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11 New York Architectural Icons Misplaced by Anton Reponnen

Architecture is all about context, either as a way to find harmony with it's surroundings or as a reaction against them. But what happens when you take context out of the picture entirely?

Designer Anton Reponnen, in his Misplaced photo series, has taken 11 of New York's most iconic landmarks, ranging from the Empire State Building to Renzo Piano's Whitney, and transplanted them in deserts, tundras, and plains. With the buildings placed in a "wrong" condition, viewers are challenged to evaluate the architecture in a different way. In Reponnen's eyes (and in the stories that accompany the images), each structure is as alive as we are, and their new location is mystery with motives to uncover.

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Rafael Moneo's Beirut Souks Explored in Photographs by Bahaa Ghoussainy

When Spanish architect Rafael Moneo won the Pritzker Prize in 1996, the jury identified his ability to see buildings as lasting built entities—their lives extending beyond architectural drawings—as integral to his success. The South Souks, Moneo’s 2009 project in Beirut, Lebanon, indeed responds to a long history and anticipates a lasting future. After the city’s historic souq (outdoor marketplace) was destroyed during the Lebanese Civil War, developer Solidere began rebuilding the commercial area in 1991. As part of the project, Moneo designed an arcaded shopping district that follows the ancient Hellenistic grid and retains original street names.

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Félix Candela’s Concrete Shells Through Photographs, Architectural Models and Plans

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Courtesy of Alexander Eisenschmidt

Spanish and Mexican architect Félix Candela is widely recognized as one of the most prominent figures in 20th century architecture. His innovative experiments with reinforced concrete produced iconic buildings deemed cascarones, or 'shell structures', such as the Pavilion of Cosmic Rays at UNAM, Mexico City (1951); the Chapel Lomas de Cuernavaca, Cuernavaca (1958); Los Manantiales Restaurant, Xochimilco (1958); and the Palace of Sports for the 1968 Olympic Games in Mexico City.

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Dong Yugan's Brick Art Museum Through the Lens of He Lian

Founded by collectors Yan Shijie and Cao Mei, the Red Brick Art Museum opened in May 2014 in the Chaoyang District to showcase Chinese and world art, since then, it has become a haven for photographers. In this photo series, He Lian focuses his lens on the museum and captures the sculptural beauty of the punctured brick walls.

Architect Dong Yugen has created a structure that is a piece of art in itself; the perforations, skylights and narrow windows manipulate light into the spaces, casting dramatic shadows and offering short glimpses outside. The grey tones implemented in the entrance to greet visitors softens the transition between the inside and outside, whilst guiding you through the building into the main hall featuring a sunken circle that can also be used as an auditorium.

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Porto's Subway Through The Lens of Fernando Guerra

The following photo set by Fernando Guerra focuses on Porto's Subway, a project completed in 1996 and projected by the important Portuguese Architect Álvaro Siza Vieira.

Designing a subway station in Porto is about influencing the daily lives of thousands of people, where they daily circulate, establishing flows and routes, in a urbanistic and architectural intervention with large-scale dimensions. Although it demands an extremely functional and austere design, it is possible to see the gestures of the architect through the details and surprises. 

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Alvaro Siza’s Galician Center of Contemporary Art Through the Lens of Fernando Guerra

The following photo set by Fernando Guerra focuses on the Galician Center of Contemporary Art, a project by Portuguese architect Álvaro Siza Vieira.

Located in the Spanish city of Santiago de Compostela, the Galician Center for Contemporary Art was developed in 1993. Its declared horizontality and respect for the surrounding buildings and the urban structure are configured in the most remarkable gestures of this project. The solid and austere volumes form the boundaries of the area to the streets, with subtractions that make it accessible. The center has several permanent and temporary exhibition rooms, auditorium, library, cafeteria and administrative rooms.

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The Curves of Luís Pedro Silva's Leixões Cruise Terminal Through the Lens of Fernando Guerra

The strategic definition of a new cruise terminal had a double objective: improvement of the commercial efficiency and a better urban integration. In this photoset, Fernando Guerra captures the many sides of the Leixões Cruise Terminal, a project that won the 2017 Building of the Year Awards in the "Public Architecture" category.

Get to know all the facets of this building below.

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Barcelona's Meteorology Center by Álvaro Siza, Through the Lens of Fernando Guerra

In this photoset by Fernando Guerra, the photographer turns his lenses to a little-known project by Portuguese architect Álvaro Siza Vieira, Meteorology Center in Barcelona.