Whether you're looking for an upgrade or to replace broken pieces for floors or walls, tiles are always an effective and readily available option for any project that you have in mind. With their relatively low production cost, tiles are rarely reused or recycled and, if they are, it's usually for their original function.
Recycling has long been an entry point into sustainable design. It's personal, achieved at a micro scale where individuals can reduce waste and preserve energy. But between resource shortages, environmental habitat loss and the global climate crisis, there has been a shift in daily practices towards more circular thinking. Increasingly, the need to sustain life is part of a continuous process of production, resorption, and recycling where waste becomes the input for production.
“Out with the old and in with the new,”....or so they say. In the United States, a cloud of dust and debris paired with a wrecking ball and bulldozer tends to represent signs of forward progress, innovation, economic activity, and the hope for a better future through architectural design.
Recycled and reused materials continue to grow as a more attractive alternative in the construction field. They are at most times a coveted sustainable substitute to conventional building materials, offering a financially resourceful solution when appropriately sourced and implemented. Aside from saving up on raw material costs, establishing recycling facilities or factories might present a good opportunity to generate jobs within a local setting (collecting, handling). The recycling process might also be used as a gateway to lower energy consumption, with some plants eventually generating their own power through specific material transformation techniques (Heat generated power).
Recycling and upcycling of materials and structures have become more and more popular in architecture as alternatives to the production of components in construction, typically associated with increased energy consumption and high levels of pollutants released into the atmosphere. The main difference between these two methods is that, while the former uses a certain amount of energy to process the material before it is reused, the latter does not require this process, but rather reuses it just as it was discarded.
The concept of Design for Disassembly (DfD for short) gained increasing traction in recent years, as it addresses the growing concern around the high consumption of resources and low recycling rate within the construction industry. The following article details on the method and features guidelines for a design process that facilitates the dismantlement of future buildings, with the scope of providing a better understanding of this principle within the broader framework of the current practice and circular economy.
Over the past two centuries, cities in China have multiplied and expanded on a large scale, under accelerated urbanization. Mass demolition of the old city fabric, occurring everywhere, is leaving industrial debris and fragmented cultural artifacts buried forever, under shiny new skyscrapers. As old Chinese cities are collapsing and new urban centers are outspreading, a part of the city was lost, the old demolished landscape. Wang Shu and Lu Wenyu, the first Chinese citizens to win the Pritzker Architecture Prize, responded to this past-present relation by working with recycled materials and traditional know-how. In the following, we explore some of this couple's renowned works such as Ningbo History Museum, Ningbo (2008), Xiangshan Campus of China Academy of Art, Hangzhou (2004), and Ningbo Contemporary Art Museum (2005), to examine his humanistic approach to the city.
When designing residential spaces, be it a new construction or a renovation, the kitchen is a space that tends to be one of the most complex. Not only does it need to serve a very specific function, but it also needs several pieces of furniture, household appliances, and the ability to adapt to electrical and plumbing considerations. Kitchens often also serve as an hub for social interactions and family gatherings, so it is critical that the space can provide a degree of flexibility.
With most of our lives spent indoors, the space we occupy has a major role in our psychological behavior. Environmental psychology or Space psychology is, in fact, the interaction between people and the spaces they inhabit. Lighting, colors, configuration, scale, proportions, acoustics, and materials address the senses of the individual and generate a spectrum of feelings and practices.
From inducing warmth and safety, defining well-being, or creating a positive and efficient working environment, space can have a whole lot of impact on how we act or on what we feel; therefore, design and creative measures should be considered according to the social and psychological needs of the occupants.
.jpg?1594127477 "Pavilion built with recycled material transforms public space in South Africa. Image: © Ella Petousis")
