At the start, train cars stand ready with cement and bales of fibers. A machine processes the mixture layer by layer into panels of the desired size and thickness. However, some specific production knowledge must be considered in the manufacture of the building material. Marco Ziethen, Swisspearl’s head of production technology, explains us the fabrication process of fiber cement.
In their day-to-day work, architects face a lot of distractions and challenges: managing clients, collaborators and contractors; keeping up to date with the latest software and technologies; drafting planning applications and paperwork; and if you're lucky, even getting to design some things in between. Originally published by ArchSmarter, this article offers 21 tips on how to maximize your productivity and minimize unnecessary work.
Last week, we asked our social media followers, "What does public architecture mean to you?" These thoughts are intrinsic to the architectural debate and come into play in various types of projects, especially in those related to the planning of common-use spaces in cities.
The Tchoban Foundation - Museum for Architectural Drawing in Berlin shared with us this article about the exhibition Siza: Unseen and Unknown curated by architect António Choupina together with Dr. h. c. Kristin Feireiss. According to them, "this exhibition was conceived as a family show, not in the sense of an architectural dynasty but rather as a lyrical collection of drawings from the architect’s private surroundings". The selected drawings are from the Siza family’s own collection and include sketches from known and less well-known projects, as well as architectural fantasies.
Álvaro Siza was born in 1933, on the same year that the Bauhaus closed its doors. He is perhaps the last living modernist or, at the very least, the most significant voice to carry out the unfinished modernist project all the way into the 21st century.
Siza: Unseen and Unknown showcases this continuity through 100 sketches, as well as its unavoidable contradictions. These drawings are from his most personal archive, in addition to small collections of close friends and family. Hence, they focus not only on the professional legacy but also on the familial one, where Maria Antónia Siza (1940-1973) takes centre stage. His wife will draw him, he will draw her and the loving embrace of the human body will be transversal to architecture, art, life.
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French architect Dominique Perrault has shared his thoughts after this week's devastating fire of the Notre Dame Cathedral in Paris. Best known for his design of the French National Library, Perrault has had a hand in many projects across France, including work in 2015 studying the means of ensuring the continued urban centrality of the Île de la Cité, in collaboration with Philippe Belaval, President of the Center for National Monuments. ArchDaily has published Perrault's statement in full, outlining the architect's response to the Notre Dame fire.
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The Harvard Graduate School of Design has announced that Sarah Whiting, dean of the Rice University School of Architecture since 2010, will serve as the next dean of the Harvard Graduate School of Design, beginning on July 1st. Described by the university as “an outstanding scholar, educator, and architect with broad interests that range across the design principles and beyond,” Whiting served on the GSD faculty for six years before moving to Princeton and later becoming the dean at Rice, where she also served as the William Ward Watkin Professor of Architecture.
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