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The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted and long-format conversations that allow for thoughtful takes and more personal discussions. Honesty and humor are used to cover a wide array of subjects: some episodes provide useful tips for designers, while others are project reviews, interviews, or simply explorations of everyday life and design. The Midnight Charette is available for free on iTunes, YouTube, Spotify, and all other podcast directories.

On this episode of The Midnight Charette podcast, hosts David Lee and Marina Bourderonnet are joined by Dong-Ping Wong, Founding Partner of FOOD to discuss the architecture design process, structuring a collaborative work environment, communicating with non-architects, starting +POOL (the world's first water-filtering floating pool), black tie personas and architectural education, rendering styles and more.

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Modernism always wanted to have it both ways: on the one hand, modernist architecture was supposed to be, in theory, the same in all places; that's one reason why modernism in architecture was also called the International Style. If all modernist buildings look the same, when you see one you have seen them all: no need for further travel. Yet throughout the 20th century modernist culture and technology enthusiastically endorsed and favored travel. In the 60s we traveled to the Moon, and civil aviation made the world smaller. In modernist culture, travel was good. It made all travelers better, happier humans. It was good to learn foreign languages and to go see distant places. High modernist travel was not only good; it was also cool. The jet setters of the 60s were the coolest citizens of the world. Even later in the 20th century the general expectation was that borderless, seamless travel would keep getting easier and more frequent. Most Europeans of my generation grew up learning two or more foreign languages, and it was not unusual until recently to be born in one country, to study in another, and find one's first job in a third one. That was seen as an opportunity, not as a deprivation.

The Royal Institute of British Architects (RIBA) has announced the 54 winners of 2019 RIBA National Awards for architecture. Presented since 1966, the awards recognize the UK’s best new construction projects. From a small rammed-stone pavilion on the site where King John signed the Magna Carta, to the vast redevelopment of one of London’s busiest transport terminals, the award-winning buildings showcase the breadth of UK architecture today.

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The recently-formed town of Sadra, Iran, is gradually evolving into a mega-city as a result of its geographical location and architectural potential. To improve the cultural standards of the town, several cultural centers were constructed, transforming the area into a major hub for people of all ages.

Keeping in mind that a newly-built town requires an adaptable space for potential expansions, NextOffice - Alireza Taghaboni architecture studio created the “Sadra Civic Center”, a town within a town built from its surrounding urban elements.

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Published at the end of 2018, the new European Standard EN 17037 deals with daylight in buildings. It is the first Europe-wide standard to deal exclusively with the design for, and provision of, daylight. EN 17037 replaces a patchwork of standards across different European countries or provides one where no existing standard is present.

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Foster + Partners have revealed a new design for a timber boathouse on the Harlem River in New York. Sited in Sherman Creek Park, the design was made for non-profit Row New York. The proposed boathouse seeks to expand Row New York’s free and low-cost programs that teach young people in under-resourced communities the sport of competitive rowing, while also assisting them with their education to prepare them for higher education and a path to college.

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