For this architect, there is an indiscernible line between art installation and building. Alexander Brodsky studied architecture in Moscow, while working on art installations and drawings both independently and in collaborations with other artists. Brodsky admits that his career path was unconventional, that he felt unready to take on the responsibility of building. Instead, Brodsky's approach to architecture is through the lens of art: occupiable, room-sized installations that test spatial and sensory boundaries.
Taking place at the Seoul Museum of Art, the 'Total Theatre: Interspace Dialogue' exhibition is featuring the Plushscape installation by Max Kuo of ALLTHATISSOLID. Curated by Regina Shin, the exhibition, which is also a film festival, borrows Gropius and Piscator’s concept of a new kind of theatre to realize a cinema inside of the white cube of a museum. In response to the curatorial agendas of Interspace Dialogue, Plushscape seeks to agitate and amplify the somatic conditions of the viewers’ bodies providing more spatial possibilities in their haptic response to the screening films. More images and architects' description after the break.
Videos
Courtesy of University of Houston CoA + Judd Foundation
Vitreous is a collaborative academic initiative by the University of Houston's Gerald D. Hines College of Architecture and the Judd Foundation that incorporates the vantage points of the natural landscape, and the technological advancement of digital fabrication and media technologies. The faceted panels disguise and blend the unbounded Marfa landscape with reflective images causing a perceptual distortion between the viewer and the surroundings and between the real and the virtual. More images and the team's description after the break.
'MonsterScape', an exhibition display design for Monster Exhibition 2013 organized by Recover & Rebuild Japanese art & design, was a concept created by Hannat Architects to exhibit monsters as a metaphor of disaster and to prevent people’s consciousness of disaster from diminishing. On display this past February, the organizer of the event wanted this exhibition to be something not to tell the misery of disaster but to recall “important things" that tend to be forgotten in everyday life, and visitors to enjoy art and design. More images and architects' description after the break.
Under the guidance of Toyo Ito, Japanese architect Akihisa Hirata envisioned an futuristic, experienced-based installation which sought to express “manifestations of flow as they relate to people and nature” to the spectators of the 2013 Milan Design Week. Titled “Amazing Flow”, the installation offered a “vision of the city of tomorrow” with a multi-sensory experience that embodied the “Lexus’ world vision” and a glimpse into how cars flow throughout built environment The display consisted of a continuous, wooden structure that represented a moment in which “roads, humans, wind and water flow as a single entity.”
Compare the installation to the Lexus “Create Amazing” promotional video for the 2014 LF-LC Concept car and watch an interview with Hirata after the break...
Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. More images and architects' description after the break.
Envision a future where undulating “solar plants” transform the rectangular masses of our cities into a vibrant metropolis where technology aids in the coexistence of humans and nature. Represented in the conceptual installation “Energetic Energies” at the Milan Design Week 2013, this notion of redefining our relationship with the sky through photovoltaics is based on years of technological research and development by the Panasonic Corporation, who commissioned Japanese architect Akihisa Hirata to imagine the possibilities.
The exhibition features a 30 meter-long makeshift city, whose “hills” of photovoltaics overtake clusters of white, translucent buildings while shadows of clouds move in and out of the space.
A video interview with Akihisa Hirata and more images after the break...
Up-Downtown, the prize-winning installation in DawnTown's competition for the creation of a temporary installation on the theme of the “Evolution of Miami", is taken literally to present an interactive story of Miami’s rise. “A city is a complex machine, where everything is interconnected and any movement affects the other,” said Manuel Clavel-Rojo, co-creator of the Up-Downtown team. The installation, exhibited at HistoryMiami, features a 10’ x 10’ x 10’ box structure using steel for supports. A mirror sits at its base, with blue and pink neon lights representing the water’s edge and roadways, creating a perimeter of the downtown area. More images and information after the break.
On April 9, Steven Holl Architects is preparing to open the installation INVERSION, presented as part of Interni's Hybrid Architecture exhibition event organized on occasion of the FuoriSalone 2013, during Design Week in Milan.
As an update to last year's post featuring Memory Cloud as the winning commission awarded to RE:site and METALAB by Texas A&M University for the new Memorial Student Center 12th Man Hall, they have shared with us their most recent images upon the completion of their installation this February. Located in a place of deep traditions that are played out on the football field at every game and in the everyday lives of students, will create the imagery that will be played within the layers of the LED matrix at different speeds and durations. The gallery of images, and a video of the project can be viewed after the break.
The internationally - and often controversial - acclaimed artist Christo has unveiled the “largest indoor sculpture ever made”. Prepared to debut in a public exhibition starting March 16, the inflated “Big Air Package” has been designed to occupy a 117-meter-tall former gas tank known as Gasometer Oberhausen in Germany. The 90-meter-high, 50-meter-wide sculpture is made from 20,350 square meters of semitransparent polyester fabric and 4,500 meters of rope, with a total weight of 5.3 tons and a volume of 177,000 cubic meters.
The seemingly endless, inflatable installation was conceived in 2010 and is Christo’s first major work after the passing of his wife and artistic partner Jeanne-Claude in 2009.
More on Christo’s “Big Air Package” after the break...
Orizzontale was recently invited by GATR to take part in the 2012 edition of the architectural festival Festarch.lab with a project which imagines and builds upon an architectural installation for the main square of Terni, a town in the center of Italy. With the challenge to design a multifunctional stage, the result was ‘Gondwana’, a mobile archipelago of wooden platforms, which comes in different shapes, dimensions and colors, and invades the square with endless configurations. More images and architects’ description after the break.
Filament Mind is a human information-driven installation by E/B Officewhich is designed to visualize the collective curiosities and questions of Wyoming’s Teton County Library visitors through a dynamic and interactive spatial sculpture. The project is inspired by the concept that our civic spaces should be intelligent and responsive, communicating as much to us as we do to each other, enabling a form of intra-environmental social interaction between our thoughts and the material of our built environments. More images and architects’ description after the break.
Exploring the evolving way in which we work, the POP-UP Office is an installation by DUBBELDAM Architecture + Design that uses modular units that can be combined in different ways. The result is a workspace that is simultaneously bare bones and tailored to the individual. This design becomes a great response to the profound shift in the way we work; when all we need is a surface to work on and a place to plug in, the working environment is no longer static. More images and architects’ description after the break.
With an intention to attract and impress viewers with his massive scale, Hehas been selected as winner of the 2013 Young Architects Program (YAP) MAXXI in Rome, an annual competition that promotes and supports young and emerging architects in collaboration with MAXXI Architettura, MoMA/MoMA PS1 of New York, Constructo of Santiago and, for the first time, Istanbul Modern, Turkey.
Turin-based studio bam! bottega di architettura sostenibile, designed He as a grandiose and buoyant installation that transforms the concrete MAXXI facade and expansive piazza into a visual spectacular, while offering a shady escape from the Summer heat.
Created and conceived by Patrick Duffy, the creative director of the OUT NYC, and designed by award-winning Italian designer and architect Antonio Pio Saracino, the Arches of Hope installation will be launched at its opening reception on Thursday, January 17, from 6:30pm-8:30pm at the OUT NYC and be on display until January 24. In collaboration with Lifebeat: Music Fights HIV/AIDS and the MTV Staying Alive Foundation, the stunning and inspiring interactive art installation will be unveiled on the eve of President Obama’s second inauguration as part of a multi-faceted campaign aimed at raising awareness of the rise of HIV and AIDS in young people. More images and information after the break.
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