Shanghai-based developer ZhongRong Holdings is working with Arup on an ambitious proposal to reconstruct Joseph Paxton’s Crystal Palace in London. Originally built to house the Great Exhibition of 1851, the 80,000 square-meter cast iron and glass structure was relocated from Hyde Park to south-east London in 1854 where it was ultimately destroyed by fire in 1936.
Currently on view until August 30, Unit Architects is presenting their 8-week exhibition in the entrance space of Buro Happold's 17 Newman Street offices as part of Buro Happold’s Emerging Architects event program. A great way to show off some of the upcoming talent in architecture and design, the contribution by Unit Architects to this series focuses on a selection of their work that shares a common approach of engagement with scale, contextual symbology, material presence and considered detailing. More images and architects' description after the break.
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Norman Foster’s Swiss Re Headquarters, a.k.a. “The Gherkin,” has been selected as the Council on Tall Buildings and Urban Habitat’s (CTBUH) first 10 Year Award recipient. The uniquely-shaped skyscraper, as described by CTBUH, “cleared the way for a new generation of tall buildings in London and beyond. Ten years on, its tapering form and diagonal bracing structure afford numerous benefits: programmatic flexibility, naturally ventilated internal social spaces that provide user comfort while reducing energy demand, and ample, protected public space at the ground level.”
nigelyoung.jpg?1374696725 "© Nigel Young")
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The New London Awards, which recognize the best projects in London - both recently completed and on the drawing-board - were held at London's Guildhall on the 12th of July. Richard Rogers took the top prize of "New Londoner of the Year" in recognition of his life-long commitment to raising the quality of urbanism in the UK capital. The award coincides with his 80th birthday and a major retrospective at the Royal Academy.
See all the winners of the 17 different awards after the break.
IE School of Architecture & Design through its unique combination of design, innovation and management, expands the boundaries of traditional architectural education. IE welcomes students who seek challenges and aspire to become leaders in the dynamic world of architecture and design.
"I have a lot of big plans for the gallery, but every idea is an experiment; I don't necessarily want to enforce what it will be, but rather find out what it wants to be." This is how Thomas Ermacora described his vision of the Lime Wharf Gallery, a largely hidden series of spaces squeezed between Vyner Street and Regents Canal in the middle of Hackney's burgeoning creative quarter.
Ermacora hopes the gallery will become an "accelerator of change through culture", bringing arts, technology and social enterprise together for projects which generate optimism for the future. All of these traits made Lime Wharf Gallery the perfect space to present "Future Fitting." This evening of talks, orchestrated by Ermacora and Lucy Bullivant (editor of the new webzine Urbanista), focused on urban design that has the foresight and flexibility to deal with the needs of the future.
Read about the ideas presented at the Future Fitting event after the break...
Identifying connectivity as the key to prosperity within the 21st century, London Mayor Boris Johnson acknowledged the wider economic and regeneration potential of a new hub airport at a City Hall meeting today.
In his speech, Johnson recommended three optimal locations for the new airport: the Isle of Grain in north Kent; Stansted; or on an artificial island in the middle of the Thames estuary. These three suggestions come as a result of a year-long, independently peer-reviewed investigation by the Transport for London, which confirmed the inability of London’s current major airport, Heathrow, to meet demands by expanding.
More on London’s future hub airport after the break...
Southwark planners have recommended an ambitious proposal by international practice Kohn Pedersen Fox (KPF) and engineer Adams Kara Taylor (AKT II) to add 11 floors to an existing 30-story tower in London. The “incredibly complicated” feat, which would be the world’s first of its kind, would extend Richard Seifert’s 1972 King’s Reach Tower on the South Bank by 44 meters, more than a third its original height.
The Southbank Centre and Feilden Clegg Bradley have taken their designs back to the drawing board, deciding to delay their planning application in order to resolve the mounting issues surrounding the proposal.
The designs to update the brutalist cultural centre have divided people from the start; however, the tide of opinion seems to have definitively shifted away from the design due to a sustained campaign by skateboarders (who make use of the undercroft) and now criticism from the neighboring National Theatre and the UK design council CABE.
Read more about the controversy surrounding the Southbank Centre after the break...
The Design Museum in London has confirmed that Zaha Hadid has purchased their original building, which they've called home since 1989, just over a year after placing a bid with a private backer. According to the Architects' Journal, Hadid will use the building to house her practice's archive as well as serve as an occasional exhibition space. "The building will give an opportunity to consolidate our archive in a single location,” she said, “and also engage in a collective dialogue by exhibiting the research and innovation of global collaborations in art, architecture and design.”
The Crystal Palace was a glass and cast iron structure built in London, England, for the Great Exhibition of 1851. The building was designed by Sir Joseph Paxton, an architect and gardener, and revealed breakthroughs in architecture, construction and design. More on the Crystal Palace after the break...
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Dennis_Gilbert.jpg?1372779209 "© Dennis Gilbert")
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Dennis_Gilbert_shop_interior_2.jpg?1372779268 "© Dennis Gilbert")
