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Fresh off winning the “Design of the Year” for their refugee housing solution, the “Better Shelter,” IKEA is again making waves for a pioneering, flat pack solution to societal needs. Developed by the IKEA innovation lab Space10 alongside architects sine lindholm and mads-ulrik husum, the spherical “Growroom” is a DIY garden structure intended to help people “grow their own food much more locally in a beautiful and sustainable way.” And now, plans for the structure have been made available online for free via Space10’s open source platform, giving anyone the opportunity to build their own 3-dimensional garden.

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The World Architecture Festival has announced the launch of the 10th edition of the event referred to as the “Oscars of architecture” by launching the “WAF Manifesto,” which identifies key challenges the profession will face over the next ten years. Aimed at generated funding for architectural research, the manifesto outlines a range of topics where architects can use their influence to affect society as a whole.

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Feilden Clegg Bradley Studios has been selected as the winners of the Royal Institute of British Architects (RIBA) competition to design the new Faculty of Arts Building at the University of Warwick, in Coventry, England. Lauded for its flexibility and collaboration-fostering design, the winning proposal was selected over finalist entries from Foster + Partners, Grimshaw, White Arkitekter and Wilkinson Eyre.

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The legendary John Lennon once said, “Time you enjoy wasting, was not wasted.” And had a group of disgruntled, bespectacled, darkly clad architects been present when he spoke these words, their response probably would’ve been: “Time? What time, Johnny boy?” But as a matter of fact, there was no group of architects listening to these wise words, because they were probably furiously puffing on their last cigarette, tearing up another piece of trace, or lying collapsed somewhere. 

It’s common knowledge that time is not exactly an architect’s best friend. Sleepless nights, endless hours of painstaking work and coffee expenses are but a few of the side effects that are all too familiar within the profession. But if the watch on your wrist looks something like this, don’t worry, because ours do too.

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With Are We Human—the exhibition of the 3rd Istanbul Design Biennial, which ran for one month at the end of 2016—curators Beatriz Colomina and Mark Wigley were researching the fundamental notion of ‘design’. Their historic, cultural and conceptual exploration attempted to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This pushed the notion of design and the biennale as a format beyond their established definitions.

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