A relative newcomer to the material world, smart glass (also known as switch glass or electrochromic glass) has the ability to change its properties and appearance, allowing the environmental conditions of a space to be optimized according to the use and needs of its users. 

Electrochromic glass technology works by changing the electrical polarization between some of its components. Its most widely used variant, known as PDCL, consists of a thin film of liquid crystal that sits between two conductive transparent plastic layers (usually laminated glass). By changing the current running through the liquid crystal, the glass can take on different appearences.

As reports have emerged that San Francisco’s infamous sinking skyscraper, the Millennium Tower, is continuing to settle downward, engineers from LERA and DeSimone Consulting have unveiled a potential fix for the building’s woes.

Since construction began in 2005, the 58-story luxury condominium tower has sank approximately 17 inches downward and while leaning 14 inches to the North. And according to a new report from Arup Ground, the issue doesn’t appear to be resolving itself anytime soon: in the past 7 months alone, the building has sunk an additional inch and tilted a further two inches, causing cracking in the building to worsen.

Triggered to action, developer Millennium Partners brought in LERA and DeSimone to devise a solution that would return the building to its original siting and secure it against sinking, all while allowing the building to continue operating through the repair process.

The SHoP-designed 111 West 57th Street, “the world’s skinniest skyscraper,” is at risk of never being completed due to soaring construction costs, the New York Post has reported. With fewer than 20 of the supertall skyscraper’s 82 stories currently constructed, a lawsuit filed by investment group AmBase is claiming the project is already $50 million over budget due in part to “egregious oversights” including neglecting to factor in the cost of construction cranes.

Kotor is an ancient fortified city located in a secluded bay on Montenegro's Adriatic coast. It has been Venetian, Austrian and—most recently—part of the former Yugoslavia. Today, as part of an independent nation, it's narrow streets, small squares, and warm stone buildings define the character of a UNESCO World Heritage Site which, each summer, becomes one vast cruise terminal as tourists arrive in their droves to bask in it's dry heat and spectacular natural environment. At this time, however, it also plays host to KotorAPSS (Architectural Prison Summer School) – an eight day-long gathering dedicated to infusing contemporary cultural life into the city by means of temporary architectural installations.

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A new exhibition of commissioned work by artist Pablo Bronstein at London's Royal Institute of British Architects (RIBA) will explore "ubiquitous" neo-Georgian developments as exemplar of a British vernacular. The show—Pablo Bronstein: Conservatism, or The Long Reign of Pseudo-Georgian Architecture—will feature fifty new drawings of buildings constructed during the second half of the 20th Century in "an ostensibly neo-Georgian style." These will be presented alongside historical Georgian and neo-Georgian material chosen by Bronstein from the RIBA’s collections.

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RKW Architektur + has been selected as the winners of a competition to design a new mixed-use residential tower located at Mailänder Platz in Stuttgart, Germany. Rising from a triangular site, the building features a dynamic facade of shifting stone that creates openings for vertical greenery, and an abundance of public space, including cafes, retail, a hotel and a library.

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reSITE, an annual conference held in Prague, is among the world's most important forums for discussing cities and urbanism. Pooling together experts, architects, mayors, planners, municipal leaders, real estate developers and city makers from twenty countries, the event brings almost 1,000 participants together.

In these two episodes of The Urbanist, Monocle 24's weekly "guide to making better cities," the team report from this year's incarnation—entitled "In/visible City"—talking to the likes of Kathryn Gustafson, Jean-Louis Missika (Deputy Mayor of Paris), Adriana Krnáčová (Mayor of Prague), and Marlena Happach (the Chief Architect for Warsaw).

In a major victory for preservationists, one of Sydney’s few examples of brutalist architecture, the Sirius Apartment Building, has been saved from the wrecking ball after court ruled against the government’s attempt to deny it a place on the State Heritage Register.

"It's quite evident that you're prepared to abandon traditional ways of sitting," Bernard Keeffe exclaims as he collapses into a bright yellow beanbag in Norman Foster's home. "For years," he continues, "people have thought that if they sat down they would have to sit on a chair, but now you have demonstrated that this is not necessary!" In this lengthy 1971 interview with Lord Foster, drawn from the archives of Thames TV, Keeffe questions the practice's early hi-tech approach to architecture in the context of a landscape in which buildings were becoming "ever more complicated."

Zaha Hadid Architects' new passenger terminal for Beijing Airport (currently known as Beijing Daxing International Airport) is poised to become the largest aviation hub in the world. The vast structure, defined by five limbs spreading out from a central core, will cover an area of 313,000 square meters. It has been reported that each "arm" will use images from Chinese culture, including "silk, tea, porcelain, farmlands, and Chinese gardens."

Frank Lloyd Wright’s most famous house, Fallingwater, was the recipient of minor damage after heavy rainfall caused the creek that gives the house its name, Bear Run, to flood last weekend.

According to Fallingwater director Lynda Waggoner, a fallen log picked up by the overflow rammed into the stone wall of the lower plunge pool, breaking off the wall’s capstone and dislodging one of the home’s signature sculpture pieces, the Jacques Lipchitz’s “Mother and Child.” The cast bronze sculpture was selected for Fallingwater by Wright, and installed soon after its completion in 1939.

Living and working in the Schlemmer House in Dessau
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In the 1920’s the Masters’ Houses in Dessau became the epitome of an artist community of the twentieth century. This is where Walter Gropius, Oskar Schlemmer, Georg Muche, László Moholy-Nagy, Lyonel Feininger, Wassily Kandinsky and Paul Klee and their families lived next door to each other. Here they were joined by their friends and visitors. Artist collectives, artist couples and artist friendships developed here, with everyone working together in the open structure of the model homes located in a park. However, when the Bauhauslers left in 1933 the area became deserted and the work created as a result of the artistic effort was abandoned.

Renderings for a new office building in the Playa Vista neighborhood of Los Angeles designed by Gehry Partners have been revealed in documents released by the LA Department of City Planning. Called New Beatrice West, the eight-story development consists of a series of terraced glass boxes, capped with abundant vegetation aimed at contributing passive energy-efficiency to the complex. The new building will integrate an existing adjacent office building that currently houses the offices of Gehry Partners.

The Chicago Architecture Biennial and it's artistic directors, Johnston Marklee, have revealed a collection of Special Projects designed to harness the curatorial vision of the event—entitled Make New History—and bring it to a number of significant landmarks in the city and in it's surrounding area. Featuring a SO-IL and Ana Prvački collaboration, a Francois Perrin installation, a new performance artwork by Gerard & Kelly at the Farnsworth House, photographs by James Welling, and films by Gerard & Kelly, the projects will inhabit some Chicago's greatest "architectural gems."

Over at The Guardian, mathematician Alex Bellos has an article series in which he asks readers to send their solutions to a weekly puzzle. That sounds innocent enough, but this week's installment might have caused architects to double-take: inspired by a reader who remembers it from his days as an architecture student, solving Monday's puzzle suggests that a reader is "smarter than an architect."

The puzzle itself looks somewhat like a child's block puzzle. Three holes—a square, circle, and triangle—are presented. But unlike a child's puzzle, in which you'd normally have square, circular and triangular blocks that fit the holes, the challenge here is to visualize a single block which would fit perfectly through all three holes.

Two months before the much-anticipated opening of the Chicago Architecture Biennal, this video collaboration between Berlin-based PLANE–SITE and Chicago-based Spirit of Space offers an insight into what is to come this fall. The first video of the series delves into the core message that curators Mark Lee and Sharon Johnston of Johnston Marklee have established as the groundwork for contributions from over 100 international participants. One of the youngest biennials in the architectural scene, the Chicago Architecture Biennial is only in its second edition and is still defining the unique and independent traits that will help it stand out from other similar events.

The series from PLANE–SITE and Spirit of Space will unravel some of the Biennial's main themes, and delve into its program, reporting on such projects as the reinterpretations for Howells & Hood’s 1925 Tribune Tower; 3D responses to historical images of building interiors; a labyrinth of galleries that will host larger installations; and some of the biennial's anchor sites across the city of Chicago.

In the thousands of posts we publish yearly, we have the privilege of seeing a large number of impressive architecture drawings. They are submitted by established practices, architecture students, artists and, occasionally, our readers. From precise, old-school hand drawings to architectural representation that pushes the boundary of collage, photography and digital sketching, drawings hold a particular intrigue in the hearts of architecture lovers.

Since inspiration is at the heart of ArchDaily's mission, we'd like to invite all members to submit their best drawing for inclusion in our 2017 "Best Drawings" post.