Transport for London today announced TateHindle as the winners of the competition to transform their London Underground Headquarters into a residential building. The building, designed by Charles Holden and completed in 1929, was once the tallest office block in London and has been home to Transport for London ever since. However, TfL say the building at 55 Broadway is "no longer fit for purpose", and will move out in 2015 when TateHindle will begin the renovation. You can read the full story on the Architects' Journal.

From CLOG. In many countries, architects assume that designing to meet the local building code assures that their buildings are safe for the public. But what if a building’s harm is not in the risk of the building falling down, but in the building performing as intended? If designed for the wrong purpose, can a building be a human rights violation, and if so, what should an architect do about it?

Coinciding with the release of CLOG : PRISONS, the J. Max Bond Center on Design for the Just City and the Masters of Urban Design Program at the Spitzer School of Architecture are hosting a lecture and panel response organized by CLOG that will critically examine the architecture of incarceration.

In this article published by the National Women's History Museum, Despina Stratigakos delivers a fresh perspective on the current phenomenon of women leaving the architecture profession. Starting with Architect Barbie and jumping back to the likes of Julia Morgan, the successes and struggles of pioneering female architects are chronicled, offering women pursuing architecture careers today a firm understanding of their roots. Read the article here.

The Berlage is currently accepting applications for the 2014–2015 academic year. It offers an international, one-and-a-half-year English-language accreditated postgraduate-level Master of Science-degree program in architecture and urban design. The program focuses intensively on how architects and urban designers practice in a globalized world, concentrating on the complex development of the built environment within different contexts.

The Museum of Contemporary Canadian Art (MOCCA) is calling for submissions that respond to the thematic of an upcoming exhibition, entitled TBD, that will be on view September 5 to October 25, 2014 in Toronto, Canada.

The exhibition proposes that the definition of a museum is not fixed but rather “to be determined.” By asking, “what is a contem- porary art gallery?” the exhibition questions our fundamental assumptions concerning the role and importance of museums in so- ciety and their associated architectural forms. MOCCA’s galleries will become a place of inquiry and discussion featuring artworks and activities that destroy existing paradigms and offer projections about the shape of museums in the future. This is a particularly timely topic given the proliferation of museum architecture in Canada and abroad and the current juncture in MOCCA’s existence which sees the institution searching for a new and permanent venue.

A collection of 41 interviews conducted by students at the Strelka Institute, entitled Future Urbanism, is now available online. The interviews feature architects, urban planners, sociologists, researchers, and other professionals from fields related to urban studies, emphasizing the Strelka Institute's mandate for interdisciplinary thinking. To take a look at the interviews, see here.

The Robert A.M. Stern Architects has awarded McGill University Masters candidate Anna Antropva with the 2014 RAMSA Travel Fellowship, a $10,000 award presented annually to "promote investigations of the perpetuation of tradition through invention" - key to the firm's own work. With the award, Antropva will travel to Japan to further her research into ancient wood joinery techniques and their potential to be transformed and manipulated into modern day construction. “This elegant and efficient mode of construction could meaningfully inform our western building industry," she stated during her presentation to a jury that included Melissa DelVecchio, Dan Lobitz, and Grant F. Marani.

The U.S. Pavilion has launched an international search for 90 architects to collaborate (via satellite) with the eight principles of OfficeUS. The radical experiment, which will last the duration of the 2014 Venice Architecture Biennale, is calling for architects to lend their “voices, expertise and skills” in an effort to “redefine the terms of design and production of architecture on the global scale.” See if you qualify and learn more about the intentions behind OfficeUS here.

The Royal Institute of British Architects' (RIBA) latest Future Trends Survey indicates a small drop from February's index, "down to +35 from its all-time high of +41." Despite this, "confidence levels about an improvement in future workloads for architects remain very solid." All types of practice size, ranging from those with fewer than 10 employees to those with over 50 staff, are "reporting positive balance figures." The strongest future workload forecasts came from Scotland and the North of England, suggesting that "the recovery in confidence levels is now widespread across the UK and has spread beyond London and the South East."

Once the fourth largest city in America, Michigan’s primary Metropolis, Detroit has recently filed the largest municipal bankruptcy in the history of the United States. Among the many reasons for Detroit’s decline, two stand out: an undiversified economic model, reliant on the production and sale of automobiles, and an unprecedented degree of sprawl. Currently more than 77% of jobs in the metropolitan area reside more than ten miles from the city center, making Detroit the most job-sprawled city in the US and stretching city services beyond capacity. Detroit’s deterioration is just as much about urban decline as it is about industrial decline. Detroit is located in the Midwest portion of the United States and is part of a larger band of cities known as the Rust Belt which have gone through a process of decline over the past decades.

The days of elevator small talk could be coming to an end with Hitachi planning to deliver the world's fastest elevator by 2016. Capable of travelling at speeds of 72km/h (44m/h), the record-breaking lifts will be able to hoist passengers up 95 floors in less than 40 seconds. Khon Pedersen Fox's 530-meter Guangzhou CTF Finance Centre will be the first to house the super-speed elevators, amongst 13 other high-speed elevators and 28 double-decker elevators. Currently, the world's fastest elevator is by Toshiba and only capable of reaching speeds of 61km/h (38m/h) within Taipei 101. You can learn more about the super-speed elevators, here.

The Noguchi Museum will be honoring architect Norman Foster and contemporary artist Hiroshi Sugimoto as the first recipients of the Isamu Noguchi Award on Tuesday, May 13. The award acknowledges individuals whose work relates to landscape architect and artist Isamu Noguchi, who promoted a multi-disciplinary, collaborative approach to the arts and was committed to innovation, global consciousness, and Japanese/American exchange. For more information on the benefit, see here.

The West Australian government has confirmed, HASSELL, COX Architecture and HKS will collaborate to design Australia’s largest ever stadium project. The $900million project will see Perth’s Burswood Peninsula transformed into a world-class sporting precinct by 2018. Included in the master plan is a new stadium that will hold some 60,000 spectators, a public tennis facility, significant transport infrastructure upgrades, such as a new train and bus station, and large public parklands. As negotiations continue between the firms and the West Australian Government, we should expect to see detailed drawings of the scheme by at least July with construction expected to begin by the end of this year.

French culture minister Aurélie Filippetti has revealed that negotiations for a “pop-up” Pompidou in Mexico City are underway. “The Centre Pompidou is exploring the possibility of establishing a temporary space here, a ‘pop up’ Pompidou,” Filippetti told the Mexican newspaper Reforma. “It will come with their exhibitions, their expertise, not only the brand.”

Throughout 2014, three major New York institutions – the AIA New York Chapter | Center for Architecture, the Museum of the City of New York, and the Spitzer School of Architecture at City College – will be hosting exhibitions and programs that will celebrate Catalan architecture in New York City. These events serve as the foundation for “Barcelona-New York City Urban Bridge 2014: A Year of Catalan Architecture in New York.”

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amphibianArc has been announced as winner of the Ningbo Yinzhou Southern CBD Portal Planning competition. Commissioned by the same developers of the Ningbo Museum designed by Wang Shu, the "transit-oriented" proposal aims to become the "driving force" of urban life in the masterplan's fourth and final phase.

In a compelling opinion piece on the Guardian, Lloyd Alter argues that our current obsession with increasing the density of our cities - mostly by building ever-taller skyscrapers - might be severely misguided. Alter believes that, without tall buildings, cities can achieve a "Goldilocks Density" - just dense enough to support lively streets, but not so dense that they become inhabitable. You can read the full article here.

Only 5 more days on the exhibition 2D:3D, an installation by Barkow Leibinger at the BDA Berlin Gallery. Covering the wall surfaces of the small gallery space with “tapete” or wallpaper the façade of the storefront gallery frames what Leon Battista Alberti described as a fenestra aperta. In this configuration the space of the gallery is a projection/ extension of the streetscape in the bourgeois residential historical Mommsenstrasse neighborhood.

Playing with the concept directive 2D 3D, the wall paper on one side of the gallery is a two dimensional pattern: an organic looping structure which repeats and mirrors itself that is both ornamental and geometrically structural in its architectural implication. On axis with the street front façade at the back of the gallery is a wallpaper “portrait” of this system in black and white but now projected as a one-point perspective optically extending the perspective of the gallery itself.