gmp Architekten just won the first prize with their design for the new buildings of the Karlsruhe Medical Centre. The competition focused on the 2015 master plan and was open to 15 selected practices. The briefing called for the construction of a new central building in order to give more structure to the hospital precinct – which consists of older buildings from the nineteenth century as well as later additions – and to improve the logistics of the centre by constructing a new central catering facility and new institute buildings. More images and architects’ description after the break.
David Chipperfield, Stirling Prize-winning architect and director of the 13th international Venice Biennale, has been commissioned by the Prussian Cultural Heritage Foundation (PCHF) to renovate the Neue National Gallery. The 20th century icon was designed by the legendary Ludwig Mies van der Rohe, who celebrated his 126th birthday this week.
Hermann Parzinger, president of the Prussian Cultural Heritage Foundation, said: “With David Chipperfield, I know this icon of modern architecture in the best hands. In working with him on the Museum Island, I learned the sensitivity in dealing with the architectural heritage and the conceptual clarity of his approach is greatly appreciated.”
German architect Johann Bierkandt has shared with us his second-place winning proposal in the Classic Siftung Weimar international competition for the New Bauhaus Museum. His concept was praised by the jury for its clever integration into Weimarhallenpark through a series of small-scale pavilions that differentiates the museum from the surrounding context. Bierkandt‘s proposal is one of the final four designs still competing in the two-stage competition. The jury is expected to announce the winning design this summer. More images and architects’ description after the break.
Rotterdam-based practice BUBE has shared with us their third-place winning proposal in the Classic Siftung Weimar international competition for the New Bauhaus Museum. Three translucent cubes are clustered together in an effort to maximize open space and reorganize the site with a focus of intensifying the interactions between park and museum visitors. BUBE’s proposal is one of the final four designs still competing. The jury is expected to announce the winning design this summer. More images and architects’ description after the break.
MenoMenoPiu Architects shared with us their winning proposal in the Classic Siftung Weimar international competition for the New Bauhaus Museum. The building is conceived as an open square at the crossing point of the three main city forces, old and new city and the park, a flexible “object” that allows different activities inside and around it. More images and architects’ description after the break.
The proposal by LÜPS for the Energy Center, Woodchips Energy Plant at the the convent of arch abbey St. Ottilien aims to stand out from the existing, architecturally less appealing buildings. Above a massive concrete architrave block, a transparent facade arises, made from frame-less polycarbonate sheets, allowing a view onto the wooden branch-like structure inside the building. Lying in the north of the convent grounds, between agriculture and hen-houses, the energetic project finds its importance represented by the impression one gets of the newly constructed building. More images and architects’ description after the break.
The International jury, chaired by Prof. Jörg Friedrich (Hamburg), has awarded two second-place and two third-place prizes in the worldwide, open architectural design competition for the New Bauhaus Museum in Weimar. The purpose of the competition is to find an architecturally innovative, sustainable, energy-efficient and museologically sound solution for a new museum that takes full advantage of the urban-planning potential of the Weimarhallenpark. The announcement of the winners officially concludes the architectural design competition, in which 536 architectural offices around the world participated.
The two second-place prizes went to Johann Bierkandt (Landau) and the Architekten HKR (Klaus Krauss and Rolf Kursawe, Cologne). These prizes are worth 40,000 euros each. The two third-place prizes went to Prof. Heike Hanada with Benedikt Tonnon (Berlin) and Bube/Daniela Bergmann (Rotterdam). Each third prize comes with 30,000 euros in prize money. Three honorable mentions, worth 9,666 euros each, were awarded to the proposals by Karl Hufnagel Architekten (Berlin), hks Hestermann Rommel Architekten + Gesamtplaner GmbH (Erfurt), and menomenopiu architectures/Alessandro Balducci (Rome).
Continue after the break for more information and project descriptions.
WOHA‘s ‘Breathing Architecture’ exhibition, which will be up until April 29th has been very successful at the Deutsches Architekturmuseum (DAM) in Frankfurt, Germany. Some of their structures remind us of bold visions of the future, in which plants reclaim nature for themselves. WOHA realizes the permeation of buildings and landscape, of interiors and exteriors in projects such as the Singapore School of the Arts and the seminal residential high-rise The Met in Bangkok, which received the International Highrise Award 2010. More images and architects’ description after the break.
Grimshaw Architects, in association with local project partners Konrath & Wennemar and FSWLA were recently selected to deliver their visionary masterplan strategy for the city center area of Mönchengladbach, Germany. Through close collaborative working with the citizens of Mönchengladbach, the aim is to produce a strategy to optimise the quality of life, improve the economy and the appearance of the inner-city areas. More images and architects’ description after the break.
Explore the stunningly beautiful and vibrant city of Berlin through the eyes of resident and film producer, Pilpop. He believes that it is the inhabitants in which make Berlin such a unique city. To observe and attempt to understand the way in which people use the city is quite possibly the ultimate form of education, as there is something new to discover each time you turn a corner.
Music: “Hungarian Rhapsody No. 2” by Franz Liszt
We’ve been following the progress of Herzog and de Meuron’s recent projects, such as the construction stages of the Elbe Philharmonic and the design of the Museum der Kulturen Basel. Yet, every so often, it is interesting to view some of the firm’s older projects to see the common line of thought running throughout their portfolio and examine how their design process has evolved throughout the years to respond to newer technologies, materials and environmental concerns. Although the Sammlung Goetz Museum in Munich was designed and constructed nearly two decades ago, the project illustrates the firm’s obsession with the building’s outer treatment. Material selection and facade design is an important facet of the firm’s identity, but we noticed another common thread between this project and their future works – the fascination with the floating volume.
More about the museum, including more photos, after the break.
Presented at the Vitra Design Museum Gallery in Weil am Rhein, Germany, the ‘Album’ exhibition by Ronan and Erwan Bouroullec. The main focus of the exhibition is on their drawings, in addition to archive photographs of models and projects that all come together to offer a panorama of their work, extending from everyday details to a global approach. The exhibition was launched February 3rd and is up until June 3rd. More information after the break.