London: The Latest Architecture and News

Like no other style, Art Deco represents a built manifestation of the interwar period’s enthusiasm and splendor. In London, buildings of this era reflect the elegance, progress and assertiveness that describe the modern metropolis age. Even today, these buildings have lost none of their aura and appeal, yet they lack any proper documentation.

Together, Niels Lehmann and Christoph Rauhut have worked tirelessly for the past three years researching and photographing London’s architectural Art Deco heritage. With your help, they will feature over 230 buildings with large-scaled photographs in the soon-to-be published book “Modernism London Style.” Follow this link to become a supporter and learn more.

Continue after the break to view more photos.

While many buildings try to go Green these days, few attempt to do so literally.

Last week, York Minster Abbey, one of the largest Gothic Cathedrals in Europe, was decked out with 1,500 square meters of – what else - grass.

The occasion for the makeover, the York Minster Rose Dinner to celebrate Queen Elizabeth II’s Diamond Jubilee (which we marked with a post on Britain’s Built Legacy), hosted about 900 people to raise funds for the York Minster Fund. And with £150-a-head tickets, sold months in advance, perhaps we’ll start seeing other Gothic Cathedrals turn green too (and not just with envy).

Story via The Huffington Post UK. More photos after the break…

Last December, ArchDaily revealed the winners of the Architect’s Eye Photography Competition. Now, in celebration of the 2012 London Festival of Architecture, the winners of the the competition will be exhibited at the Roca London Gallery beginning June 23rd in Chelsea, London as part of a Launch Event, Exhibition and Discussion Panel. International Art Consultants (IAC) hosts the competition in recognition of architects’ passion for photography. Last year’s 19 finalists and winners will be on view to the public at the gallery until July 8th.

More after the break.

Today we had the chance of attending the opening of this impressive exhibition. As we mentioned previously some weeks ago, the Victoria & Albert Museum in London prepared this event focused on the work of the British firm Heatherwick Studio, responsable for the last Shanghai 2010 British Pavilion, as well as the Rolling Bridge, or the New Bus for London that was just released in the 38 route. The exhibition comprises a large range of different scales of design, going from specific objects or furniture, to large infrastructural and urban projects. It will be open for the public from next Thursday 31st.

While the excitement builds for the Olympic Games this summer, London is also preparing for their Design Festival of mid-September. In a joint effort between Arup and Sound and Music, the installation at Trafalgar Square will focus on the idea of design you cannot see by creating a black rubberized portal that will transport visitors to inaccessible places and remote environments through a series of three-dimensional soundscapes created by leading musicians and sound designers. By isolating the sense of sound, visitors will be submerged in a completely new environment as they stand in one of the busiest squares in the world.

More about BE OPEN after the break.

With the recent release of the design for the 2012 Serpentine Pavilion by Herzog & de Meuron and collaborator Ai Weiwei, we’re bringing you the 2012 updated infographic, a cheat sheet for the 12 years of the Serpentine Pavilion. Read more about the new design here

HP, Apple, Google – they all found their success amongst the peach groves and Suburban houses of California. But why? What is it about Silicon Valley that makes it the site of technological innovation the world over?

It’s tempting to assume that the Valley’s success must be, at least in part, due to its design. But how does innovation prosper? What kind of environment does it require? In a recent interview with The Atlantic Cities, Jonah Lehrer, author of Imagine: How Creativity Works, suggests that creativity is sparked from casual exchanges, the mingling of diversity, the constant interaction with the strange and new. In short, and as a recent study corroborates, innovation flourishes in dense metropolises.

Seemingly then, Silicon Valley, a sprawl of highways and office parks, has become a hotspot of creativity in spite of its design. But let’s not write off design just yet.

As technology makes location more and more irrelevant, many are looking to distill the magic of Silicon Valley and transplant it elsewhere. The key will be to design environments that can recreate the Valley’s culture of collaboration. The future Valleys of the world will be microsystems of creativity that imitate and utilize the structure of the city.

Taking place at the Architectural Association (AA) on May 11, the ‘Translate the Intangible’ symposium addresses the challenges of communicating dynamic aspects of contemporary design methodologies through static mediums such as text and images. As current design-oriented fields have amplified the implementation of computational and generative tools for various motives, the process of documentation and representation of the design process has become more difficult to express.

RIBA Competitions recently announced the launch of a new Invited Design Competition on behalf of King’s College London. Expressions of Interest are sought from architects or architectural practices for the redevelopment of the Quadrangle and its associated buildings at the College’s historic Strand Campus in London WC2. This £20 million project to design and redevelop the Quad site will provide an additional 3,700 square meters of teaching space and student facilities. King’s is committed to appointing an architect based on their ability to bring innovative thinking to a significant historical site in order to revitalize a learning community. The deadline for receipt of Expressions of Interest is June 1. More information on the competition after the break.