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Claude Monet and Vincent van Gogh used the impasto technique extensively in their paintings. Both applied thick layers of oil paint over the canvas, usually one shade at a time, and it was up to the viewer's brain to mix the colors and create the desired effects. When dry, the paint forms reliefs and textures on the canvas, evoking a sense of movement. Even without being able to touch the screen, the texture of the brushstrokes gives a three-dimensionality to the painting, something that can only be fully observed by seeing the artwork live, looking at it from more than one angle and actually experiencing it.

In his famous book “The Eyes of the Skin: Architecture and the Senses,” Juhani Pallasmaa points to "a predilection in favor of vision and in detriment of the other senses in the way architecture was conceived, taught and criticized, as well as the consequent disappearance of sensory and sensual characteristics in arts and architecture." According to the author, "an architectural work is not experienced as a series of isolated retinal images, but in its fully integrated material, corporeal, and spiritual essence."

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On behalf of the entire ArchDaily team, we would like to thank you for your continued support and for making 2020 our best year so far! We are now reaching more architects around the world and inspiring them in the creation of better built environments. With more than 5500 different projects published during the year, our curators are excited to share this collection of the 100 most visited projects of 2020. This selection represents the best content created and shared by the ArchDaily community over the past 11 months.

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What's better than a house with a pool? A house with a pool that's part of the structure of the house. These projects show different ways to incorporate pools and how to resolve issues of weight, moisture and leaks. See the houses below, featuring photos by photographers like Mariela Apollonio, Kent Soh y Marcello Mariana.

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