s Planning Committee in City Hall. The London Assembly is an elected watchdog which is tasked with examining the decisions and actions of London’s mayor, and is expected to apply pressure to mayor Boris Johnson over the issue of skyscrapers in the capital.
The committee heard from leading architectural figures in London including former RIBA president Sunand Prasad (of Penoyre & Prasad), English Heritage planning and conservation director for London Nigel Barker and former City planning officer Peter Rees.
More on the London Assembly debate after the break
David Chipperfield has been selected by Selfridges to remodel their flagship London store, creating a new 4,600 square metre accessories department and creating a new entrance to the Eastern side of the building. The additions by Chipperfield are part of the store’s larger 5-year, £300 million project which also includes work by Gensler to better connect the original 1909 building by Daniel Burnham with the later addition behind.
Chipperfield’s addition will aim to improve the store’s presence on Duke Street, which will act as a secondary entrance to the building’s primary public face on Oxford Street, with the new accessories department planned to open in 2016.
The £1.2 billion Shell Centre development in London, masterplanned by Squire & Partners, has been awarded planning permission after being called in for review by Communities Secretary Eric Pickles. Featuring 8 towers of up to 37 storeys which will sit alongside the existing 27-storey Shell Tower, the scheme was granted permission by the local council last year but was called in for review over fears that it could threaten the UNESCO Heritage status of the area around Westminster.
However, despite being awarded planning once again, opponents of the scheme have said they will continue to fight it, and have threatened to mount a judicial review of the scheme.
Read on after the break for more on the controversy
Roger Hawkins (Hawkins\Brown), Sunand Prasad (Penoyre & Prasad) and Peter Murray (New London Architecture) have all been appointed by the Mayor of London to oversee the implementation of £100 million worth of cycling infrastructure in the city.
The scheme will focus on three London Boroughs: Kingston, Enfield and Waltham Forest, each of which were awarded “mini-Holland” status – a reference to the cycling haven of the Netherlands which these areas of London will be modeled on. Each borough will nominate their own principal designers, but the three appointed architects, who all sit on the Mayor’s design advisory panel, will be acting as consultant and client for a different borough.
Read on after the break for a rundown of the proposed changes
Following the news that Lloyd’s of London is planning to leave it’s Grade-I listed headquarters designed by Richard Rogers, Edwin Heathcote has written an interesting article asking whether the Lloyd’s Building - along with some other more spectacular failures of ‘iconic’ commercial architecture – can teach us anything about how we ought to design buildings. He argues that while high-profile design serves developers well, tenants seem to prefer bland yet functional corporate buildings, leading Heathcote to ask: shouldn’t we be seeking something in between? You can read the article in full here.
A debate organized by New London Architecture (NLA) has revealed a strong need for civic societies in London which protect the interests of the public in planning decisions, offering New York as a potential model. The debate, which was one of the headline events at the London Festival of Architecture, was organized in response to a study which showed over 200 tall buildings were currently in the pipeline for the UK’s capital, which sparked fears that the current planning system was not fit for the purpose of controlling development in the city.
More on the debate after the break
Chilean-German architecture practice GUN Architects‘ latest installation, accompanied by an exhibition in the AA gallery, brings the micro-climate of Chile to the UK. Using tree-like structures and pyramidal fabric ‘stalactites,’ the architects create a unique ecology that is at once natural and material. The architects’ description of the installation, after the break…