This summer, New York artist Kurt Perschke brought his celebrated art project RedBall to the UK. Co-produced by Torbay Council and The Dartington Hall Trust, it arrived on the streets of the English Riviera in Torbay in June before touring to Plymouth, Exeter, Weymouth & Portland and London, finishing the tour at Dartington Hall and popping up in a total of 20 sites. The project engaged thousands of people on its tour of alleyways, underpasses, high streets, town squares, heritage sites and bridge arches across the country. Alongside the tour, the RedBall UK education project worked with hundreds of young people and staff in 5 schools to raise the aspirations and achievements of Year 6 pupils. Text Courtesy of Danny Cooke. For more information on RedBall UK, please visit here.
Raimund Abraham (1933-2010), who would have turned 79 today, was far from your typical architect. A striking figure – usually sporting a black fedora, thick moustache, and cigar – Abraham was a radical thinker who believed passionately in the sacred importance of architecture.
For Abraham, architecture existed just as legitimately in the mind as on the ground; as he put it: “I don’t need a building to validate my ideas.” In fact, many of his visionary drawings were exhibited as art, including in the MOMA. Although most of his designs were never actually built, those that were gained critical acclaim.
He was best known for the Austrian Cultural Forum in New York City, a 24-story, “guillotine-like” building curiously squeezed onto a plot only 25 feet wide. Architectural historian Kenneth Frampton called it “the most significant modern piece of architecture to be realized in Manhattan since the Seagram Building and the Guggenheim Musuem of 1959.”
To celebrate this great mind, we present you his final work, Musikerhaus (House for Music or Musician’s House), as photographed by Thomas Mayer. The House, a former NATO missile base turned artists’ residence/exhibition gallery (you can see the latest exhibition “The Reality of the Unbuilt” in the photos below), will be completed next year.
More photos & quotes, after the break…
Architects: Bureau Alexander Brodsky
Location: Gorky Park, ул. Крымский Вал, 9, город Москва, Russia, 119049
Design Team: À. Brodsky, N. Korbut
Project Year: 2012
Photographs: Yuri Palmin…
© Yuri Palmin
As we’ve discussed at length here at ArchDaily, an Olympic Bid is no thing to take on lightly. Our 3-part series on the subject, “How NOT To Host the Olympics,” made very clear that this mega-event is a major urban project with long-term economic, social, and environmental consequences.
So, it’s no surprise that Olympic bidders research and strategize well in advance – consider London 2012‘s “Sustainable Olympics” bid or OMA’s perhaps premature interest in Turkey- to ensure, first, that they get the bid and, second, that the Games leave renewal (rather than destruction) in their wake.
Architecture, Research, and Urbanism practice, XML, are already taking on the task of preparing its home country, the Netherlands, for its 2028 bid. Their just-released report compares Olympic City bids across the globe – from the 2020 contenders of Madrid, Istanbul, Dohan, and Tokyo to a 2024 contender, South Africa. Interestingly, they’ve noted a cyclical nature of the Games’ socio-economic significance and have thus come up with a 3-prong strategy that will position the Netherlands to spearhead a new Olympic paradigm.
You can check out XML’s full Report, well worth a look, after the break...
Koppert + Koenis Architects were recently announced as winner of the competition by the Flemish Government with their contribution for a double sports accommodation in Oudenaarde, Belgium. The sports complex will facilitate the sports education of the local primary and secondary schools during the day and local sports clubs during the evening hours. The jury was charmed by the clear setup and the optimal sports and teaching facilitating design resulting in simplicity and a realistic integration with its surroundings. More images and architects’ description after the break.
This was an unprecedented year for Tsinghua University’s Non-Linear Parametric Workshop with close to 200 students attending. Students of the Advanced Design Unit taught by Daniel Gillen, Xu Feng with assistance by Andrew Haas investigated parametric software, thought processes and strategy with a specific focus on versioning.
The tutors’ sequenced information provided to students to encourage a scientific level of variable testing and analysis. The nine-day workshop was organized into three parts, beginning with abstract versioning, followed by a pavilion, and concluding with a product.
Designed by Fabiano Ravaglia, Liebert Rodrigues, Vinícius Philot, Fernanda Marx, Tiago Mendonça, and Karen Novaes…, the DAF: Designing for Adaptable Futures competition proposal focuses on expansion and flexibility to create a new way of thinking about Brazilian social
ANDO | Andalucía Office…, composed by five young architects from the University of Seville, shared with us their 2nd prize winning proposal in the Fourth edition of the “International Mock Firms Skyscraper Competition” organized by Chicago Architecture Today. Their