On the week commemorating American-Chinese architect I.M Pei’s birthday, Delhi-based photographer and photojournalist, Nipun Prabhakar, has shared with us a series of images of I.M Pei & Partners’ building, the Herbert F. Johnson Museum of Art. The firm was commissioned in 1968 by Cornell University to build the university’s museum that would also serve as a teaching facility and cultural center for the educational community. The building was completed in 1973 and was awarded the American Institute of Architects Honor Award in 1975.
Designed by award-winning architect Rudy Ricciotti, the designer of the MuCEM in Marseille, the Jean-Boutin Stadium in Paris, and the Islamic Arts Exhibition in the Louvre Museum, the Manufacture de la Mode reintroduces Chanel's intricate craftsmanship in an architectural and urban context. Architectural photographer Simon Garcia uncovers the newly-inaugurated fashion community in a series of photographs.
In 1968, the small town of Gibellina in Sicily was flattened by the colossal Belice earthquake, a magnitude 5.5 quake that killed hundreds and left 100,000 homeless. Planners were unable to rebuild Gibellina at its original site, so the new city—Gibellina Nuova—was constructed 11 kilometers (7 miles) away instead. In anticipation of the design and construction of Gibellina Nuova, and in the wake of the Belice earthquake tragedy, the mayor of Gibellina called on several artists to submit proposals for projects to decorate the new city. One of the artists was the prolific “polymaterialist” Italian painter and sculptor Alberto Burri (1915-1995).
https://www.archdaily.com/958178/the-psycho-geography-of-the-cretto-di-burriLilly Cao
Bridge House / BIO-architects. Image Cortesia de Ivan Ovchinnikov
Metaphorically, building bridges equates to creating new opportunities, connections, and paths. The first bridges likely formed naturally with logs falling across rivers and natural depressions, though humans have also been building rudimentary structures to overcome obstacles since prehistory. Today, technological advances have made it possible to erect bridges that are both impressive and sculptural, playing a key role in transportation and connectivity. Usually needing to overcome large spans, with few points of support, bridges can be quite difficult to structure. But when is the bridge more than a connection between two points, instead resembling a building with a complex program? How can these 'bridge houses' be structured?
When we think of concrete, the color gray generally comes to mind. The traditional mixture of concrete, which comprises cement, gravel, sand, and water may vary in color depending on elements and admixtures but naturally varies from light to dark gray. However, compounds that add pigment to the mixture are becoming increasingly prevalent and popular, as they infuse the concrete with hues more stable than paint. These shades result from the addition of oxides: yellow, red and their derivations (eg. brown) are obtained with the addition of iron oxide; chromium and cobalt oxide create the greens and blues, respectively. For black concrete, it is common to use black iron oxide and carbon oxide combined with pozzolanic cement.
MAD Architects has unveiled that the Wormhole Library, had topped-out in the city of Haikou, China at the end of January 2021. The curved multi-functional structure, cast of white concrete, is scheduled to be completed and operational in the Spring of 2021. Once ready, the project will allow visitors to read, enjoy the sea views and attend open-air performances.
Urban infrastructures provide comfort to inhabitants and mitigate the risks of disasters such as flooding. Underground systems specifically conceal urban infrastructures from public view and are configured as real mazes under the streets. The distribution of drinking water, urban drainage, sewage, and even electrical wiring and fiber optics in some cases, pass under our feet without us noticing. To this end, the industry developed precast concrete parts for about 100 years that provided construction speed, adequate resistance to force, and durability against time. Concrete pipes with circular sections, in many diverse diameters, are perhaps the most used conduits and are ubiquitous around the world. But there are also those who use these apparently functional elements in creative architectural contexts as well.
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Slab House Proposal / Skeleton. Image Cortesía de reBENT
The reBENT project, developed by the Research Group 9 of the March 2019-20 Program of the Bartlett School of Architecture (UCL), explores the interactive relationship between augmented reality (AR) and manual construction processes using PVC pipes –highly resistant and cheap– as a base research material. In addition to taking advantage of its active bending properties to interact with AR, this material provides a fast and affordable system for the creation of complex concrete structures made by weaving together a series of bent PVC pipes and reinforcing bars, which are then used as formwork for glass fiber reinforced concrete (GFRC).
So far, the exploration of this hybrid approach –neither purely analog nor purely automated– has led to the design of prototypes, architectural elements, and habitable structures. In addition, the team developed an augmented reality platform for Microsoft Hololens in order to guide the construction and customization process through holograms.
It's safe to say that concrete is one of the most utilized construction materials in large-scale architectural projects. In Argentina, the use of concrete to construct high-rise apartment buildings offers a variety of advantages, especially when it comes to durability and the time it takes to build. This has made it the go-to material for many architects.
Thanks to its aesthetic qualities and malleability, concrete is the darling of the world's builders and architects. In Argentina in particular, concrete's durability and adaptability to a range of climatic conditions makes it one of the most sought after construction materials, demonstrated by, not only the country's countless museums, hotels, hospitals, but by its residential and smaller-scale buildings as well.
The Cultural Center was designed by architect Oscar Niemeyer and named after him. It is located in the city of Goiânia in the state of Goiás, Brazil, and was built on a 26 thousand square meter flat land called Esplanada da Cultura, a square dedicated to concerts and events, paying homage to former President Juscelino Kubitschek. The complex consists of four geometrically pure buildings: a rectangle that holds a public library, a cylinder where the Museum of Contemporary Art (MAC) is located, a dome that shelters the Music Palace, and a 36-meter-high pyramid that houses the Human Rights Monument.
https://www.archdaily.com/943227/ad-classics-oscar-niemeyer-cultural-center-oscar-niemeyerHenrique Bezerra de Araújo, Thiago Pitaluga Rezende e Guaraciaba Rosa de Oliveira
While concrete is without a doubt the world's go-to building material thanks to its durability, malleability, and ability to withstand a wide range of climates, it is also the principal source of CO2 emissions within the realm of construction. To combat this and reduce their creations' carbon footprint, many architects have begun experimenting and innovating in a bid to optimize concrete's technical qualities while diminishing its impact on the environment. Among these efforts, there are several projects that have explored the possibility of replacing traditional frameworks with more sustainable materials like bamboo, a resource that grows in abundance throughout many regions of the world and, along with having minimal environmental impact, renders high quality textured detailing on a variety of architectural surfaces.
Oscar Niemeyer’s latest work generated a spherical extension for the Kirow plant’s canteen in Leipzig, Germany. The architect was first approached by the factory’s owner in 2011, and following Niemeyer’s death in 2012, his sketches were further developed by assistant Jair Valera, and executed by Harald Kern Architects.
Carbon textile-reinforced concrete is a composite of high-performance materials that is corrosion-resistant, thin, light, resource-friendly and environmentally friendly. It provides a basis for long-term endurance in construction, both in new buildings and in renovation or repair. Longevity and economic viability are two essential factors at which the construction industry, as well as research, politics and environmental associations, have demonstrated a keen interest.
The world’s longest immersed road and rail tunnel design, the Fehmarnbelt link gets a go-ahead. The 18 km infrastructure, the longest of its kind, connecting Denmark’s Lolland Falster region with Germany’s Schleswig Holstein region across the Baltic Sea will shorten the journey between both countries to just 10 minutes by car and seven minutes by train.
In the dome of the Pantheon in Rome, several construction techniques were used to allow such a bold construction to stand. One concerns the composition of the concrete (in this case, non-reinforced concrete) with different densities throughout the structure. Closer to the top, lighter stones were used in the mixture, reducing the dome's weight retaining the solidity of the base. Another technique was the inclusion of “coffers”, which are nothing more than subtractions in the concrete, reducing the weight of the dome while maintaining a cross section sufficiently robust to support its own weight. Built almost 1,900 years ago, this building still surprises us with the genius of the solutions. Using a quantity of materials just high enough to fulfill its primary function, and creating intelligent structures as a result, is just one of the lessons that this building provides.
MAD Architects has just released its design for the Wormhole Library, a curved structure that serves as a multi-functional building, allowing visitors to read, enjoy the sea views and attend open-air performances. Located on the coast in Haikou, Hainan Province in China, the “wormhole” pavilion is now under construction and is expected to be completed in 2021.
