The World Architecture Festival and Prize, together with co-curators Make Architects and Sir John Soane’s Museum, have announced Filipino Architect and Illustrator Eldry John Infante as the Overall Winner of the 2023 Architecture Drawing Prize. The awarded drawing, titled ‘(Re)membering the See Monster,’ is a mixed-media representation of a defunct oil platform. The image aims to invite conversations on the topic of reuse, going beyond the structure’s physicality.
Two years ago, as part of an initiative by the Barragan Foundation, the launch of the institution's renewed website was announced via its Instagram account. This represented an effort to compile all the information that exists so far from the Barragán Archive that enriches the study of his career, opening up the panorama to understand his trajectory and evolution from a clear chronology, experiments, and collaborations, as well as unrealized or demolished projects. The website compiles these five decades of career, presenting a list of 170 works inside and outside the country that is updated as more material is researched and collected.
‘’The delight I get out of doing buildings is to say: Screw you, it can be built’’ says Architect Peter Cook in conversation with Louisiana Channel, where he discusses his determination to communicate ideas through vivid Architectural drawings and the skepticism he has faced in regards to his ambitious design proposals and their outlandish appearance.
Peter Cook was interviewed at his studio in January 2022 prior to his exhibition ‘City Landscapes’ at the Louisiana Museum of Modern Art, Denmark. As the first artwork displayed that has been produced by an Architect, it explores his reverence for hand-drawing as an Architect's primary medium. The work depicts innovative new ways of exploring the city and our physical space in striking and evocative texture and color.
2020 and the Covid-19 pandemic forced architectural students around the world to go virtual with their classes and coursework, transforming the way architecture was both taught and learned. Once based primarily on in-class participation, and collaboration, architectural workshops had to take on whole new methods of instruction. Conversations and debates between students and their instructors, a key element of architectural education were relegated to phone and video calls as well as written documents, making digital formatting an essential tool for students to share their ideas and receive feedback on their work.
Design projects rely heavily on visual tools that illustrate the project's features and overall atmosphere, and whether you are an architect, interior designer, furniture designer, or engineer, the term 'mood board' has definitely come up at some point during the early stages of the design process. Generally speaking, images have immense powers of influencing and inspiring their viewers, so putting together a powerful mood board can be a game changer for the architect, the visual artist, and the clients, and can amplify the project's story telling process. So what is a mood board and how can you create one?
Morpholio has just released “Smart Hatch”, a new addition featured in its Trace app, famous for sketching and drafting, as well as storing and organizing ideas by layers. Making drawing details, elevations, plans, and sections by hand way easier, Smart Hatch calculates the areas for the user and fills their drawings with the sketch style hatch they desire.
Danish architect and CEBRA founding partner Mikkel Frost has given a TEDx Talk arguing for the relevance of hand drawing in an increasingly virtual world. Titled “Let your fingers do the talking,” the talk presents hand drawing “not as a render killer, but rather as a lively and more open supplement to the close-to-nature visualization.”
During the talk, Frost explains the inspiration behind is drawing style, partly from the cartoon universe where messages are communicated with humor, few words, and simple expressions. A central part of the design process for every CEBRA project, Frost describes hand drawing as a visual language that is easily understood, open, and less conclusive that hyper-realistic visualizations.
For those in the northern hemisphere, the last full week in January last week kicks off with Blue Monday - the day claimed to be the most depressing of the year. Weather is bleak, sunsets are early, resolutions are broken, and there’s only the vaguest glimpse of a holiday on the horizon. It’s perhaps this miserable context that is making the field seem extra productive, with a spate of new projects, toppings out and, completions announced this week.
The week of 21 January 2019 in review, after the break:
I was part of the last generation of architectural students who didn't use computers (we’re only talking the early 1990’s here; there was electricity, color TV’s, rockets, just no renderings.) In my final year at college I miscalculated how long it would take me to finish my thesis project. As the deadline approached, I realized it was too late for me to match my fellow students’ presentations. At the time Zaha Hadid, and her deconstructivist paintings, set the style for architectural illustration. That meant many student projects being rendered in oil paints on large canvases.
The World Architecture Festival, with co-curators Make Architects and the Sir John Soane’s Museum, announced today the winners of their annual Architecture Drawing Prize, established in 2017 to recognize the “continuing importance of hand drawing, whilst also embracing the creative use of digitally produced renderings.”
Perhaps as a form of "abstract urbanism," artist Benjamin Sack uses pen and paper to build cities and worlds that come to life as he draws. Towers and low-rise buildings merge together to form familiar yet unimaginably intricate cityscapes with complex spatial arrangements, and, in some cases, in human form. This brand of "abstract urbanism" introduces a provocative perspective on urban context and its relation to those who inhabit it.
This short article, written by the author and critic Jonathan Glancey, coincides with the launch of the inaugural Architecture Drawing Prize – a competition curated by the World Architecture Festival, the Sir John Soane's Museum, and Make. The deadline for the award has been extended to September 25, 2017, and successful entries will be exhibited in both London and Berlin.
For architects, says Narinder Sagoo, Head of Design Communications at Foster + Partners, drawings are about story telling. They are also a highly effective way of raising questions about design projects. Although the history of architecture—certainly since the Italian Renaissance—has been mapped by compelling drawings asserting the primacy, and reflecting the glory, of fully resolved buildings, there is another strain of visualisation that has allowed architects to think through projects free of preconceptions.
Architect and illustrator Diego Inzunza has created a new series titled "Architectural Classics," which presents and analyzes 20 iconic architectural works from the 20th-century. Using a graphic technique based upon axonometric views, the style allows each building to be seen from multiple sides, creating a comprehensive overall interpretation of the architecture.
_copy.jpg?1488996934 "Casa Gropius / Walter Gropius + Marcel Breuer / 1938 . Image Cortesía de Diego Inzunza - Estudio Rosamente")
_copy.jpg?1488997079 "Prairie Chicken House / Herb Greene / 1961. Image Cortesía de Diego Inzunza - Estudio Rosamente")
_copy.jpg?1488996911 "Casa de Vidrio / Philip Johnson / 1949. Image Cortesía de Diego Inzunza - Estudio Rosamente")
_copy.jpg?1488996891 "Casa Farnsworth / Mies van der Rohe / 1951 . Image Cortesía de Diego Inzunza - Estudio Rosamente")
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