After being rejected for appearing too “boxy” and not appealing enough to pedestrians, Related Companies’ revamped Grand Avenue vision has finally won unanimous approval from county supervisors. The $750-million plan, which was abruptly halted back in September when Gensler’s toned-down version was deemed greatly “disappointing” by the city, will now move forward with a more playful (and pricey) design by the project’s original architect, Frank Gehry.
TimeLAX travels across the sprawled city of Los Angeles, connecting some of the city’s most iconic landmarks – Disney Concert Hall, the Griffith Observatory and John Ferraro Building – with over 200 locations that reveal the true essence of the city’s fabric.
Part 2, after the break.
In Joshua Tree, California, artist Phillip K Smith III has completed Lucid Stead: an optical illusion/installation that modifies an abandoned 70-year-old homestead with mirrors in order to make it appear transparent. The cabin was also fitted with LED lighting to “extract the distilled experience of how light changes over time — how a mountain can be blue, red, brown, white, purple, and black all in one day.” As Smith stated, the project is about light, shadow, and tapping into the quiet of the desert. Check out more images and a video of the cabin after the break!
After reviewing proposals from a selection of other firms, Related Companies has chosen to move forward with Frank Gehry’s Grand Avenue vision for Los Angeles. The design, which abandons the fluid forms of Gehry’s original scheme, has been described by critic Christopher Hawthorne as “significantly more exuberant and suggestive of L.A. culture” than Gensler and Robert A.M. Stern Architects’ recently rejected proposal.
The Museum of Contemporary Art Santa Barbara (MCASB) welcomes six Los Angeles-based creatives whose work embraces cross-fertilization, collaboration, and adaptation—thus creating new methodologies for research and implementation in the fields of architecture and beyond.
Catherine Johnson and Rebecca Rudolph, Design Bitches
Doris Sung, DO/SU Studio Architecture
Benjamin Ball and Gaston Nogues, Ball Nogues Studio
Miles Kemp, Variate Labs
Elena Manferdini, Atelier Manferdini
Ramiro Diaz Granados, Amorphis LA
For more information, please click here.
Title: Almost Anything Goes: Architecture and Inclusivity
Organizers: Museum of Contemporary Art Santa Barbara
From: Sun, 05 Jan 2014
Until: Sun, 13 Apr 2014
Venue: Museum of Contemporary Art Santa Barbara
Address: 1130 State Street, Santa Barbara, CA 93101, USA
A first for the AEC Industry, the AEC Hackathon is a non-profit event that brings together teams of Silicon Valley technologists and industry stakeholders to help shape the future of our built environment. Formatted as a traditional “hack”, the AEC Hackathon provides a playful, exploratory environment where disruption, innovation, and creative ideas are brought to life.
The focus of the event is not on technology for technology’s sake, but to hack into traditional processes and workflows of the AEC industry to generate innovation. This can be eventually be applied into global solutions.
The event will take place in San Francisco and Silicon Valley from November 8 to November 10. For more information on registration and complete details, click here.
Water scarcity is a profound challenge for designers of the built environment. Beyond looking for water sources and creating sustainable ecosystems, how can we begin to create cities and buildings that will help us to celebrate and mitigate hydro-logical concerns? Hadley and Peter Arnold, co-directors of the Arid Land Institute (ALI) at Woodbury University, have decided to tackle this problem around Los Angeles. With the support of the World Water Forum and the Metropolitan Water District of Southern California, they recently developed a high-resolution geospatial model to strategically identify and quantify the potential for improving storm water capture within urban areas.
It has been a long road for Foster + Partners‘s team since first taking on the design for Apple’s new campus in 2009. Four years later, despite the criticism and budget concerns, plans for Apple’s corporate headquarters have been approved by Cupertino’s planning commission. A recent video from the Cupertino City Council reveals some insight into the design decisions, including statements by Sir Norman Foster. As Foster states in the video, CEO Steve Jobs called him “out of the blue” in 2009 and said, “It’s Steve: Hi Norman, I need some help.”
DALE, short for Dynamic Augmented Living Environment, is this year’s U.S. Department of Energy Solar Decathlon entry for the SCI-Arc/Caltech team. Made of two movable, prefabricated modules that open to allow the outdoors in, DALE celebrates the active California lifestyle through its dynamic architecture.
DALE learns from two classic California precedents: the super-sized suburban tract home and the compact, sufficient bungalow; amending one and expanding on the other to become a new Southern California typology. At 600 square feet, it is a micro house with an unprecedented flexible interior that results in the program of a house three times the size.
UPDATE: Although having already cleared a preliminary vote, the Apple HQ was given unanimous approval from the Cupertino council yesterday. One “largely perfunctory” vote remains for November 15th. Detailed images, after the break.
Richard Nieva (CNET) reports that plans for Apple’s new corporate headquarters have been approved by Cupertino’s planning commission (the final, deciding vote will be in
May November 2014). The “spaceship”, designed by Foster + Partners in collaboration with Kier & Wright, will cover 2.8 million square feet, host up to 14,000 employees, include ”a 600-seat restaurant with four-story glass sliding doors”, be surrounded by over 6000 trees, and – to top it off – come with a price tag close to $5 billion.
Journey through a three-dimensional landscape of striking architecture in this career-spanning exhibition of Moshe Safdie’s work. Global Citizen: The Architecture of Moshe Safdie surveys the renowned architect’s career from his formative period in the 1960s and early 1970s to his recent projects around the world, exploring his aesthetic language of transcendent light, powerful geometry, and iconic forms.
Using sketches, models, photographs, and films of twenty-five projects, the exhibition portrays Safdie’s architecture not only as visual art but as a medium for advancing social, political, and cultural goals. Along with the exhibition, there will be a talk with Moshe Safdie at the Skirball Cultural Center on Sunday, October 20, 3:00pm. Click here for more information.
Johnson Fain and Rios Clementi Hale Studios have been selected to transform Philip Johnson’s 1981 Crystal Cathedral, originally a Protestant mega-church, to make it more in keeping with its new, Catholic identity.
The Cathedral, which had filed for bankruptcy in October 2010, was bought in early 2012 by the Roman Catholic Diocese of Orange. Earlier this month, the architects were chosen for the renovation: Johnson Fain will focus on the interior, while Rios Clementi Hale Studios will oversee the masterplan of its 34-acre campus.
On November 7-9th, 2013, your favorite humanitarian design and resiliency conference presented by Architecture for Humanity is back for another round of innovative panel discussions, workshops, Design Open Mic, and inspiring dose of industry networking. This year’s theme, Designing for a More Resilient World, will highlight the intensifying need to protect livelihood in a world which is continuously dealing with the aftereffects of issues like climate change, urbanization and population shock.
Title: Design Like You Give a Damn: LIVE!
Organizers: Architecture for Humanity
From: Thu, 07 Nov 2013
Until: Sat, 09 Nov 2013
Venue: Contemporary Jewish Museum / Autodesk Gallery / Architecture for Humanity Headquarters
Address: San Francisco, CA, USA
The Southern California Institute of Architecture (SCI-Arc) is pleased to announce its schedule of public lectures, discussions and exhibitions for Fall 2013, when the school welcomes an international roster of award-winning architects, urban historians, critics, writers, designers, and artists for programs that span from innovative theory to contemporary architecture and technical practice.
Lectures are free and open to the public in the W. M. Keck Lecture Hall and are broadcast live on www.sciarc.edu/live. For additional information including lecture updates and gallery hours, please visit www.sciarc.edu.
In July the Office for Metropolitan Architecture’s (OMA) competition proposal for a mixed-use development in the heart of downtown Santa Monica was recommended by City Council members after they “seemed genuinely wowed by OMA’s theatrically-terraced design.” City officials have since voted to re-evaluate the recommendation over concerns of a lack of affordable housing in the development, as well as issues “related to design [and] economics.” They have also invited Related California, a team comprising of BIG, Koning Eizenberg Architecture, and Rios Clementi Hale Studios, to revise its original proposal that was shortlisted in March of this year.
Two themes – Dreams Deferred and On the Boards – frame the collection of thought-provoking photographs, original drawings, renderings and models that make up Unbuilt San Francisco: Grand Visions. The exhibition juxtaposes outlandish unbuilt work with existing plans which will, in time, have a major impact on our city.
Featured content includes Vincent Raney’s drawings of a United Nations at the foot of Twin Peaks; OMA’s designs for Prada’s West Coast headquarters, located near Union Square; Fougeron Architecture’s envisioning of a future San Francisco with agriculture woven directly into the urban framework; and an early look at the revitalization of Pier 70′s Waterfront Site. Unbuilt San Francisco is the theme of the 10th anniversary celebration of the Architecture and the City festival.
More information and images after the break.
Earlier this summer we reviewed plans for a new Foster + Partners-designed Apple Store in the heart of San Francisco which received a considerable amount of backlash for its accused ubiquitous design that disregarded the city’s historic Ruth Asawa Fountain. Since, Apple has decided to respond to the complaints and Foster + Partners have just released images of the revised design that preserves the fountain.
The Petersen Automotive Museum in Los Angeles has announced that it will celebrate its 20th anniversary in 2014 with a redesign of its interior and a complete transformation of its exterior facade to create a “world class museum that will showcase the art, experience, culture and heritage of the automobile.” The exterior design by Kohn Pedersen Fox Associates will give the Petersen a truly unique and iconic look that will hopefully attract architecture and car enthusiasts alike.
More on the museum’s drastic transformation after the break.