This article was originally published on Common Edge.

New Orleans was designed by its early settlers in 1721 as a Cartesian grid. You know it as the famous French Quarter or Vieux Carré. Such grids are named for the Cartesian coordinate system we learned to use in algebra or geometry class, perpendicular X and Y axes, used to measure units of distance on a plane. The invention of René Descartes (1596–1650), these grids reflect his rationalism, the view that reason, not embodied or empirical experience, is the only source and certain test of knowledge. William Penn used a similar grid in 1682 in selling Philadelphia as an urban paradise where industry would thrive in the newly settled wilderness. And just as the massive buildings of Italian Rationalist (i.e., Fascist) architecture express authoritarian control, so, too, Cartesian grids implicitly say: Someone is in charge here. We’ve got this. Trust us.

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Today we are happy to share with you the next step into the process that we started in 2020 as Architonic ArchDaily, welcoming Designboom to our group.

When we decided to join Architonic, we saw a big opportunity to combine our expertise on curating projects and products, enriching the quality of the content we deliver to millions of professionals and enthusiasts around the world, with one vision: to help everybody who is part of architecture to do a better job, having a positive impact in our environment.

As complementary platforms we look at this big challenge from each one's lenses: project inspiration, materials knowledge, product research and specification. 

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With the increase of extreme weather events due to climate change, sustainable architecture is only becoming more important. After all, to mitigate the impact of climate change, the International Energy Agency has recommended that industries aim for a net-zero energy system. For the construction sector, that means working to mitigate 11.4 Gt of CO2 emissions.

To help, architects should ensure their specifications are sustainable. External membranes, for instance, are often a go-to waterproofing method, but they come with many risks, including the tendency to fail frequently, and they are not environmentally friendly. In short, a better alternative is necessary.

Led by Ma Yansong, MAD Architects and the China Academy of Building Research (CASR) have won an international competition to design the Cuntan International Cruise Center in Chongqing, China. Currently a cargo terminal, Gantry Crane will become a 65,000 sqm international cruise terminal and city complex, featuring a 15,000 sqm cruise port and over 50,000 sqm of commercial spaces.

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The Barbican Centre is up for a substantial renovation, and the City of London Corporation revealed the five shortlisted teams for the refurbishment of the Brutalist icon, among which are practices like BIG, Diller Scofidio + Renfro, Adjaye Associates or Asif Khan Studio. The cultural venue at the heart of the eponymous post-war housing estate in central London was the subject of an international competition aiming to preserve its heritage while upgrading the ageing structure to contemporary requirements and artistic aspirations.

Emerged in a period marked by the development of the industry and the experimentation of new materials, the Art Nouveau artistic movement was opposed to historicism, favoring originality and a return to handicrafts. In this context, it is portrayed as an attempt at dialogue between art and industry, revaluing beauty and making it available to everyone through series production.

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