As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.
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Using concrete and bricks made of raw mud, architects Solanito Benitez, Solano Benitez, Gloria Cabral, Maria Rovea and Ricardo Sargiotti built a wall able to be constructed by the two materials working in tandem. Once the concrete dries, the bricks are washed away, returning the mud back to its natural state, leaving spaces in the lines of concrete, like a kind of negative.
A diversity of approaches and locales is the calling card of American based, Argentinian born architect César Pelli (born October 12, 1926). The common thread of Pelli’s work is a strong sensitivity to place and environment. Beginning his solo career with the Pacific Design Center (1975) in Los Angeles, and shifting through the World Financial Center (1988) (now Brookfield Place) in New York, to the Petronas Towers (1996) in Kuala Lumpur, Malaysia, and the now under-construction, Transbay Transit Center and Salesforce Tower in San Francisco, each project is a unique response to context.
Buenos Aires' contemporary urban landscape as we know it today provides a tempered mix of historical and recent construction projects. As one of the most beautiful cities in South America, it's wide boulevards and grand buildings, based on European models, have morphed to embrace the needs of a modern metropolis.
These images show just how profoundly time affects our cities (and how centuries-old foliage can powerfully transform spatial perception).
Small stories and architectonic practices that existed in each character filled village and provinces in Buenos Aires are here rescued by Juan Viel when he captures their atmospheres and particularities through his camera.
After four months of research identifying works in Latin America and the Caribbean that met the eligibility criteria of the 'Latin American Architecture Prize Rogelio Salmona: open / collective spaces' a list of finalist has been compiled. Members of the International Curatorial Committee, architects Ana Maria Duran (Andean Region), Ruth Verde Zein (Brazil Region) and Fernando Diez (Southern Cone Region), and Art History background Louise Noelle Gras (Mexico, Central America, and the Caribbean Region), postulated a total of 62 works covering the four regions.
Update: We've added a video, presented by PLANE-SITE, about the exhibition, featuring quotes from Carla Bechelli.
Stereotomic architecture is characterized by two strong themes: the continuity of the forces of gravity to the ground, into the soil; and the search for natural light, which drills through the massive, solid walls to illuminate and allow habitation by the human being. It’s from these themes that this project takes its power.
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