Craftmanship is back. Following a century of mass production and industrial development, crafts are starting to be revalued and reinterpreted. A new sensitivity towards raw materials, the recovery of local techniques and the defense of small-scale trade are a few of the claims that this comeback represents. Materials such as earth and ceramics, textiles and wood are being reinterpreted by designers, artists, and architects around the world, in search of both their own style and the representation of collective nostalgia.
Build Tech: The Latest Architecture and News
Additive Manufacturing (AM) is a term used to identify the manufacturing processes performed by 3D printing through layer-by-layer construction. In addition to avoiding the generation of waste through the use of precise geometries and exact quantities of material, these controlled processes can be much faster than traditional ones, since they don't require tools or other instruments.
Additive Manufacturing is done based on a digital model. The process begins with a CAD design or three-dimensional scan and then translates that shape into an object divided into sections, allowing it to be printed. Its use has extended from industrial design to the replica of archaeological objects to the manufacture of artificial human organs and tissues, among many others.
Materials and technology come together in new spaces and experiences. When looking to innovations in advanced construction, the Institute for Computational Design (ICD) and the Institute of Building Structures and Structural Design (ITKE), together with students at the University of Stuttgart, have been creating a series of experimental pavilion for many years. These structures tell a story of computational design and computer-aided manufacturing processes for advanced construction.
As construction evolves, new advancements are shaping how we design. These movements are the product of shared ideas and the convergence of building technologies that open up new possibilities for architecture. From the atomic scale of materials to preassembled homes and faraway planets, the changes in BuildTech are felt across industries. As a result, disciplines are learning from one another to reimagine how we build.
The construction industry has evolved throughout time, but always by way of builders. What happens when people are no longer part of building and construction? This is the question asked by British multinational infrastructure company Balfour Beatty, and they’ve published their answer in the 2050 Innovation Paper. The industry report has become a reference point to those looking at the evolution of buildings and design.
Artificial intelligence, machine learning and generative design have begun to shape architecture as we know it. As systems and tools to reimagine the built environment, they present diverse opportunities to rethink traditional workflows. Designers also fear they may inversely affect practice, limiting the services of the architect. Looking to building technologies, new companies are creating software and projects to explore the future of design.
In this new podcast series, ArchDaily invites architects and interdisciplinary leaders to discuss the future of the architecture and construction industry. Welcome to Building Future.
For most of the history of architecture, interesting facades were achieved through materiality or ornamentation. From the elaborately painted friezes of the Parthenon to the glass exteriors of modern skyscrapers, architecture was primarily static, only ‘changing’ as the environment would change and affect the material of the façade in differing ways, be it rain, light, rust, etc.
This is all quite recent: less than a year ago, a French family became the first in the world to live in a 3D printed house. Short of 20 years, this seemed like a distant dream, this new technology has developed quickly, and it arises as a possible contribution to the housing crisis around the world.
Automation has finally reached our desks. If just a few years ago we believed that technology (including robots) could replace the work done by humans, minus the design specifications and some 'creative' aspects, we were wrong.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT. If you are interested in taking part in the exhibition at UABB 2019, submit your proposal to the “Eyes of the City” Open Call by May 31st, 2019: www.eyesofthecity.net
Stealth-stage startup Higharc has begun rethinking how new homes are designed and built without hiring an architect. Founded to reinvent new home design for the digital age, the company aims to make custom-fit homes accessible to anyone by automating home design and customization online. Taking on pre-made plans, the team wants to bring design back to housing options and make customization more accessible.
Today’s built environment innovators are going to define our world for centuries to come. Shadow Summit is your chance to engage them.
The vision of Shadow Summit is to propel built environment technology to reach its full potential. To achieve that mission, we focus relentlessly on getting the right startups, market leaders, and enterprises in the room, to create the change this industry desperately needs.