As phase three of London’s Battersea Power Station regeneration, Foster + Partners has collaborated with Gehry Partners to design the 42-acre development’s primary entrance. Together, the duo has envisioned “The Electric Boulevard” - a massive gateway connecting the Northern Line Extension station to the Power Station, which will be formed by an undulating Foster-designed tower known as “The Skyline” and Gehry’s five-building “Prospect Place.”
Housing more than 1,300 homes and over 350,000 square feet of retail and restaurant space, the boulevard is expected to become one of London’s most distinguished high streets.
Skidmore, Owings & Merrill LLP (SOM) has been chosen to design a new teaching and learning facility for Barnard College - Columbia University’s world-renowned liberal arts college for women. The selection committee chose SOM after deeming them the best candidate in three categories: “a history of creative and innovative architecture,” a proven recorded on similar academic projects, and “an internal commitment to woman’s leadership reflected by women holding key roles in the firm.”
Pérez Art Museum Miami, 1103 Biscayne Boulevard, Miami, FL 33130, United States
Partners in Charge
Jacques Herzog, Pierre de Meuron, Christine Binswanger
Associate, Project Managers
Kentaro Ishida, Stefan Hoerner
Adriana Mueller, Ahmad Reza Schricker, Daekyung Jo, Dara Huang, Günter Schwob (Workshop), Hugo Moura, Ida Richter Braendstrup, Jack Brough, Jayne Barlow (Associate), Jason Frantzen, Jeremy Purcell, Joana Anes, Margarida Castro, Masato Takahashi, Mehmet Noyan, Nils Sanderson, Roman Aebi (Workshop), Silja Ebert, Sunkoo Kang, Valentine Ott, Wei Sun, Yuichi Kodai, Yuko Himeno
A jury of seven, consisting of three architects and four Statoil employees, unanimously chose Wingårdhs' design proposal—dubbed "E=mc2"—for the company's campus at Forus West in Norway. Four other firms were shortlisted along with Wingårdhs: Foster + Partners (UK) together with Space Group (Norway), OMA (the Netherlands), Snøhetta (Norway) and Helen & Hard (Norway) together with SAHAA (Norway). OMA, however, pulled out of the competition before the final submission.
The competition consisted of a proposal for an office building for 3500 work places and a masterplan for the entire Statoil property at Forus West. Wingårdhs' design features an elliptical, chamfered building that tapers to 16 stories, set within a masterplan that will give the company a high degree of flexibility for future development. Statoil announced on Thursday that "The jury sees the potential for [E=mc2"] to be a distinct identity carrier for Statoil, which will both strengthen the Forus area and give Statoil employees pride and inspiration. The project has a significant innovative nature through advanced technological solutions, which fits well with Statoil as a leading technology company. Its clear inclined surface towards the sun is suitable for Statoil's energy and environmental ambitions."
More information about Wingårdhs' winning proposal and images of the other teams' proposals can be found after the break.
Architects in Mission(AIM) recently announced the winners for their 2013 competition with the topic, Post Earthquake Reconstruction, Ya’an Sichuan - Rebuild Panda’s Hometown from the Earthquake. The Ya'an Earthquake occurred at 08:02 Beijing Time on the 20th April 2013. The epicenter was located in Lushan County, Ya'an, Sichuan, about 116km (or 72 miles) from Chengdu (along the Longmenshan Fault) in the same province that was hit heavily by the 2008 Sichuan earthquake. For this year's competition, AIM asked participants to pay particular attention to the master planning of the Snow Mountain Village, whilst developing new business models to encourage economic growth for local villagers. See the four winning entries after the break.
Bjarke Ingels Group has unveiled their latest - and certainly greenest - "mountainous" housing project (for previous examples, see: Mountain Dwelling and 8 House). Although still in progress, Hualien Residences, a beach resort housing complex in Taiwan, will consist of green "landscape stripes" that resemble mountains themselves. The project, which incorporates walking paths, underground jogging paths, and an observation point, has already been recognized as a finalist in the 2014 MIPIM awards for its use of design to encourage healthy, active lifestyles for the complex's primarily older residents.
MASS has just released the third video in their Beyond the Building series, which examines how architecture and design can positively impact our world, beyond buildings (check out the first video here and the second here). The latest - "Ilima: Beyond Sustainability" - explores MASS's collaboration with the African Wildlife Foundation as well as local masons to build a primary school in the rural Congolese village of Ilima, where, due to its remote location, practically all materials must be sourced locally.
In this interesting article in the New York Times, Allison Arieff highlights the often unconsidered importance of sound in architecture (outside of theaters and museums at least). She profiles the work of Acoustic Engineers at ARUP who have begun to work inschools and hospitals, taking into account the effects poor sound environments can have on us in our everyday lives. You can read the full article here.
As you may have seen, ArchDaily has been publishing UNIFIED ARCHITECTURAL THEORY, by the urbanist and controversial theorist Nikos A. Salingaros, in serial form. However, in order to explain certain concepts in greater detail, we have decided to pause this serialization and publish three excerpts from another of Salingaros’ books: A THEORY OF ARCHITECTURE. The first excerpt explained the difference between “Pattern Language” and “Form Language,” while the second established how these languages can combine to form the “Adaptive Design Method.” The following, final, excerpt distinguishes between viable, complex form languages that have evolved over time and primitive, “non-languages” that have come to dominate the 20th century due to their iconic simplicity (and despite their non-adaptive characteristics).
Independently of their technological achievements, all groups of human beings have developed a richly complex spoken language. Differences arise in specificities, in the breadth of vocabulary for concepts important to that culture, and in their transition to a written language, but those do not affect the general richness of the language. Every language’s internal structure has to obey general principles that are common to all languages. A primitive language or non-language, by contrast, is characterized by the reduction or absence of such internal complexity and structure. The complexity of human thought sets a rather high threshold for the complexity that any language has to be able to express through combinatoric groupings.
Turning now to architecture, a viable form language is also characterized by its high degree of internal complexity. Furthermore, the complexity of different form languages has to be comparable, because each form language shares a commonality with other form languages on a general meta-linguistic level. A primitive form language severely limits architectonic expression to crude or inarticulate statements.