Foster + Partners has revealed designs for the headquarters of RMK, one of the world's leading copper producers based in Yekaterinburg, Russia. The 13-story building is designed to complement the company's working style, splitting office spaces into two-story modular units which provide comfortable and flexible work spaces.
The facade of the building features triangular panels of bronze-colored steel, a motif that is inspired by the color and chemical structure of copper. These steel panels also express the modular offices within the building, with each ten by six-meter panel corresponding to a single office module, and regulate the building's temperature by shading the building in the summer but admitting winter sunshine.
"In the ancient culture identity is a touch of spatiality. Our use of space is psychological, you line up sequences of courtyards and buildings in order of importance so it prepares your mood, they get a sense of anticipation. We could reuse this spatially in today’s different types of buildings to achieve different purposes, but it originates from the past — that makes it Chinese." -- Rocco S. K. Yim, Hong Kong, 2013
On the 38th floor of the AIA Tower, Rocco Yim’s office faces the bay, from which you see the quintessential view of the city: the Hong Kong skyline. Rocco Yim is the founder of Rocco Design Architects Limited (founded in 1982) and responsible for the design of iconic buildings like the International Finance Centre in Hong Kong. In this conversation he talks about the importance of the density created and supported by the urban flow in China, and his unique point of view on iconic architecture in relation to ancient culture.
“A painter is a magician that immobilizes time.” - Iberê Camargo
The Fundação Iberê Camargo, which received a Golden Lion at the 2002 Venice Biennale of Architecture, is Portuguese architect Álvaro Siza's first project in Brazil. It serves as an architectural exemplar not only for the city of Porto Alegre, but also for the entire country of Brazil. Defined by Siza as "quasi-arquitecture" -- with careful explorations of light, texture, movement and space--the building cultivates a direct relationship between the viewer and the artwork, and, in turn, allows visitors to richly come into contact with Iberê's (one of the great names of twentieth-century Brazilian art) work.
"Architects don't invent anything, they just transform reality." - Álvaro Siza
The first in Brazil to use white concrete--seen around the entire exterior-- the building does not use any bricks. The visitor is guided through a trajectory of descent throughout the building via ramps in the nine exhibition halls. The monolith is supported by massive slabs, pillars and beams. No detail escaped the hands of the architect; the furniture and signage were also designed by Siza.
With this news, we are presenting an extensive set of photos of this important project, realized and generously shared by one of the world's most important architecture photographers: Fernando Guerra of FG+SG - Últimas reportagens.
Story written by Joanna Helm for ArchDaily Brasil. Translated by Becky Quintal.
Scroll to see Guerra's beautiful images of the Fundação Iberê Camargo:
Jaime Castiello, Héctor Santana, Edgardo Sandoval y Carlos Haro
Livier Miramontes, Manuel Haro, Carmen Espinosa, Jorge Ignacio Gutiérrez, Jaime Castiello Gómez Verea, Fernando Castiello, Carlos Rodríguez, Miguel Martínez, Héctor Lozano, Beatriz Orozco, Mario Rodríguez, Hugo Yáñez, Susana Cortés, Juan Carlos Barriga
In their fifth Beyond the Building video, "Building Better Builders," MASS Design Group goes behind the scenes of their projects in Haiti to speak with local architects and metalworkers and show how incorporating local talent can engage the local community to develop innovative solutions.
The Council on Tall Buildings and Urban Habitat (CTBUH) has announced Kohn Pedersen Fox Associates' International Commerce Centre in Hong Kong as the winner of its first ever Performance Award. The new award recognizes the project with the lowest measured environmental impact on the urban realm, as measured using actual data from the completed construction.
The CTBUH explains the need for the prize, saying: "Most awards programs focus on design intent, as opposed to actual performance – often well-intentioned projects are not revisited, and thus not held accountable." KPF's 484-metre tall office tower won the prize based largely on its policy of collecting and sharing performance data.
Starting September 19th, the ten winners of WorldWide Storefront (WWSf) - an initiative by Storefront for Art and Architecture to create alternative spaces for the expression/exchange of art/architecture - will open across the globe for the next two months. While one winning proposal invites artists to travel the world on commercial freight ships, another will host exhibits and events out of a traveling semi-truck in the United States. For the full list of winners and more information, click here.
The World Health Organization (WHO, the Commissioning Organization) is the directing and coordinating authority for health within the United Nations system. On 23 June 2014, WHO launched an international, two-stage architectural design competition for the extension and redevelopment of WHO Headquarters in Geneva.