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Exactly a year ago, on August 4, 2020, the third-largest non-nuclear explosion ever-recorded destroyed almost half the city of Beirut, ripping through the port and the eastern part of the capital. One of the biggest urban tragedies of modern times, killed more than 200 people, wounded thousands, and left an estimated 300,000 people homeless, damaging over 80,000 commercial, residential and public spaces. Felt across neighboring countries, the blast stripped the city’s constructions of their cladding, framing, and glass elements, while completely tearing down other buildings, leaving around US$15 billion in property damage, in times of Covid, political and social unrest, and economic collapse.

One year later, so little has changed. One year later, it only became harder for the people of Beirut. One year later, everything in the city still reminds them of that day. Major questions remained unanswered, no rescue or action plans have been taken by governmental institutions, instead, civil society rose to take into their own hands, reconstruction efforts, in the total absence of the state.

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UK-based architecture firm AL_A has collaborated with Canadian energy firm General Fusion to develop the world's first magnetized target fusion facility on the UK Atomic Energy Authority (UKAEA) campus in Culham, United Kingdom. The energy firm wanted to "transform how the world is energized by replicating the process that powers the sun and stars". AL_A's design proposes a first-of-its-kind facility with open spaces and see-through partitions that provides innovative carbon-free energy solutions.

The latest news and reports on China’s construction sector redefine the country’s future architectural landscape. A Cultural Infrastructure Index reflecting the data from 2020 places China and, more specifically, Shenzen as the world leader in investments regarding cultural facilities. Last year saw the announcement of 10 new cultural projects, all designed by world-renowned architects. At the same time, the Chinese authorities announced last month that buildings taller than 500 metres would no longer be approved, marking the end of an era that made the country home to 10 of the tallest 20 buildings in the world.

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"I felt like I was Nino Rota and Oscar Niemeyer was Fellini, it was like I was creating an important piece of music in that work of art." Renowned visual artist Athos Bulcão uses this comparison between the Italian composer and the film director to refer to the relationship between his work with ceramic tiles and architecture. This fusion between art and architecture marked an important period in the history of Brazil, shedding light on issues such as national identity, the massification of art, and architectural techniques aimed at the tropical climate.

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Often, when people think of buildings, they default to imagining rectangular structures—or at the very least, structures with orthogonal floor plans and hard angles, certainly not buildings with circular plans. The rarity of the circular plan comes in part from the fact that poor design choices can lead to wasted space and awkward interior arrangements, especially if furniture and appliances are rectangular in shape. However, strongly designed circular planes can have a dramatic effect, generating extraordinary spatial configurations that meet a variety of aesthetic and functional needs, while challenging the material specification process. Below, we list 18 buildings with circular plans, considering their varying strategies of design.

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