BIG, Bjarke Ingels Group, has been selected to design the new Hungarian Natural History Museum in Debrecen. Located on a former sports ground at the northern edge of the city's Great Forest, Nagyerdő, the 23,000 m² museum is being developed in collaboration with Vikár és Lukács Építés Stúdió, Museum Studio, and TYPSA. The new institution will replace the existing museum in Budapest, supporting the government's vision to establish Debrecen as a regional hub for education and culture by 2030. Commissioned by the Museum and the Ministry of Culture and Innovation, the new building will house permanent and temporary exhibition halls, educational and research facilities, public amenities, and back-of-house spaces.
The Lithuanian Pavilion at the 2025 Venice Architecture Biennale presents Archi / Tree / tecture, a project by the National Architects Association. Commissioned by Juratė Tutlyte and curated by architect Gintaras Balčytis, the exhibition invites architects, students, communities, and visitors to reflect on the deep connections between architecture and urban nature. It positions the discipline as an interpretive medium that reveals the layered relationships shaping our cities, which in turn reflect these dynamic interactions. The proposal evokes an urban memory rooted in landscapes where fields and trees once stood, introducing the dimension of time into discussions on city ecosystems, sustainability, and resilience. The exhibition, an indoor installation designed by architects Paulius Vaitiekūnas, Andrius Pukis, and Vika Pranaitytė, will be set within the Church of Santa Maria dei Derelitti. The audiovisual and light installation in the pavilion was designed by the interdisciplinary art duo Lina Pranaitytė and Urtė Pakers, while the sculptural component of the installation was created by Kęstutis Lanauskas.
The Bulgarian contribution to the 2025 Venice Architecture Biennale is an experimental installation titled Pseudonature, situated at the intersection of nature and technology, reality and simulation. Curated by architect and designer Iassen Markov, the project explores the future of sustainability in a world where natural processes are increasingly mediated by artificial intelligence and human intervention. The exhibition features an outdoor installation that exposes technological and climate paradoxes and an interior space designed as a reimagined traditional Bulgarian room. Outside, physical interventions disrupt natural balances, highlighting the fragile interplay between technology and the environment. Inside, the space shifts to a setting for contemplation, where restoring equilibrium becomes a collective and introspective challenge.
Historically, public bathing was a fundamental necessity for hygiene, giving rise to communal bathhouses in regions where private bathrooms were a rarity. In Japan, for instance, sento bathhouses emerged during the early Edo period, serving as essential facilities when most households lacked their own bathing spaces. Similarly, in other parts of the world where plumbing and water management were considered luxuries, shared public baths became vital components of urban life. Over time, these spaces evolved beyond their functional role, becoming venues for socializing, relaxation, and a temporary escape from daily routines.
However, in the modern era, private bathrooms have become ubiquitous in contemporary homes, effectively addressing the hygiene concerns that once made public bathhouses indispensable. With the rise of alternative social spaces—cafés, fitness centers, bars, and jazz lounges—the traditional communal bath no longer serves the same essential function. While some may still appreciate the social aspect of public bathing, the inconvenience of changing clothes and getting wet in front of strangers can deter many from engaging in the experience.
At a global level, contemporary architecture continues to explore tools and design methodologies to integrate nature into habitable spaces, given its proven benefits and contributions to improving people's quality of life. While there are diverse religious beliefs around the world, religious architecture generally expands beyond its uses and functions to connect with the sacred. Senses, memories, and emotions are transmitted in these spaces through the use of certain materials, spatial organizations, and even sounds and aromas that enhance experiences in atmospheres of spirituality, divinity, and reflection. In Mexico, Chile, Ecuador, Brazil, and Uruguay, projects for places of worship open to the outdoors reflect an architecture that adapts to different natural environments while maintaining the premise that each religion is tied to a social identity and requires a particular connection with its community and surrounding landscape.
For the 5th Anniversary Edition of the "Monaco Smart & Sustainable Marina Rendezvous", M3 Monaco unveils the new theme of its annual international architecture competition. Students, young architects, and professionals are challenged to imagine a new vision or rethink the development of Certosa Island's infrastructure in Venice, creating a unique dialogue that incorporates regenerative tourism, the maritime journey, the UNESCO World Heritage listing, and the context of "La Serenissima."
The desert is a landscape in constant transformation. Shaped by the wind, its dunes, ridges, and fissures emerge and fade in an ever-shifting expanse, as if the scenery itself were alive. It is a land of stark contrasts, where the scorching heat of the day gives way to the crisp coolness of the night, revealing nature in its most primal form. In such a dynamic and untamed environment, how can architecture not only integrate but also respect and engage with its surroundings? This is the challenge faced by hotels built within Latin America’s vast desert landscapes.
MVRDV has just released its design for LuLa Light Mall, an open-air shopping center under construction in Chengdu's Luxelakes Eco-City, China. The scheme consists of stacked boxes with open spaces between them, creating terraces, walkways, and staircases that integrate the natural surroundings and provide views of the nearby lake. Luxelakes Eco-City, a developing district in southern Chengdu, spans 5.5 square kilometers and features 1.4 square kilometers of lakes and green spaces. The mall's location, positioned between the natural landscape to the southeast and high-rise buildings to the northwest, serves as a transition between urban and natural environments.
Ecuador, though a relatively small country in terms of land area, boasts a vast and diverse range of ecosystems and natural landscapes, including the Andes mountains, the Pacific coastline, and the Amazon rainforest. This makes the natural environment a key player, shaping its relationship with the built environment and demanding that architecture seamlessly integrate with and respect its context.
Over the years, Ecuadorian architecture has developed its own identity, successfully adapting to these diverse settings. Various construction techniques have been implemented, relying on locally sourced materials to create spaces and shelters in complete harmony with the landscape. Amid the growing trend of seeking a closer connection with nature, architecture in different regions of Ecuador has had to adjust to these conditions.
Sankt Lukas Hospice & Lukashuset. Image Courtesy of BIG
Bjarke Ingels Group has just won the competition to design the new Sankt Lukas Hospice and Lukashuset, an 8,500 m² palliative care center envisioned as a village surrounded by nature. Rooted in the history of the Sankt Lukas Foundation, which dates back to the 1930s, the project will expand Denmark's palliative care facilities, tripling current capacity to accommodate around 2,100 patients annually.
In a recent interview with Louisiana Channel,ecoLogic Studio discusses a new approach to architecture that explores the relationship between nature and urban design. Claudia Pasquero and Marco Poletto, the studio's lead architects, explain that modern architecture should be rethought to adapt to the changing environment and to serve as a connection between urban life and natural systems. The architects compare the current transformation in the field to the period of the Renaissance, when architecture evolved in response to the needs of society. Today, they argue, there is an opportunity for architects to learn from nature and design urban spaces that are both sustainable and functional.
On the shores of serene lakes, where water reflects the harmony between architecture and nature, homes emerge as true retreats. Designed to offer comfort and a deep connection with the surroundings, these residences stand out worldwide for their diverse materials and scales, adapting to different landscapes and lifestyles. From remote woodencabins to sophisticated concrete and glass mansions in urban areas, each project takes advantage of natural resources and the unique characteristics of its setting.
Swiss architect Valerio Olgiati has unveiled plans for Rruga Adem Jashari, a mixed-use development in Tirana, Albania, that seeks to blend urban living with the surrounding natural landscape. Positioned at the boundary between the city grid and an adjacent park, the project features three distinctive red concrete towers and a central white ziggurat. Combining residential, hospitality, and retail spaces, the development aims to create a seamless connection between the built environment and nature.
Museums and cultural centers hold a unique position in society as spaces for learning, community, and connection. They serve as platforms for preserving history and engaging the public with new ideas and perspectives. Architecture plays a key role in shaping these experiences, providing the physical and emotional framework that enhances how people interact with art, culture, and each other. From monumental structures to more intimate designs, these cultural buildings have the potential to reflect local identities, champion sustainability, and inspire visitors while creating lasting cultural landmarks.
From Los Angeles to Turku and Vinh Long, this collection of conceptual museum and cultural center designs submitted by the ArchDaily community highlights the diversity and creativity of unbuilt projects. Each month, ArchDaily's editors select a collection of conceptual projects centered around a specific theme or program, submitted by architects from across the globe. In this collection, proposals range from a children's museum expansion in the United States to a sustainable agricultural museum in Vietnam, all showcasing how architecture can respond to distinct local contexts while fostering universal themes of education, play, and discovery. Whether celebrating archaeological heritage in Cyprus or reimagining public spaces in Finland, these projects explore how museums can serve as cultural hubs that engage and uplift their communities.
Opened in October 2024, the Järva Cemetery offers everyone, regardless of faith or beliefs, a space for remembrance, continuing Stockholm's long tradition of funeral history. After overcoming significant planning obstacles, the site, designed by Kristine Jensen Tegnestue and Poul Ingemann, was created to accommodate burials and funeral ceremonies, with options for coffins, urns, ash groves, and a commemorative forest. During the last edition of Open House Stockholm, visitors could explore its surrounding natural landscapes and connect with the space.
In this short video interview from the Louisiana Channel, Marc-Christoph Wagner interviews architect David Chipperfield in Galicia in April 2024, exploring his connection to the sea. The 2023 Pritzker Prize laureate speaks of his experience living for 30 years in a fishing village in Spain, delving into his connection to the place and the people's attitude towards the strength of the natural elements surrounding them.
Combining experience, knowledge, tradition, innovation, and experimentation, Estudio Planta, based in Buenos Aires, Argentina, focuses on fostering the relationship between architecture and nature by using vegetation as a building material and integrating outdoor spaces into daily life. Addressing the unique characteristics of each site, programmatic innovation, sustainability, care for noble materials, and construction details, the practice defines its identity by proposing ways of living in harmony with its inhabitants and understanding the legacy that architecture can leave for society.
