Eight Ingenious Interiors

In case you missed it, we’re re-publishing this popular post for your material pleasure. Enjoy!

Continuing with our -themed posts celebrating the launch of AD Materials (our US product catalog), we decided to round-up eight materials/products (from a light fixture made from woven irrigation hoses – really – to a wall made from shoeboxes) that make their interiors truly ingenious. Enjoy!

2013 Arcaid Images Architectural Photography Award Winners

Overall Winner / Sense of Place Category. Image © Ken Schluchtmann via Arcaid Images

UPDATE: The winning images will go on show February 28th in London at the “Building Images: The Arcaid Images Awards 2013″ exhibition. They will remain on view through April 25th inside a renovated factory on 7–9 Woodbridge Street.

The Architectural Photography Awards, hosted by Arcaid Images, have announced the winner, runner-up and shortlisted images for this year’s best architecture photos. A distinguished panel architects and editors that included Catherine Slessor, Eva Jiricna, Zaha Hadid, Ivan Harbour and Graham Stirk were asked to look beyond architecture and into composition, atmosphere and scale to ultimately judge four categories of images: , Exteriors, Sense of Place and Building In Use. Their selections reflect this vision admirably. 

INTERIORS: The Yeezus Tour

Courtesy of INTERIORS Journal

Interiors is an online film and architecture journal, published by Mehruss Jon Ahi and Armen KaraoghlanianInteriors runs an exclusive column for ArchDaily that analyzes and diagrams films in terms of space. Their Official Store will carry exclusive prints from these posts.

The Yeezus Tour, ’s solo tour, which coincides with his sixth studio album, Yeezus, kicked off in Seattle, Washington on October 19, 2013 and ends in Toronto, Canada on December 23, 2013.

The show is theatrical, cinematic and operatic in its structure. It merges together all of Kanye West’s interests in the the visual and performance arts, creating a powerful experience that transcends the concert format.

GOOGLE MADRID HQ / Jump Studios

© Daniel Malhão

Architects: Jump Studios
Location: Madrid,
Architect In Charge: Jump Studios
Managing Director: Simon Jordan
Creative Director: Shaun Fernandes
Project Architect / Lisbon Office Head: Laszlo Varga
Year: 2013
Photographs: Daniel Malhão

INTERIORS: Justin Timberlake’s “Mirrors”

Courtesy of Journal

Interiors is an online film and architecture journal, published by Mehruss Jon Ahi and Armen Karaoghlanian. Interiors runs an exclusive column for ArchDaily, analyzing and diagramming films in terms of space. 

The rise of the director in music videos came in the early 1990s, when MTV started crediting directors alongside artists and song titles. The influx of visionary directors such as Michel Gondry, Spike Jonze and David Fincher emphasized that music videos were becoming an auteur’s medium, much in the same way as . The shift from stylized and performance-based music videos into narrative-based works, however, came much later, as the medium became more “cinematic” in its look and narrative structure.

Justin Timberlake’s music videos similarly parallel this evolution. His earlier works have always focused on locations and space, his choreography and the physicality of his performances. In “Cry Me a River,” we follow his movements through various rooms in a house. In “Rock Your Body,” his choreography and performance is the center of attention as he is surrounded by lights in an enclosed space. In “My Love,” we see the contrast of black and white while focusing on the vastness of empty space. However, the narrative-based music video for “Mirrors,” from his long-awaited album, The 20/20 Experience, marks a departure for the artist.

London Calling: Public Architecture, Inside Out

Interior architecture of the Guggenheim Museum, by Frank Lloyd Wright. Image © Scott Norsworthy

By its very nature, architecture has an obvious, and powerful, public presence. No matter who commissions buildings, they form the material backdrop of public life; the design of every building impacts towns and cities and the experience of those living and working in them. Architecture, though, is more than a stage-set. While, all too often, designed “iconic” buildings are indeed objects, and often vanity projects designed to show off the aspirations and egos of certain clients and architects, the space both inside and around these buildings, like most others, is public space: shared space, space used by communities of people, and space that often has psychological and emotional effects on very many of us. Think of shops, department stores, banks, and the many other buildings that, privately owned, play important roles in everyday public life.

It’s this internal aspect of public buildings that has been increasingly marginalized as architects and clients work together to maximize the external impact and character of buildings.  After all, the public life of a public building, be it a court house or shopping-mall, does not cease once you are inside.

The Benefits of Modern Design

Under Pohutukawa / Herbst Architects. Image © Patrick Reynolds

This post was sponsored by BHI. Explore the benefits of a newly built home.

To become an architect is to learn to fall in love with clean lines, pure functionality, and minimal simplicity. Which is why it’s so hard for us to understand why the majority of clients remain so tied to their “traditional” homes. You must understand that, for the typical home-buyer, a modern home seems “cold” and “austere” – even “clinical.”

But nothing could be further from the truth. The Modern floor plan – which architects have faithfully incorporated ever since Frank Lloyd Wright first introduced it in the early 20th century – frees rooms from doorways, allowing the life of the house to merge into one, airy, vibrant space. Modern homes bring people together – what’s cold about that?

Still not sold? Here’s 5 reasons why architects love Modern design – and, if you’re thinking of starting fresh and buying a new home, why you’ll love it too.

Read more…

INTERIORS: An Analysis of Space in the Oscar-Winning Film “Amour”

Screenshot from Amour (2012). Image © Sony Pictures Classics

This article was written by Armen Karaoghlanian for Interiors, an online journal run by Armen and Mehruss Jon Ahi, published on the 15th of each month, in which films are analyzed and diagrammed in terms of space. It has been revised and re-published with permission.

Michael Haneke, known for his cold, disturbing and bleak films, such as Funny Games (1997), Caché (2005) and The White Ribbon (2009), goes for a little compassion with his latest, Oscar-nominated Amour (2012). The , which explores the private life of a married couple, Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva), is a meditation on how individuals cope with the loss of a loved one.

Haneke sets his film within a single location, a Parisian apartment, which was constructed in a soundstage. The filmmaker, who often obsesses over the sound and production design in his films, had complete freedom with the construction of this space. In The Hollywood Reporter, we learn about how specific he was with the design of the space itself. “The crew had to install and reinstall the parquet floor to make sure it creaked just right.” In lieu of shooting on actual locations, Michael Haneke recreated an entire location according to his specifications to create the space he desired for his film.

Read more about how the spaces in Amour allow for the story to unfurl, after the break…

Aesop Store in Fillmore Street / NADAAA

© Juliana Sohn

Architects: NADAAA
Location: 2450 Fillmore Street, , CA 94115, USA
Principal In Charge: Dan Gallagher
Design Principals: Nader Tehrani, Katherine Faulkner
Project Manager: John Chow
Team: Jonathan Palazzolo, Parke MacDowell
Project Year: 2012
Photography: Juliana Sohn