Showcasing millennia of Egyptian history and culture, the Grand Egyptian Museum is a monumental project in Cairo, Egypt, designed by the Irish firm Heneghan Peng Architects. Home to over 100,000 artifacts spanning Egypt’s storied past, the museum is on the brink of opening its doors to the public after multiple setbacks. Recent updates offer glimpses of the structure’s progress, with photographs captured by Egyptian photographer Farida Bustani providing sneak peeks of the architectural landmark.
The relocation of a capital city is a complex urban decision with various dimensions and consequences for both the old and new capital. It can be driven by political, economic, societal, and other factors, and has urban and architectural implications for residents. These include factors such as location, planning, building design, the purpose of the old capital, climatic conditions, and separating the political/administrative hubs from cultural and economic cities.
Renovation work on Egypt’s infamous Menkaura Pyramid at Giza has sparked criticism on online platforms over the past two days. Dubbed by the head of Egypt’s Supreme Council of Antiquities as “the project of the century,” the ongoing renovation aims to restore the pyramid’s original style by reconstructing the granite layer. Initially, the pyramid was encased in granite and lost part of its covering over time.
In Downtown Cairo, the Jameel Center pays homage to modernism and Mamluk architectural heritage. The Abdul Latif Jameel Center for Middle East Management Studies illustrates effective and adaptable architecture. The old business education building, a monument in Cairo's multi-layered architectural and academic heritage with staple elements such as concrete façades, has Mamluk-inspired arches, and wooden mashrabiyyas. Photographer Ebrahim Bahaa Eldin captures this unique architecture and its surrounding environment.
Last week in Cairo, CulturVator – Art D’Egypte launched its third edition of the annual international exhibition “Forever is Now.” Set by the backdrop of the Great Pyramids of Giza, the display features the work of 14 international artists. In essence, the exhibition “underscores the significance of cultural exchange among artists at the core of history and ancient Egyptian civilization.”
In terms of activism, disruption is a necessary element of effective protest. When acts of disruption spill into the public domain, they carve out spaces through blockades, defenses, and territorial claims, giving rise to ‘protest architecture.’ This concept is the focus of the exhibition organized by DAM – Deutsches Architekturmuseum and the MAK – Museum für Angewandte Kunst in Vienna. Titled “Protest/Architecture. Barricades, Camps, Superglue,” the event showcases a collection of models, photographs, and films depicting the evolution of protest architecture around the world. The exhibition, curated by Oliver Elser with curatorial assistance and research by Anna-Maria Mayerhofer, is open from September 16, 2023, until January 14, 2024, at the DAM OSTEND in Frankfurt.
As we understand it today, the sustainable architecture movement began to take shape at the end of the 20th century. Essentially, it responds to growing concerns about environmental degradation, energy consumption, and resource scarcity. In this global discourse on sustainable architecture, wood has long been celebrated as a symbol of environmental consciousness and decarbonization. As one of the most widespread building materials, it has gained popularity with the rise of this movement. This is because trees absorb carbon dioxide during their growth, which stays in the wood during its construction use, keeping it out of the atmosphere.
Protest has always been a powerful tool for creating change, and public spaces provide a platform for social engagement in societies. As part of the International Day of Democracy, we examine Africa, its series of emerging protests in the past year, and how citizens in various countries question political justice, demand better living standards from their government, and interrogate their nation’s sovereignty. With demonstrations ranging from organized large-scale marches to smaller spontaneous outbursts, residents of these countries have explored public spaces in symbolic and significant ways to amplify their voices. These spaces include public squares with cultural and historical meaning, sites of political buildings, or makeshift protest areas such as roads and open areas. Through this, African cities show how people make these spaces their own and how the power of their conglomeration cannot be ignored in unwrapping the democratic essence of public spaces.
Our daily lives involve constant communication with the city. As we move through different spaces, we ask ourselves questions like "Where am I now?", "Where am I headed?", "What am I looking for?", "What is this building for?", and "How do I experience this space?" While spatial encounters may feel intuitive, environmental graphic design (EGD) provides the answers by serving as an important interface between us and the built environment. It involves the design of graphic elements that merge with architectural, landscape, urban, and interior designs to make spaces more informative, easier to navigate, and memorable. EDG comprises three major elements: text, shape, and color. Text and shapes typically encapsulate the graphic information, but color projects it, amplifies it, and helps communicate it within the packed scenes of the city. In spatial experiences, we perceive colors first, since our senses mostly register visual sensations. Therefore, the strategic use of color is critical for environmental graphics to provide a layered experience of identity imagery, sense of place, and emotional connection.
Contrary to common belief, artificial islands have a lengthy historical background in many regions worldwide. This heritage dates back to the reclaimed islands in Ancient Egypt, the hundreds of Stilt crannogs found in Scottish and Irish lakes and waterways, and the ceremonial islands constructed during the Aztec Empire. By definition, an artificial island is an island that has been constructed by humans rather than formed through natural processes. Artificial islands can be built for many different reasons, and these reasons are only increasing as the world faces the looming issue of space scarcity.
