Egypt's minister of antiquities, Mamdouh al-Damaty, has announced plans to move forward with an underwater museum project in the Eastern Harbor area of Alexandria's Abu Qir Bay, according to a report by The Smithsonian Magazine. In the works since 1996, the project not only seeks to bring historic sunken artifacts and structures into public view, but also to preserve the site, which is at risk of damage from pollution, fishing boat anchors, and poaching by divers.
In 2008, French architect Jacques Rougerie learned of the project and reached out to the Egyptian Ministry to create conceptual renderings of what the space could become.
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All over the world, projects are being built. From pavilions to skyscrapers, the range of scales is tremendous, and even among the multitude, some projects stand head and shoulders above the rest in terms of sheer size, cost, and ambition. The following infographic collects eight of the largest projects that are currently in construction all over the world. With countries like Egypt, the United Kingdom, China, and The United Arab Emirates represented, they showcase a definite diversity while supporting the trend of extreme growth throughout Asia and the Middle-East that has been prevalent in the past decade - the UAE alone hosting three of the eight projects.
Some projects comprise multiple buildings – the Yas Island Complex in Abu Dhabi already features landmarks like the Yas Island Yacht Club and the Yas Hotel - while others are a single, massive piece of infrastructure like the Great Man-Made River Project in Libya. See them all after the break.
Threatening to end Cairo’s 1,046 year dominance as the country’s capital, earlier this month the government of Egypt announced their intentions to create a new, yet-to-be-named capital city just east of New Cairo. The promise of the more than 270 square mile ‘new New Cairo’ has attracted headlines from around the world with its sheer scale; a $45 billion development of housing, shopping and landmarks designed to attract tourism from day one, including a theme park larger than Disneyland. And of course, the plans include the promise of homes - for at least 5 million residents in fact, with the vast number of schools, hospitals and religious and community buildings that a modern city requires - making the new capital of Egypt the largest planned city in history.
The idea of building a new capital city has appealed to governments across history; a way to wipe the slate clean, stimulate the economy and lay out your vision of the world in stone, concrete and parkland. Even old Cairo was founded as a purpose built capital, although admittedly urban planning has changed a little since then. It continues to change today; see the full list of different ways to build a totally new city after the break.
Skidmore, Owings and Merrill (SOM) has released a conceptual masterplan for Egypt's new capital city following its unveiling at the Egyptian Economic Development Conference. The 700-square-kilometer "Capital Cairo" hopes stimulate Egypt's ailing economy and alleviate Cairo's rising population density, while adhering to the cultural and climatic conditions of its site.
In an effort to combat the economic conditions that have plunged one-fourth of its population into poverty, Egypt's ambitious development plan for a massive new capital city is soon to be underway. Roughly the size of New Cairo, the privately-funded city hopes to become the new administrative center, as well as a bustling metropolis of shopping, housing, and tourist destinations to generate economic activity. Plans were solidified at a foreign investment conference where the official project details were unveiled on March 13 in Sharm el-Sheikh.
Read on after the break for more on the $45 billion plan.
Egypt’s Minister of Housing Moustafa Madbouly has revealed plans to build the nation’s tallest tower in Cairo. The pyramid-like Zayed Crystal Spark tower will top out at 200-meters (656-feet) and occupy a 798,000-square-meter parcel in the city’s Sheikh Zayed district - a short distance from the historic pyramids of Giza.
The Bibliotheca Alexandrina on Egypt’s Mediterranean Coast is a spectacular, state-of-the-art facility with an unresolved architectural identity. Commissioned in 1989 as a contemporary resurrection of the fabled Library at Alexandria once venerated throughout the ancient world, the present building was intended to serve as a city’s connection to history and heritage. But its stark modernity and technological innovations make it decidedly more forward-looking than historically referential, a cosmopolitan exploration of form and engineering perhaps longing for a stronger sense of regional belonging.
To some critics, the library has political overtones that obfuscate its architectural message, at worst acting as a monument to political posturing whose utility and conceptual integrity is only of secondary concern. And while critical scrutiny of the project necessitates its political and socio-historical contextualization, the building's architecture—the competition-winning design submitted by Norwegian firm Snøhetta—is worth appreciating and evaluating as an autonomous object and as a precedent for contemporary library design.
French firmVincent Callebaut Architectures(VCA) has unveiled a new multi-use complex for Nasr City in Cairo. Designed to obtain LEED Gold Plus standing, the building features a solar roof, green terraces, sky villas, and a vertical system of gardens and solar heating tubes. Composed of 1000 apartment units, the Gate Residence is also designed to include a health club and spa, fitness center, business center, restaurants and cafe, retail, and medical center.
The following essay, written by Magda Mostafa, is an excerpt from the book "Learning from Cairo: Global Perspectives and Future Visions,"a collection of reflections from a three-day symposium of the same name. Here, Mostafa focuses on the need to accept informal communities as a reality, not an exception, and argues that conventional architecture practice and education must begin equipping architects to "address the potentials and problems of such parallel modes of existence in our built environment."
It would be a disservice if the debate spurred at the "Learning from Cairo" symposium were to remain confined to the hypothetical. It is our responsibility to extend it to both the professional realm as well as the academic. The purpose of this discussion is just that.
How can architectural academia respond to this shifting climate? A climate where the majority of the built environment is conceived and implemented outside of the construct of conventional practice? Where the majority of the architectural product in our city exists without architects? How can we further propagate a singular top-down mode of practice in our teaching when it’s malfunctioning at best and corrupt or absent at its worst? When this conventional mode is only viable in neatly packaged projects with clear financing, educated clients and formal frameworks? How can we continue to teach our students, the architects of the future generation, to only be equipped to operate within a small portion of the built environment- ignoring the massive built environment and user groups often represented on maps as solid black “informal areas”.
This phenomena can no longer be blacked-out, and it is time for academia to begin educating its architects-to-be at least to be minimally aware, if not proficiently trained, to address the potentials and problems of such parallel modes of existence in our built environment.
Designed by architecture students, Margaux Leycuras, Marion Ottmann, and Anne-Hina Mallette, from the architecture school of Nantes, they recently won a prize in a competition organized by the Foundation Jacques Rougerie. Their ‘Hydropolis’ proposal answers to this competition, in the category rising waters, by a project located in the Nile Valley which aims to exploit the phenomenon of rising waters instead of suffering the consequences. More images and the students’ description after the break.
The new city, designed by Mekano Studio, will be a smart data city, a city driven with data, a city that can help each person to choose and decide, a City respects the human mind and gives him the option to take part in his own life as it must have to be. The data city is a city that administrates everything with a real time data, in order to evaluate and respect the time factor as well and to increase the productivity with a well organized community. More images and architects’ description after the break.
Intended as a catalyst and model for the ongoing redevelopment of Cairo, Egypt,ZELLNERPLUS, OLIN, PACER, MR+E, and Nelson Nygaard proposed a scheme that seeks to bridge the gap between the medieval, or Islamic, and the axial, or European Cairene cities. They would do so through the evacuation of the competition zone of its current disconnected fabrics. In their place, they proposed a green urban archipelago made up of a new connective tissue that will weld together the competition site’s disparate functions, flows and neighboring fabrics. More images and architects’ description after the break.
Architects Ahmed Mito, Kamel Loqman, Hisham Alaa and artists Ayman Lotfy, Ahmed Refat, Niveen Farghaly, and Amer Abdelhakemrecently took part of the prestigious La Biennale di Venezia where they presented their work for the Egyptian Pavilion. Images and the architects description after the break.
Egyptian architect Hunia Tarek Tomoum shared with us her proposal for the eVolo 2010 Skyscraper Competition. Her proposal is a three-dimensional structural mesh of variable size tetrahedrons where two different grids overlap to allow diverse programs and circulations. The building consists of a series of large pockets or community hubs with public amenities such as restaurants, theatres, parks, and plazas connected to diagonal units with offices, residences, and hotels.
The circulation network of vertical cores and diagonal elevators connects the community hubs with the private units. The tetrahedron skyscraper is planned as a see through mesh that will interact with the city and enrich the urban fabric – a visual pedestrian continuity is achieve by lifting the structure and creating open areas at ground level.
Architect Jacques Rougerie -an expert when it comes to space and underwater structures- has designed the soon-to-be first underwater museum. It will be located off the coast of Egypt, near the new Library of Alexandria, where Cleopatra once had a palace on an island in one of the largest human-made bays in the world back in the day, submerged by earthquakes in the 4th century.
The ruins were discovered years ago, and include several sphinxes, statues, roman and greek shipwrecks and pieces believed to be from the Pharos of Alexandria lighthouse (one of the seven ancient wonders of the world).
This ruins haven’t been moved, since it would be a tremendous effort that could damage the ruins in the process. Also, it follows the 2001 UNESCO convention for the preservation of underwater heritage.
With that in mind, the museum is designed as both inland and submarine. The building will have four tall structures shaped like the sails of fellucas, the traditional sailboats used in the Nile. From the inland building, underwater fiberglass tunnels will take visitors to structures where they can view antiquities still lying on the seabed.