When plans for the High Line were first revealed it made quite an impression on the design community. The converted elevated rail line, long abandoned by New York City, was threatened by demolition until a group of activists fought for its revival and helped transform it into one of the most renowned public spaces in Manhattan. Now Queens, a borough with its own abandoned infrastructure is on its way to redeveloping the land for its own version of the High Line, to be known as the Queensway Cultural Gateway.
In late December, the Trust for Public Land announced that New York Governor Andrew Cuomo has awarded a $467,000 grant to the organization to begin a feasibility study on the 3.5 mile Long Island rail line. Early proposals reveal a new pedestrian and bike path, public green space and a cultural gateway that will celebrate Queens’ diversity in art, sculpture and food, serving the 250,000 residents that live in the neighborhoods along the route, which include Rego Park, Forest Hills, Richmond Hill, Ozone Park and Forest Park.
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Architects: Roger Ferris + Partners
Location: Fairfield, Connecticut, United States
Design Team: Roger Ferris, Robert Marx, Myron Mirgorodsky, Tiziano Fabrizio
General Contractor: The SBE Company
Structural Engineer: The DiSalvo Ericson Group, Ridgefield, CT
Area: 1,500 sqft
Celebrating the ninetieth anniversary of the birth of Harry Seidler…, the leading Australian architect of the twentieth century, the ‘Architecture, Art and Collaborative Design’ traveling exhibition will take place January 10-February 10 in Sofia, Bulgaria at the VIVACOM Art
It seems the rumors were true. The Venice Biennale’s board has just confirmed that Rem Koolhaas will be the Director for the next Venice Architecture Biennale in 2014 (to take place June 7th to November 23rd).
There’s no word yet of the theme that will be chosen. Koolhaas has only commented that: “We want to give a new look to the basic elements of architecture – used by any architect, anywhere and at any time – to see if we can discover something new about architecture.”
The 2012 Biennale, curated by David Chipperfield, who chose “Common Ground” as the theme, was characterized by collaboration and socially-oriented projects (which stole the show). If Koolhaas’ radical leanings and adventurous design sensibilities are anything to go by, the 2014 Biennale will probably push the envelope even further.
Revisit our coverage of the 2012 Venice Biennale and read more about Rem Koolhaas, including our popular editorial and an essay written by former New York Times architecture critic, Nicolai Ouroussoff.
Organized by AIA Utah Young Architects Forum and the Downtown Alliance, in collaboration with Utah Heritage Foundation, Sixty-Nine Seventy invites design teams from around the world to re-envision the circulation areas and passages of two blocks in Salt Lake City’s…
Architects: Arte Charpentier Architectes
Location: Rue Lionel Terray, Jonage, France
Architect In Charge: Jérôme le Gall, Sylvie Levallois & Gregoire Mussat
Interiors: Edith Richard & Clémence Rabin Le Gall
Landscape : Nathalie Leroy
Area: 8,7oo sqm
Photographs: Geraldine Bruneel, Paul Kozlowski
Ada Louise Huxtable (1921-2013), known as “the dean of American architectural criticism”, has passed away at the age of 91 at Memorial Sloan-Kettering Cancer Center in Manhattan. Winner of the first Pulitzer Prize for Criticism, Huxtable began her legendary career when she was appointed as The New York Times’ first architecture critic in 1963. Her sharp mind and straightforward critiques paved the way for contemporary architectural journalism and called for public attention to the significance of architecture.
As Paul Goldberger describes in his 1996 Tribute to Ada Louise Huxtable, “Ada Louise Huxtable has been more than just the most important pioneer of architectural criticism in newspapers in our time: she has been the most important figure in communicating the urgency of some kind of belief in the values of the man-made environment in our time, too. She has made people pay attention. She has made people care. She has made architecture matter in our culture in a way that it did not before her time.”
Marking the “continuance of Belgrade’s signature ‘Modernist’ movement”, which produced a number of iconic buildings throughout the mid-twentieth century, the Serbian capital is proud to unveil Zaha Hadid Architect’s (ZHA) contemporary masterplan for Beko. This all-inclusive, mixed use project embeds itself within the undulating topography of the abandoned Beko textile factory in a style that directly reflects Zaha’s distinct style of Parametricism.
Focused on urban regeneration, the project will join forces with Sou Fujimoto’s proposed ‘Cloud’ on the adjoining Sava waterfront to revitalize Belgrade’s cultural axis.
Learn more after the break.