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Now in its fifth year, the Prize celebrates the importance of drawing as a tool in capturing and communicating architectural ideas. In the spirit of many great architects of the past, from Palladio and John Soane to Le Corbusier and Cedric Price, it's an ideal platform for reflecting on and exploring how drawing continues to advance the art of architecture today.

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Plastic pollution has been a growing issue for decades and there have been various solutions presented by different global actors and bodies such as governments and international organisations. As architects and urban designers, it is important for us to be involved in this process and Lagos is a city that has seen bleak and limited amounts of solutions that respond to the context of the city. This is what led us to this year’s competition theme.

Videos

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Commissioned for the exhibition “Casa Balla - From the house to the universe and back” at MAXXI museum in Rome, Italy, Bêka & Lemoine’s have released their latest film OSLAVIA. The cave of the past future, a tour inside the house-atelier where Giacomo Balla, prominent Futurist painter and major figure of the avant-garde of the early 20th century lived. The Futurist house where the artist lived and worked from 1929 until his death will be open to the public for the first time during the time of the exhibition.

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Manifesta 14 recently announced that the 2022 edition of the European Biennial of Contemporary Art will take place in Prishtina, Kosovo. In preparation for the event, Carlo Ratti Associati has been commissioned to create an urban vision for the host city, focusing on sustainable solutions attuned to its current realities. The urban interventions showcase CRA's newly defined participatory urbanism methodology and explore how Prishtina could be transformed by the citizens' act of reclaiming public space.

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It is safe to say that living in large urban areas, most of the sounds surrounding us are accidental, and most of them are not very pleasant. According to Julian Treasure, chairman of The Sound Agency, sounds can affect us in many ways: physiologically, psychologically, cognitively, and behaviorally, reducing productivity in workspaces and even affecting sales in retail stores. Therefore, paying attention to acoustic comfort in the built environment is imperative, not only for engineers and consultants but also for architects.

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Having been invited to participate in the 17th International Venice Architecture Biennale, architecture and design practice AAU ANASTAS presents the exhibition All-Purpose, which translates the craftmanship of stone into a new form of contemporary architecture. Exhibited within the Giardini, the structure featuring an undulating parametrised stone slab supported by thin, slender columns is a material exploration that builds on the Palestinian construction tradition to create a new architectural discourse around stone.

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Several recurring qualities and topics were explored at the 17th Venice Architecture Biennale, answering curator Hashim Sarkis' question of "How Will We Live Together". Sarkis called upon architects “to imagine spaces in which we can generously live together”, spaces that are unbound by spatial or social contracts, and are flexible enough to welcome individuals and make them find a sense of belonging in an entirely different habitat. Unlike decades ago, migration today is no longer considered as relocating from rural areas to cities, where people needed to be in proximity to their workplaces. Technological advancements, new work modules, and most notably the pandemic altered the way people perceive spaces, making it possible to complete at least 85% of day-to-day responsibilities from practically anywhere in the world. What we have learned from previous cases, and what we are observing now, is that the built environment needs to be flexible.

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