Taking place October 18-23 at Ajman University of Science & Technology, UAE, Japanese Architect, Satoshi Okada…, will be putting on an architectural workshop titled, ‘Thinking of Shadow’. As the founder of Satoshi Okada Architects, Okada is known for his
Originating from the ‘pure plate’ structure occurring in natural structures such as sea urchins, and based on a hexagonal geometry, the Spaceplates Greenhouse is being used for the first time this term by horticultural staff and students at City of…
In addition to yesterday’s announcement of the World Building of the Year Award, two further awards have also been awarded at the World Architecture Festival in Singapore:
Kallang River Bishan Park, Singapore, designed by Atelier Dreiseitl, has won the ‘Landscape of the Year’ Award and Msheireb – Heart of Doha, Qatar, designed by AECOM, has won the ‘Future Project of the Year’ Award.
Find out more about the awarded projects after the break.
World Architecture Festival announces the World Building of the Year 2012 / Cooled Conservatories at Gardens by the Bay
Cooled Conservatories at Gardens by the Bay, Singapore, has won the World Building of the Year Award at the prestigious World Architecture Festival (WAF) Awards 2012. The project, designed by Wilkinson Eyre, Grant Associates, Atelier One and Atelier Ten, was chosen from over 500 entries. More information and images after the break.
A cultural and educational space for creative industries, such as movie, TV, web design, fashion and performing arts, the first prize winning proposal for the CASA FIRJAN da Indústria Criativa unifies the educational, cultural and corporate segments. Designed by Lompreta …
How to think about today’s architecture, captured in the pragmatic flows of changing society? Can architecture once more be captivating, romantic, humanistic, visionary, and everyday at the same time? It appears that today’s architecture is becoming increasingly complex and ambiguous, and thus increasingly manipulative. It is lost in the cloud of the everyday. But how can architecture be seen again in its elementary correlations, geometry, form, use? To be derived from the specific, idiosyncratic, everyday, and face the timeless, resistant level. How to find the vertical of the everyday? The everyday that makes sense only if it is reflected in the sublime.
More from exhibitor Metamak – Architectural Collective after the break.
Architects: gmp Architekten
Location: Frankfurt, Germany
Design: Meinhard von Gerkan and Jürgen Hillmer
Design Team: Klaus Lenz, Sebastian Flatau, Ingo Beckmann, Kai Beckmann, Markus Carlsen, Christian Dahle, Henning Fritsch, Ben Joscha Grope, Markus Helmin, Matthias Holtschmidt, Silke Jessen, Eduard Kaiser, Raimund Kinski, Prisca Marschner, Rouven Oberdieck
Project Leaders Susanne: Winter, Reiner Schröder
Project Year: 2012
Photographs: Marcus Bredt
Yes, it could begin this way, right here, just like that, in a rather slow and ponderous way, in this neutral place that belongs to all and to none, where people pass by almost without seeing each other, where the life of building regularly and distantly resounds. What happens behind the flats’ heavy doors can most often be perceived only through those fragmented echoes, those splinters, remnants, shadows, those first moves or incidents or accidents that happen in what are called “common areas,” soft little sounds damped by the red woolen carpet, embryos of communal life which never go further than the landing. The inhabitants of a single building live a few inches from each other, they are separated by a mere partition wall, they share the same spaces repeated along each corridor, they perform the same movements at the same times, turning on a tap, flushing the water closet, switching on a light, laying the table, a few dozen simultaneous existences repeated from storey to storey, from building to building, from street to street. They entrench themselves in their domestic dwelling space—since that is what it is called—and they would prefer nothing to emerge from it; but the little that they do let out…
- Georges Perec
The Ministry of Information and Culture of the Islamic Republic of Afghanistan, in collaboration and sponsorship with the Government of the United States of America and the U.S. Embassy in Kabul, has awarded AV62 Arquitectos first prize for the National Museum of Afghanistan Competition. The Spanish team was selected over 72 other design proposals from 31 countries.
A second and third prize winner, along with three honorable mentions, were also recognized at the awards ceremony in Kabul. More details after the break.
ARCHITECT Magazine has released their fourth annual ranking of the most “powerful, philanthropic, talented and profitable” architecture firms in the United States. Don’t be fooled, this doesn’t necessarily mean the biggest firms, as the survey uses the broadest possible criteria to allow practices, both small and large, the opportunity to compete and be recognized.
Firms are ranked by profitability, sustainability and design quality. For the first time this year, the survey included pro bono work and water modeling in response to the challenging realities of the economy, natural disasters and drought.
Additionally, the survey revealed that 66% of the firms reported an increase in their net revenue from 2010 to 2011. No surprise there, when considering the slow, overall improvement of the ABI (check out the latest ABI report here).
And now, the Top 50 US Firms are…
In collaboration with Veuve Clicquot, British-Japanese designer Keiichi Matsuda created multimedia sculpture ‘Prism’ in one of the V&A’s best kept secrets. The cupola at the top of the museum was transformed into a 47-panel geometrical construction feeding into London’s pool of readily available data. Anything from energy use at 10 Downing Street to a live route map of TFL’s transport network highlight the Internet’s force as the all encompassing source of information. Whilst Prism reflects the intricate networks of the virtual world, the cupola gives visitors a 360 degree view of real-time London.