Architects: RSP arquitectos
Location: Calle Comuneros de Castilla 30, Carabanchel, Madrid, Spain
Project Directors (Design & Construction): Alberto Arias Horas, Ana Maroto de Hoyos, JA Arias Horas
Design Team: JA Arias Horas, Ana Maroto de Hoyos, Alberto Arias Horas
Collaborators: Rene Cañada González, Inés Idzikowski Pérez, Laura Cuesta Hernández
Area: 3500.0 sqm
Photographs: Alfredo Arias
The City of New York has long awaited renovations to the East River Greenway. Squeezed between the FDR Drive to the west and the river to East, there are a few scattered public parks connected by a path that has been weathered and torn apart over the years. The proposed “Blueway” is a coordinated collaboration – between Manhattan Borough President Scott Stringer, Community Boards 3 and 6, State Assembly Member Brian Kavanaugh, and New York’s WXY architecture and urban design - that takes suggestions from the general public to develop a scheme that works within the framework of the existing Greenway and provides specific sites waterfront access, development of wetlands and greater connectivity to the city and its waterways.
The stretch along the Greenway, which is the focus of WXY’s scheme, runs from Midtown East at 38th street to the Brooklyn Bridge. Running along the FDR, this area expands towards the river and finds its way under the highway’s overpass. Unlike the Hudson River Parkway along the West Side Highway, the East River Greenway has meager waterfront access and few piers to facilitate its development. A study, executed by several city departments in 2011, determined ways to improve amenities along the Greenway and proposed incorporating elements such as ambient lighting and street furniture. Now the focus has shifted to the river itself to determine ways in which to increase its usability and accessibility After Hurricane Sandy revealed the vulnerability of the hard edge of the East River, these same design considerations are now being used to create a resistant and effective buffer against future storm surges.
See what’s happening at the East River Blueway Plan after the break.
The ongoing competition for the redevelopment of the landmark Flinders Street Station in Melbourne, Australia has begun to raise some serious questions about the role of the public in architecture. The international competition, which narrowed down a total of 117 applicants to only 6 finalists, is due for completion in mid-2013. Each proposal will be put on display and the public will be invited to vote on their favorite design; what is raising eyebrows, however, is that the result of this public vote will be kept from the jury, who has the final say. The jury will not know what the public likes or dislikes when they place their own votes, and the public preference will only be revealed at the very end along with the jury’s decision.
Although there are pros and cons for keeping this information from the jury members, some Australians feel very strongly about their station - and you can certainly argue that they should have a greater say in its future.
Read more about public participation in architecture after the break…
What are Live Projects? A UK term, it refers to collaborations between architecture schools and real clients on real projects. In the US, for example, these are merely referred to as industry collaborations. Clients are widely variant, from municipal governments and youth organizations, as well as galleries and community-based gardens.
There are many iterations of this teaching model in the UK so the issue is, how to determine a good fit for prospective students? One issue that is increasingly at the fore of students’ minds is how to balance idealism with practical skills. At Birmingham City University’sBIAD (Birmingham Institute of Art and Design), the program is structured precisely to help students achieve that balance.
Upon winning the contract to design the new State Fire Brigade School in Wurzburg, gmp Architekten… recently presented their design which involves a new practice hall on the site of the Fire Brigade School in order to meet the changed requirements
Gem Barton, based in Brighton, England, is a writer, academic lecturer, curator and designer. As a regular contributor to journals and magazines such as Mark, Blueprint, Design Bureau and Inhabitat she explores and share her passion for architecture and design. Gem’s column ‘The B-Side’ will look at the alternatives to architectural traditions and explore what it means to be knee-deep in the 21st century design world. Follow her @gem_shandy
Allow me to make an unlikely comparison of two powerhouses: Zaha Hadid (62) and, bear with me now, Lady Gaga (26). Both are breaking the mold with their unique aesthetics; both are at the top of their respective industries; both are commercial successes. However, there is one undeniable difference: it only took the world a few years to recognize Lady Gaga and for her to skyrocket to fame. It has taken Dame Hadid the better part of three decades to receive a comparative level of acclaim. Is it fair to compare successful architects and super songstresses? In an architectural world where we are faced daily by terms such as ‘celebrity’ and ‘starchitect’ it may well be time to look deeper into the matter.
Read more about what architecture could learn from the Music Industry, after the break…
In September 2011 Barney Kulok was granted special permission to create photographs at the construction site of Louis I. Kahnʼs Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Almost forty years after having been commissioned, it is finally being completed this year, as originally intended.
Architects: Moussafir Architectes Associés
Location: Joue-Les-tours, France
Design Team: Jacques Moussafir with nicolas Hugoo, Alexis duquennoy, narumi Kang, sofie reynaert, Jérôme Hervé and Virginie Prie
Area: 1,753 sqm
Photographs: Hervé Abbadie, Jérôme Ricolleau, Benoît Faure, Luc Boegly
New Ethiopian Parliament Building Complex Winning Proposal / Treurniet Architectuur + Michiel Clercx Architectuur + Addis Mebratu & S7 Architects PLC
A join venture between Treurniet Architectuur, Michiel Clercx Architectuur, Addis Mebratu and S7 Architects PLC… recently won the international design competition for the new building complex for the Ethiopian Parliament. The project represents the wide variety of 85
Designed by Salon2…, their ‘Haze’ Pavilion proposal aims to transform Istanbul Modern into a garden of stages while preparing an unexpected architectural condition for the distant relationship of İstanbul and the sea. Through an experiential design, the pavilion shifts the
As part of their Cultural Drivers event series, the National Building Museum in Washington, D.C. will be presenting the ‘Culture as Catalyst: Past, Present, Future’ event from 6:30pm-8:00pm on February 25th. Cities are increasingly defined by their civic spaces such as…