Founded by the architect and professor Angelo Bucci, spbr arquitetos works in different scales of construction of buildings with a distinct and particular language in its works. Its projects are the result of an intense exercise in architectural thinking, combined with the use of drawing as a tool for dialogue between architects and clients.
The "Casa de los Milagros" (House of Miracles), located in the cloudy forest on the outskirts of Xalapa, Veracruz and designed by Mexican architect Danilo Veras Godoy, is a space conceived with organic forms, earth, unexpectedly shaped openings and mosaic glass in different shades. It was designed to meet the needs of Rosalinda Ulloa, a single mother who would live there with her two young children. It was built in stages, starting in 1995, and was completed in 2002, with some changes being made between then and 2006.
This article was originally published on Common Edge.
California, as with most American states, has a housing crisis. Unlike the rest of the country, it is actually working to ameliorate the situation, with private and public initiatives that critics can’t help but label inadequate. The Bay Area made accessory dwelling units legal by changing zoning laws, but that has hardly made a dent. Some cities are now pushing for additional upzoning to give developers more room to bring new buildings to market at lower rents. There are all sorts of studies, university sponsored or underwritten by the industry, that recommend more-or-less radical fixes for a seemingly unfixable problem. Environmentalists are naturally cast as villains because they don’t condone greenfield developments. And Californians are tough on their elected officials, as the current governor learned last year.
Architecture has long been designed to symbolize and venerate shared values and beliefs. This is especially true in cathedrals and places of worship, structures that exists across environmental, economic and cultural boundaries. These buildings encompass ritual and gathering as they explore the relationship between human experience and the divine. Today, cathedrals are being reimagined for contemporary life and new building traditions.
Muz Yer, a permanent public exhibition in Rennes, France, has invited 8 internationally-renowned architects to design birdhouses that highlight the relationship between contemporary architecture and nature. Each birdhouse serves as a response to one or more of the 13 bird species designated by the Birds Protection Committee (Ligue pour la Protection des Oiseaux - LPO), and raises awareness of the architectural heritage of Rennes and its urban ecology. The list of exhibitors includes Julien De Smedt Architects, ADEPT, a/LTA, Duncan Lewis, Marion Normand, Kengo Kuma & Associates, Tham & Videgard, and Dominique Perrault Architects & Gaëlle Lauriot-Prévost Design.
Powerhouse Company revealed its design for the new Tilburg University Lecture Hall, which upon completion, will be the Netherlands’ first academic building made of cross-laminated timber. Set within a wooded landscape, the lecture hall is a nod to the 1960s grade-listed Modernist architecture of the campus, echoing its monastic atmosphere through the rhythm of the windows and the limestone façades.
A project for the Commemorative Landmark Pehuenche Commission carried out by the recently graduated Chilean architect Antonia Ossa, is part of the series of small-scale interventions built in the Andean sector of the Maule Region, Chile, as part of the certification process of the School of Architecture of the University of Talca.
Although artificial intelligence is showing the potential to carry out successive iterations with good results, designing the layout of spaces takes up large portions of a designer's time. The organization of elements present within a space determines the flow of movement, the points of view and will largely dictate how it will be used. But the idea of stifling the use of the environment may not work for all cases. Due to space restrictions or supplementary uses that a room can have, some architects have developed dynamic layouts that have more than one possible use. Whether through dividing elements or special modules, these projects allow the space to change radically through movement.
Dübendorf, Switzerland is something of hallowed ground for architectural technologists. There, on the shared academic campus of the Swiss Federal Laboratories for Materials Science and Technology and the Swiss Federal Institute of Aquatic Science and Technology, public university ETH Zurich has conducted nearly a decade of engineering and construction experimentation at the ever-evolving NEST research building. In August, ETH Zürich unveiled its latest extension of the building, HiLo (short for high performance-low emissions)—a two-story modular addition to the chameleon structure that harnesses medieval building principles and contemporary digital methods to raise the bar for more sustainable applications of concrete.
“A Broken House” is a documentary directed by Jimmy Goldblum that highlights the story of Mohamad Hafez, a Syrian native that moved to the US on a single-entry visa to study architecture and was not able to return home. Facing his fate, he channeled his homesickness in his artwork, and started producing miniature sculptures of his hometown, in order to build the “Damascus of his memories”.
“If you can’t get home, why don’t you make home”. Telling the story of the human being that lived within, the architectural project gained a political dimension after the eruption of the Syrian civil war, portraying the extent of the destruction suffered by the city, humanizing refugees, and sharing their stories.
An integrated team led by Foster + Partners in collaboration with Marge Arkitekter have won a design competition for the redevelopment of Stockholm's central station, Sweden's largest transportation facility. The winning design aims to bring together several modes of transport in an integrated hub, while prioritizing pedestrian circulation and creating a new mixed-use urban district that combines old and new architecture.
Over the past year, established practices have continued to champion the transformation of existing structures, with adaptive reuse and renovations increasingly becoming a defining aspect of contemporary architecture From the renovation of landmark structures to the adaptive reuse of obsolete facilities, the idea of giving new life to existing buildings has been embraced as the premise for a more sustainable practice, but also as a means of reinforcing the urban and cultural identity of cities. Discover 8 designs and recently completed projects that showcase a new common practice of reusing existing building stock.
In November 1930, in Indiana, United States, one of the great feats of modern engineering was executed: a team of architects and engineers moved an 11,000-ton (22-million pound) telephone exchange without ever suspending its operations either basic supplies for the 600 employees who worked inside.
'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?
If Nature had been comfortable, mankind would never have invented architecture. - Oscar Wilde
Architecture is human. Despite their exquisite beauty, burrows, hives, nests and anthills are creations of instinct. Design by humans considers options, means and methods of creation, solving problems of desire, beyond functional accommodations.
Textile forms of habitation are far from new; in fact, humans have been using fabric to create shelter for thousands of years, becoming an archetypal form of building. Today, contemporary architecture has rediscovered the principle of the tent and taken its development further, implementing new technologies to generate more advanced and durable fabrics which allow larger areas to be spanned. Becoming a highly specialized sector within the construction industry, multiple textile forms have become common in a wide range of architectural applications – not just for temporary structures, but also for permanent buildings. Apart from their use in facades, these can be utilized in interiors to create highly functional spaces with unique sensory experiences.
In this two-part episode of Design and the City - a podcast on how to make cities more livable – reSITE covers the 17th Venice Architecture Biennale, exploring the question of “How will we live together". Part-one looks into the works of the U.S, Nordic, and Luxembourg Pavilion curators, focusing on their use of timber construction as an answer to the exhibition's theme. Part-two features curator Hashim Sarkis and Greg Lindsay, along with the British and Austrian pavilion curators, as they explore the topic of accessibility.
MVRDV ‘s latest project designed for government-owned power company Taipower is “a tool for energy production”, communicating Taiwan’s goal of transitioning to green energy. The morphology of the project and its architectural image are entirely data-driven, the expression of the most efficient way of generating solar energy on the site. An operations facility comprising offices, a maintenance workshop, storage spaces, and a public gallery, the project is defined as a “built manifesto”, projecting the company’s aspirations for achieving a “carbon-free future”.
