“And the Lord God planted a garden in Eden, in the east, where He placed the man He had formed. Out of the ground the Lord God gave growth to every tree that is pleasing to the eye and good for food.”
This is how the Garden of Eden is portrayed in the first book of the bible, Genesis, which describes the origin of the universe and the heavenly place where Adam and Eve were placed. Such a paradise, despite being little characterized in the original words, has been inhabiting the imagination of the faithful and other enthusiasts of the matter for centuries. The scenes of this idyllic place, reinforced by the paintings and sculptures created over time, present a landscape considered ideal, an Edenic nature, expressed many times by the vibrant and contourless color – just like a painting by Monet –, probably emphasizing the representation of the spiritual world, where the image is seen through the contrast of colors, shadows and lights.
Torre Taikoo Green Ribbon / ARUP. Image Cortesia de ARUP
Discussing carbon neutrality in architecture should not only be based on local materials and new technologies, since there are many aspects that impact the construction production chain. From design to construction, without losing sight of the context and economic system of our society, the construction industry is responsible for a considerable part of the energy consumed worldwide. In order to interfere in this reality, it is necessary to expand the fronts of action, questioning the place of construction in our society.
At a time when biophilia is highly valued in architecture, natural pools become another element capable of increasing the connection with nature, enabling the creation of a recreational and contemplative space at the same time. Also known as ecological or biological pools, they reproduce an ecosystem composed of plants, rocks and even some species of fish.
Global Finance's ranking of the world's best cities to live in, during 2022 has just been released. Centered on 8 different parameters that calculate and compare the quality of life of people living in urban areas such as economy, culture, population, environment, etc., this year’s edition also took into consideration Covid-19 deaths per thousand for each country, to reflect the new reality we live in. With data from the Global City Power index, Johns Hopkins University, Statista, and Macrotrends, the list seeks to have a complete vision, putting together traditional metrics with new factors.
Claiming the first position is London, U.K, a city that although didn’t get high rankings in its Covid-19 metrics, still topped the list, mainly due to its scores in culture, accessibility, and population growth. Tokyo was selected for the second position, showing weakness in one parameter, population, as its numbers have been declining for the past 10 years. Shanghai followed next, in the third position, because of relatively low Covid-19 death figures and strong population growth. Singapore and Melbourne came in 4th and 5th positions.
Nowadays everything is “painted” green. It's green packaging, green technologies, green materials, green cars and, of course, green architecture. A “green wave”, stimulated by the environmental and energy crisis we are facing, with emphasis on climate change and all the consequences linked to global warming. This calamitous situation is confirmed by the second part of the report entitled Climate Change 2022: Impacts, Adaptation and Vulnerability prepared by the Intergovernmental Panel on Climate Change (IPCC) and presented in recent weeks. It reveals that, although adaptation efforts are being observed in all sectors, the progress implemented so far is very low, as the actions taken are not enough.
Parque Manancial de Águas Pluviais / Turenscape. Imagem cortesia de Turenscape
According to the architect and researcher Patrícia Akinaga, ecological urbanism emerged at the end of the 20th century as a strategy to create a paradigm shift with regard to the design of cities. With this, urban projects should be designed from the potential and limitations of existing natural resources. Unlike other previous movements, in ecological urbanism architecture is not the structuring element of the city — the landscape itself is. In other words, green areas should not only exist to beautify spaces, but as true engineering artifacts with the potential to dampen, retain and treat rainwater, for example. With ecological urbanism, urban design becomes defined by the natural elements intrinsic to its fabric.
Auckland in New Zealand has topped the ranking in the 2021 EIU's annual world's most liveable city survey. Classifying 140 cities across five categories including stability, healthcare, culture and environment, education, and infrastructure, this year’s edition of the review has been highly affected by the global pandemic. Australia, Japan, and New Zealand took leading positions, while European and Canadian cities fell down the ranking.
The climate crisis has revealed the poor planning of our cities and the spaces we inhabit. Both construction and projects contribute to high carbon gas emissions. Fortunately, there are several ways to intervene to bring change into this scenario, either through materials and techniques adopted in each initiative or through geographical and social impact. In this scenario, the only certainty is that: to think about the future we cannot ignore the "green" in all its recent meanings from nature to sustainability, and ecology.
The first lockdown brought most of the world to a standstill, and many were quick to point out the silver lining: the significant drop in carbon emissions. However, this pollution reduction was short-lived, and past crises indicate that we might be standing at a crossroads when it comes to our climate goals. What has this unprecedented year meant for the efforts to curb climate change and protect the environment?
A five-day national festival to seed, incubate and showcase socio-environment design successes. Workshops are three-day hackathons that address design issues in the social realm. Conference as a forum to understand how design can bridge the deficit in the public domain.
Social problems are design problems, and the design community has long felt the need to proactively push for positive change using the potent combination of government, design and active citizens.
This festival ties up with government departments and addresses different problems through three-day workshops, for instance, can we initiate thinking on how to cope with flooding of coastal cities, placing wide-ranging
Archisource presents ‘Drawing of the Year 2019’. Our first competition celebrating the talent of architecture and design students and young professionals through a single drawing. With four categories to win from, we are celebrating the extensive variety of drawings that are created around the world each year.
This competition is in no way limited to architecture and we very much welcome those from other arts and design industries.
We are collaborating with a number of exciting partners to provide a collection of prizes worth a total of £1,500 including; a limited edition physical award designed by Mamou-Mani Architects, an Artist 15.6
Soil is the foundation of the Earth in which we all inhabit. We grow from it, prosper from it, build upon it, pollute it, and dichotomize it. Soil is an organic material providing a sustainable base for life. Yet, polarized as degrading and dirty. How is it that soil can unite nations, yet divide people? What power does it have in cultivating the built environment and defining its boundaries?
Dichotomy invites you to define what perspective grounds you in soil. Submissions should consider soil as a response to the growth, prosperous, developable, polluted, and/or divided earth that is the foundation
Many challenges underline the urgency of reconsidering dominant approaches to development, land use, and the institutional framework that governs them, in addition to the political context, which requires a novel and creative counter-approach in Chekka and Surrounding Towns in North Lebanon. As such, this competition is an open call for planners, designers, environmental scientists, agricultural engineers, economists and other professionals to draft an intervention framework, which simultaneously answers the concept of sustainable development and the immediate needs of the people, including job opportunities and a local economy, without compromising their health, the environment and local economic resources.
Map: Crowther Lab, Fuente: Bastin et al. 2019 Plos One, Created using Datawrapper
The climate in Madrid in 2050 will look more like the climate in Marrakesh, Morocco today. Stockholm will feel more like Budapest, London like Barcelona, Moscow like Sofia, Seattle like San Francisco, and Tokyo like Changsa in China.
Fake news, alternative facts, virtual realities... Media that were meant to connect us are taking on a life of their own. They blur borders between the actual world and its image and they answer questions about true or false with the loudest voice or strongest image. Our workshops this year offer a reality-check. They dip your hands into matter, confront ancient knowledge with high-tech, engage you with innovative companies and let you connect to real people - here and now!
Habitat: Vernacular Architecture for a Changing Planet
Climate change is the biggest challenge facing our planet. There has never been a more important time to understand how to make the best use of local natural resources and to produce buildings that connect to ecosystems and livelihoods and do not rely on stripping the environment or transporting materials across the globe.
The culmination of years of specialist research, Habitat: Vernacular Architecture for a Changing Planet, a once-in-a-generation large format publication, gathers together an international team of more than one hundred leading experts across a diverse range of disciplines to examine what the traditions of vernacular architecture and its
In architecture we are so caught up in creating something new, we often forget about what happens at the end of a building’s life cycle—the unfortunate, inevitable demolition. We may want our buildings to be timeless and live on forever, but the harsh reality is that they do not, so where is all the waste expected to go?
As with most non-recyclable waste, it ends up in the landfill and, as the land required for landfill becomes an increasingly scarce resource, we must find an alternative solution. Each year in the UK alone, 70–105 million tonnes of waste is created from demolishing buildings, and only 20% of that is biodegradable according to a study by Cardiff University. With clever design and a better awareness of the biodegradable materials available in construction, it’s up to us as architects to make the right decisions for the entirety of a building’s lifetime.
Sand is the most-consumed natural resource in the world after water and air. Modern cities are built out of it. In the construction industry alone, it is estimated that 25 billion tons of sand and gravel are used every year. That may sound a lot, but it’s not a surprising figure when you consider how everything you’re surrounded with is probably made of the stuff.
But it’s running out.
This is a scary fact to think about once you realize that sand is required to make both concrete and asphalt, not to mention every single window on this planet. The United Nations Environment Programme found out that from 2011 to 2013, China alone used more cement than the United States had used in the entire 20th century and in 2012, the world used enough concrete to build a wall around the equator that would be 89 feet high and 89 feet thick (27 by 27 meters).
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