2022 could be remembered as the year when surprising AI-fueled tools became accessible to a larger audience: from text-to-image generation Stable Diffusion, Midjourney, and DALL-E 2 to unsettling design experiments such as This House Does Not Exist, to surprisingly smart OpenGPT, a language-processing designed artificial intelligence to generate human-like text.
Cautiously described by OpenAI CEO Sam Altman as "a preview of progress", any user can talk with OpenGPT about almost anything: the results are astonishing and it easily can embody an umpteenth so-called threat for creative-related jobs. However, OpenGPT does not have access to browse the internet. Instead, it interacts based on the gigantic database that it has been trained on. As expressed by Gannett's Eric Ulken, "even the best generative AI tools are only as good as their training", so what an "inappropriate request" is has previously been tuned (by humans) as well.
This article was originally published on Common Edge.
In Childhood’s End, Arthur C. Clarke’s mid-20th century science fiction classic, a character wonders if the flattened inhabitants experiencing a far-off planet’s tremendous gravitational force are aware of the third dimension. In recent years, this hypothetical has found parallels in our growing digital universe, where we are continually drawn to our flat screens to confirm our relevance, connect with like-minded individuals, or create dating profiles. With attention spans riveted by endless digital content, walking down the street has become a delicate dance of avoiding people staring obliviously at their phones—those who, calling to mind Ada Louise Huxtable’s famous question, “Kicked a Building Lately?,” might walk right into one.
Technology is disrupting the creative industry and it's only getting better, and faster. Innovation in the architecture industry has never been as rampant as it is at this moment. The advent of artificial intelligence (AI) in architecture - the first genuine 21st-century design method - is changing the way buildings are imagined and designed. AI image generators like Midjourney and DALL-E provide an efficient and explorative way of conceiving architectural concepts. Generated in less than 5 minutes, these images unveil an interesting design aesthetic that is emerging. In an exclusive interview with ArchDaily, architect and educator Matias del Campo hypothesizes what the future of architectural aesthetics would be.
Cities concentrate opportunities and exchanges, culture and business, while, at the same time are a key contributor to climate change. They are highly complex organisms, with multiple actors involved, that bring to light underlying social interests and conflicts present in society. In 2007, the world's urban population surpassed the rural and this difference has been increasing ever since. According to the 2018 Revision of World Urbanization Prospects report, 55% of the world's current population lives in urban areas, rising to 68% by 2050. This will represent an increase of 2.5 billion people in urban areas, with almost 90% of this increase occurring in Asia and Africa. The Smart Sustainable Cities: Reconnaissance Study also points out that urban centers account for 67% of global energy demand, emit 70% of greenhouse gases and, on top of it all, buildings consume 40% of all energy worldwide. The prospect of a mostly urban world, along with the alarming onset of climate change, both raise challenges regarding living conditions in the coming decades and centuries, and all the implications that will accompany these changes.
The first full-size London Design Festival (LDF) for three years, and the event’s 20th anniversary year, this was meant to be a celebration. But life, as the saying goes, had other plans. Rocked by the news of HRH Queen Elizabeth II’s passing, the country, and indeed the world started the London Design Festival in a period of mourning. Having reigned over the densest period of design innovation in human history, however, her majesty was no stranger to change.
With long-running themes like sustainability, materials, economic crises, and digital futures never higher in the public’s consciousness, LDF ’22 wasn’t just a professional meet and greet, but a chance to share some much-needed positivity with design enthusiasts, as well as locals, just passing by. Here are the most interesting and talked-about installations and talks from nine days of reflection on the past and hope for the future.
Developed by indie entrepreneur @levelsio, This House Does Not Exist is a platform that allows users to generate images of modern architecture homes in the style of ArchDaily. The program uses latent text-to-image diffusion to automatically generate realistic images of modern houses. The website is intuitive and easy to use, with one button at the top right reading “tap image to generate new house”. The website also allows users to vote for the best images generated or see similar houses by clicking on the keywords displayed at the bottom of the image.
Should designers care about artificial intelligence (AI) or machine learning (ML)? There is no question that technology is adding texture to the current zeitgeist. Never could I have imagined seeing a blockbuster hit where Ryan Reynolds emerges as a conscious non-player character in a video game and a flop where Melissa McCarthy negotiates humanity’s future with a James Corden-powered superintelligence within a year of each other. But does learning AI and ML’s ins and outs really matter for the creative professions and our nebulous, invaluable way of operating?
Everybody talks about Metaverse, but hardly anyone agrees on what it is. For the moment, it is still enigmatic, however, it seems like its ambiguity is its strength. Not a day goes by without a new article or a video on this subject, trying to convince people that Metaverse will inevitably become a part of our daily lives soon. Architects and designers are essential parties to the ongoing discussion as it is a spatial innovation that requires the Internet to be redesigned as a 3D environment.
Machine learning and generative design are profoundly shaping modern life. A central critique to the value and advancement of artificial intelligence, especially in the context of architecture, is the ability for a machine to design, as well as the resulting fear that professional services may be limited. As cities continue to develop, new tools emerge to help envision and create the built environment. How can architects embrace generative design to reimagine models of sustainability, inclusive practice, and new aesthetics?
Within the Latin American and Caribbean region, it has been recorded that at least 25% of the population lives in informal settlements. Given that their expansion is one of the major problems afflicting these cities, a project is presented, supported by the IDB, which proposes how new technologies are capable of contributing to the identification and detection of these areas in order to intervene in them and help reduce urban informality.
Artificial intelligence systems endeavor to replicate or mimic human intelligence by combining datasets with iterative processing algorithms to learn from patterns and experience. From Siri, Alexa and other smart assistants to conversational bots and email spam filters, what once seemed like a technology pulled from science fiction has become ubiquitous in our daily lives.
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How many times have you heard the old claim that “Email is dead”? Surely, more than once. To the surprise of many, and despite the rise of new messaging tools like Slack and Microsoft Teams during the pandemic, Email remains by far the most widely used communication tool in many businesses. Every day, more than 300 billion emails are sent and received globally, and employees spend an average of 5 hours checking their online correspondence. This trend is only expected to rise in the upcoming years, especially within project and client-based industries – like architecture, engineering and construction – that heavily rely on this means of communication.
However, its consolidated use doesn’t always equal efficiency, particularly in companies that don’t set up the necessary internal processes to file emails in a central space. With the silent threat of poor mail management, many architecture firms and other businesses must face unnecessary risks, time and productivity costs, and increased stress among workers.
This book tells the story of Eyes of the City—an international exhibition on technology and urbanism held in Shenzhen during the winter of 2019 and 2020, with a curation process that unfolded between summer 2018 and spring 2020. Conceived as a cultural event exploring future scenarios in architecture and design, Eyes of the City found itself in an extraordinary, if unstable, position, enmeshed within a series of powerfully contingent events—the political turmoil in Hong Kong, the first outbreak of COVID-19 in China—that impacted not only the scope of the project, but also the global debate around society and urban space.
UK’s contribution to Expo 2020 Dubai is a wooden sculptural structure that celebrates cultural diversity and collaboration, highlighting Britain as a meeting place of cultures and ideas. Created by artist and designer Es Devlin, the Poem Pavilion uses advanced machine learning algorithms to transform the input of visitors into collective poems. The latter can be read in illuminating displays on the façade, transforming the pavilion into the exhibit itself.
Artificial intelligence is transforming how we design and build. By 2050, the effects of AI adoption will be widely felt across all aspects of our daily lives. As the world faces a number of urgent and complex challenges, from the climate crisis to housing, AI has the potential to make the difference between a dystopian future and a livable one. By looking ahead, we're taking stock of what's happening, and in turn, imagining how AI can shape our lives for the better.
Artificial intelligence, machine learning and generative design have begun to shape architecture as we know it. As systems and tools to reimagine the built environment, they present diverse opportunities to rethink traditional workflows. Designers also fear they may inversely affect practice, limiting the services of the architect. Looking to building technologies, new companies are creating software and projects to explore the future of design.
Architecture is a long-standing profession, one that has produced the iconic landmarks we admire around the world, monuments which we revere around the world, and played a part in establishing the organisation of the cities we live in today. This description, however, is architecture in the traditional sense - and there are numerous examples of individuals and firms who have strayed away from traditional architectural practice, either through delving into adjacent fields or 'disrupting' the field with the harnessing of new technologies.
