The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time the authors explain a construction strategy through iterative design and the emergence of form.
After the original dome of the building designed by German architect Karl Trambauer—located in the Old Town of Montevideo, Uruguay—partially collapsed, the void was occupied by a temporary new dome. This symbiotic architecture sought to fill the building's physical gaps while raising awareness of the systematic destruction suffered by structures in Ciudad Vieja. It served as both a provocative object and a restorative organism, experimentally intervening in the building's visible void.
The world is changing; it always does, only faster and faster. With it, our profession as architects is also changing, and new market horizons are opening up before us. A new definition of what it means to “be an architect”—one that is both necessary and long-awaited by many—is beginning to take shape, and in this article, I want to help open your eyes so you can join this exciting movement of independent architects.
This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Housing Production in Rural Mexico."
Between virtual panel discussions and tweets sparking debate on housing and its role during the pandemic, addressing this issue in Mexico is as complex as the country's history and as vast as its territory. The article What About the Right to Adequate Housing in Mexico? offered an overview of the laws governing Mexico City and urban conditions. But what about housing in rural areas?
The new Saanersloch gondola lift in Gstaad is a static masterpiece – and with its specially designed and unique all-glass facade by Glas Marte, it has also reached the top of the world.
In 2014, a group of friends from Ciudad Juárez, Chihuahua, driven to contribute to their city's resilience and recovery, came together to dialogue and share ideas for reclaiming streets, plazas, and parks through sociocultural projects and urban interventions in public space. This gave rise to Nómada Laboratorio Urbano. Ciudad Juárez is an industrial city located on the northern border with the United States, directly adjacent to El Paso, Texas. Over the years, Juárez's economy has been dominated by the maquiladora industry; the city was also once considered one of the most violent in the world due to a wave of crime between 2008 and 2012.
Gerson Castelo Branco is a self-taught architect from the state of Piauí in Brazil. His architecture is a collection of references and experiences that he describes as "an expression of freedom," the Paraqueira.
The Institutional Security Office (GSI) has signed a R$ 2.49 million contract for a drone detection and "neutralization" system that includes installing antennas up to 20 meters tall atop the Planalto, Alvorada, and Jaburu Palaces to protect the President of the Republic and the executive branch leadership. However, despite the urgency claimed for the project by the agency led by General Augusto Heleno, the National Institute of Historic and Artistic Heritage (IPHAN) is blocking the work.
Denise Scott Brown once said: “Architecture can’t force people to connect; it can only plan the crossing points, remove barriers, and make the meeting places useful and attractive.” Although it cannot control the outcome, architecture holds the potential to set the stage for chance encounters and social interactions, thus nurturing community building and influencing the fabric of our social culture. The following explores how architecture can improve the social capital of its surroundings through design strategies and thoughtful programming, creating the fertile ground for social interaction among different groups of people.
Three years ago, in the wake of the release of his book Theories and History of the Modern City ("Teorías e Historia de la Ciudad Contemporánea", 2016, Editorial Gustavo Gili), we sat down with the author, Carlos García Vázquez, to discuss this complex and "uncertain creature' that is the modern city, focusing on the three categories that define cities today: Metropolis, Megalopolis, and Metapolis.
Based on an analysis of those "who have traditionally led the way in the planning of spaces" (sociologists, historians, and architects), the book illustrates the social, economic, and political forces that, in service to their own agendas, drive the planning, transformation, exploitation, and development of cities. In 120 years, urban centers have transformed from places where "people died from the city" to bastions of personal development and economic prosperity; however, the question remains —have cities really triumphed?
"Yes", says García Vásquez, "but we have paid dearly for it."
In 2013, the film *Her*, in which the protagonist falls in love with an operating system, sought to depict a not-so-distant future of a relatively dystopian reality. Although the city depicted was likely a futuristic Los Angeles, the filming actually took place in Shanghai. After visiting the city, I believe this was a wise decision, given the pervasive atmosphere that constantly evokes this very theme. I remember standing on a massive circular pedestrian overpass above the Mingzhu roundabout, which connects major avenues in the heart of Pudong, Shanghai's current financial district. Ahead of me, I saw the bizarre Oriental Pearl Tower, a 467-meter-tall TV tower built by a Chinese state-owned enterprise in 1994. Looking back and up at the Shanghai Tower—the second-tallest building on the planet at an impressive 632 meters—the impact was even greater. This is Shanghai's image to the world, the showcase of a new China, breaking paradigms and reaching for the sky.
Architecture in the Czech Republic is defined by the country's incredibly diverse landscapes. As one of Europe's cultural hearts, Czechia has a rich history, and was once home to the Kingdom of Bohemia. Today, architects and designers are drawing inspiration from the country's low mountains, foothills and forests as they design a range of secluded residential retreats.
The focus of buildings should ultimately be the well-being of the people using them. When we think of our experiences in hospitals, clinics, the dentist's office, and other medical facilities, the feeling is rarely pleasant. Perhaps it's the smells, the dull, monotone colors, or the sound of medical gadgets working away on some unlucky patient.
It’s hard to imagine New York City without the packed subway cars, long lines, and overwhelming tourist crowds that felt essential to daily life. Once the fear of the COVID-19 pandemic has waned, the city, like others around the world, will become clouded and fundamentally altered even after economic prosperity has been restored. In what feels like a revolving door discussion, except now perhaps asked with a sense of urgency, what do we want cities to be like in the years to come?
This article was originally published on Common Edge.
Apart from dressing like an undertaker, wearing black-rimmed circular glasses, and driving Swedish cars, modern architects’ most conspicuous trait is their aesthetic honesty, which is dangerous. Sincerity leaves little room for imagination.
In one of the country's hardest-hit cities by the Covid-19 pandemic – São Paulo – and in the face of the suffocating socio-environmental crisis plaguing our world and our time, how can architects and urban planners take a stand and effectively act against widespread asphyxiation and for the fundamental right to breathe, to exist, and to inhabit the Earth?
Oaxaca is one of Mexico's thirty states, renowned for a rich culture that has shaped a territory celebrating its roots. Located in the country's southeastern region, it borders the Pacific Ocean and is known for its indigenous communities, where Zapotec and Mixtec cultures predominate. In addition, Oaxaca is home to a vibrant public life where streets, pedestrian walkways, and plazas frame a diverse range of political, religious, and popular activities. This has drawn the attention of various projects and research initiatives seeking to highlight this social effervescence.
As levels of pollutant emissions have increased over the years, awareness has also grown regarding actions that can be taken to minimize the damage caused to the planet. As a way to promote waste reduction or prevention, the 3 R's rule is created: reduce, reuse and recycle. These actions, together with sustainable consumption standards, have been promoted as a means to protect natural resources and minimize waste.
As part of our partnership with the 27th World Congress of Architects, we are sharing here an interview with architect Francis Kéré, a speaker confirmed for the UIA2021RIO, conducted by architect Miguel Pinto Guimarães.
Construction technology company Mighty Buildings has completed a new 3D-printed Accessory Dwelling Unit in San Diego, California. The company recently launched with the aim of using 3D printing and robotic automation to build more affordable and sustainable homes. Their pilot project, the Mighty Duo B, comprises two modular units that took eight total weeks from fabrication to assembly on site.
For the seventh time, the Frate Sole Foundation has launched the 2020 edition of the International Sacred Architecture Award, open to all professionals who have designed a church over the last decade (since October 4, 2010) within Christian denominations.
Bali-based Stilt Studios has begun construction on a new prefabricated tiny house made out of recycled Tetra Pak cartons. The team has also launched a Kickstarter campaign to create awareness for the use of recycled materials. Designed to promote local, circular economies, the first prototype is now being built and sales of the tiny house will commence in October this year.
Morris + Company has just received planning approval to create a timber extension to Walter Segal’s Highgate residence in London. The transformation aims to revive the original architecture of the house, built by the architect himself in 1965 and introduces a contemporary intervention to the iconic village home.
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The stigma of rudimentary architecture, combined with the idealization of high-tech technology, relegates Indigenous building knowledge to a prehistoric imaginary. This pattern, which points to a single, unequivocal direction of progress, reveals the so-called coloniality of knowledge—a concept by Peruvian sociologist Aníbal Quijano that exposes the hidden side of modernity: the creation of hierarchies among peoples, keeping Latin America, and particularly its Indigenous populations, in a subaltern position. In other words, we tend to assume that the knowledge representing the future is produced in other lands, namely the Global North.
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.jpg?1596823999 "Housing improvement programs in the Maya zone. Motul. Image © Onnis Luque")
.jpg?1596824644 "Sustainable Rural City: Santiago El Pinar. Chiapas. 2011. Image © Onnis Luque")
_Hedrich_Blessing_015.jpg?1596657514 "Arcus Center for Social Justice Leadership. Image © Steve Hall")
