Nature: The Latest Architecture and News

Almost a decade ago, news flooded Colombian media: the announcement of the winning project for the Tropicario of the Bogotá Botanical Garden. Today, we want to bring you all the information we have compiled since then, both about the competition won by DARP and the construction process - up to its inauguration in 2021 and its evolution in recent times.

We hope this architectural journey helps you to know every step, every decision, and every detail that contributed to its realization. Understanding that its true legacy lies in how it transforms lives, inspires communities, and endures over time. 

The Croatian Pavilion at the Venice Architecture Biennale 2023 celebrates the harmonious coexistence of the wild and domesticated, natural and man-made, and inanimate and living elements. Modeled after the Lonja Wetlands in Croatia, where communities that have adapted to the continuously shifting landscape have coexisted harmoniously for generations to create a dynamic habitat, the Pavilion is a hub for ongoing research into potential futures through educational experimentation and practice. The exhibition was curated by Mia Roth and Tonči Čerina, in collaboration with their design team: Luka Fatović, Vedran Kasap, Ozana Ursić, Niko Mihaljević, and Ivica Mitrović .“Same As It Ever Was” places a focus on the connections among actors from various backgrounds around the world.

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As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.

Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.

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“The first man wanted to build a shelter that would cover him without burying him.” With some logs found in the forest, he built a square covered with straw so that neither the sun nor the rain could enter, and thus, he felt safe. The description above refers, in a simplified way, to the theory of the primitive hut developed by the abbot Marc-Antoine Laugier in the mid-1700s. The small rustic hut described by Laugier is a model upon which he imagined the magnificence of architecture. It provides an important reference point for all speculation about construction foundations and represents the first architectural idea."

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What role does landscaping play in contemporary housing? In what ways can architecture and landscaping be integrated into a whole? Considering the incorporation of landscaping from the beginning of the architectural project has become a defining aspect and even a challenge for many architects, aiming to improve the quality of life of their inhabitants and contribute to the protection and care of the environment.

On numerous occasions and within the Latin American setting, nature appears as a protagonist or founding principle of the proposed architectural design, involving reasons related to promoting the relationship with the surrounding environment, incorporating native species of the site, and enhancing the connection between the interior and exterior, among others. Although there are different ways of planning, organizing, and arranging the layout of environments in contemporary housing, the dialogue between architecture and landscape can collaborate with the uses, activities, and circulations determined based on the needs to be met or the users to be accommodated.

During the 19th century, efforts to improve the quality of urban life focused on creating gardens and parks, marking the beginning of the evolution of landscaping as a modern discipline. However, despite remarkable examples worldwide, excessive structure and artificiality in urban parks have gone against the motivations that gave rise to them. In many cases, their design has resulted in decontextualized and inefficient public spaces that are highly demanding on resources and far from being truly sustainable.

The strict use of geometry and the imposition of species that are difficult to adapt and care for are gradually giving way to a more organic approach to landscaping, tailored to local ecosystems and more efficient in its development and conservation. Native forests embody all these positive aspects. They not only ecologically restore degraded areas but also improve air quality and retain rainwater, creating biodiverse green spaces that deeply connect people with nature. We spoke with Magdalena Valdés, founder and director of Bosko, who explains why native forests are the right path towards conscious and truly ecological landscaping.

In a conversation with Louisiana Channel, the founders of the international practice Helen & Hard Architects reaffirm their insistence on community and sustainability. The use of wood, in their practice, has become more than a building philosophy, it has turned into a philosophy. “Trees have a life of their own, and you feel a deep respect for the time it has taken to grow. We work with something alive, an organic material. We can’t do as we please with it. We must interact with the material.”

In August 2022, Siv Helene Stangeland and Reinhard Kropf, the founders of Helen & Hard, were interviewed by Marc-Christoph Wagner at various locations in and around Stavanger, Norway. The area holds special importance for the architects, whose approach was influenced by the culture that permeates Stavanger and the west coast of Norway.

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Videos

Sodium chloride, most commonly known as salt, is everywhere. Ancient in its uses and abundant in nature, it preserves local ecosystems, de-ices roads, is vital in a variety of industrial processes, and is likely sitting on your kitchen table as a seasoning for your meals. Today, it is attributed relatively little value –considering it used to be as worthy as gold–, and unlike other nature-derived alternatives such as algae or mycelium, there doesn’t seem to be enough research and interest around all of its physical, mechanical or aesthetic properties. And yet it is a material with infinite, extraordinary potential. Apart from its life-supporting qualities, salt is affordable, easily available, antibacterial, resistant to fire, can store humidity and heat, and is great at reflecting and diffusing light.

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After Yang is a science fiction film written, directed, and edited by Kogonada - a South Korean-born American filmmaker known for his video essays on audiovisual content analysis. The main plot of the film follows the story of a family trying to repair their damaged artificial intelligence in a post-apocalyptic world connected by technology and nature.

Alexandra Schaller, in charge of production design and the appearance of the sets, imagined a future that translates these considerations: From the family house that recovers the original design by Joseph Eichler of the 1960s, going through the importance of outdoor space and vegetation, to each of the materials that had to be non-disposable, renewable or biodegradable.

One of the great challenges that architects have to face every day when designing begins with the conditions of the site where the architectural project is to be implemented. This involves the analysis and study of a series of factors ranging from sunlight, topography, surrounding vegetation, context, and others, all variables that are capable of guiding and/or defining the direction of the architecture to be developed.

Inspired by the warm tones of harvested crops, Wild Wonder was selected as Color of the Year 2023 by AkzoNobel. Extensive research conducted by AkzoNobel, including color experts and international design professionals, identified the "Wonders of the Natural" swatch at the heart of global social and design. This trend is inspired by nature as people are re-evaluating their relationship with the environment as the source of everything in their lives. # d0c599, or pale yellow/ olive green, captures the moment's mood and conveys serenity and positivity after these recent years of uncertainty and despair.

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Bees are perhaps the insects that most arouse our fascination and curiosity. With the exception of Antarctica, they are found on all continents, in all habitats that contain insect-pollinated flowering plants. Representations of humans collecting honey from wild bees date back to 15,000 years ago, and pots of honey have even been found in the tombs of Egyptian pharaohs like Tutankhamen. Although we generally have a fixed idea about what cartoon bees look like, there are thousands of species around the world, with different sizes, colors and behaviors. There are even several examples of solitary bees, many without stingers, and even some species that survive by plundering other weaker colonies. But something that has consistently impressed researchers is the organization of their hives, which are truly highly populated cities with an efficiency to make any urban planner envious.

Addressing the universe of the world's largest tropical forest, the book 'Living in the Amazon in the 21st Century: A Guide to Urban Planning and Design for Cities in the Peruvian lowland rainforest', has been selected as a finalist in the category of publications at the 12th Ibero-American Biennial of Architecture and Urbanism. The issue, published in 2019 as part of the PUCP Architecture Publications, in the framework of the CASA (Self-Sustainable Amazonian Cities) project of the Climate Resilient Cities initiative of IDRC, FFLA and CDKN, focuses its research on the department of Loreto, presenting itself as "a guide for architecture and urban design, for settlements in the Amazon forest, including the social processes to be considered".

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This article was originally published on Common Edge.

There are extraordinary connections between the natural world and the capacity for creativity in human beings. In his book Last Child in the Woods, journalist and author Richard Louv observes: “Nature inspires creativity in a child by demanding visualization and the full use of the senses. Given a chance, a child will bring the confusion of the world to the woods, wash it in a creek, turn it over to see what lives on the unseen side of that confusion.” He concludes that in nature, “a child finds freedom, fantasy, and privacy: a place distant from the adult world, a separate peace.” The architect Frank Harmon likewise wrote touchingly about the outdoors, woods, and water as perfect settings for cultivating a thirst for learning and discovery: “Children raised by creeks are never bored. Creek children don’t know about learning by rote, neither are they conditioned to working nine to five. Berries are their first discoveries, and birds’ nests, and watching the stars come out. Later they discover books. To creek children, learning is discovery, not instruction.”

Nature is often used as an inspirational source for architecture. Whether from its shapes, the extraction and use of its materials, or even the incorporation of physical and chemical processes in the technologies used, it is always relevant to look for relations between the built environment and the natural environment. Of the many ecosystems present on planet Earth, the oceans represent most of the surface and hold stories, mystiques, symbols and shapes that can be referenced in architecture.

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What role do forests play in our daily lives? In what ways can they be converted into living spaces? What strategies can be implemented to reduce the environmental impact of our buildings? On the International Day of Forests, which is celebrated every 21st of March, this year we propose to raise awareness of the links between forests and our daily lives. Even though deforestation continues to advance, forests represent a source of great economic, social and ecological benefits.

Humanity's relationship with insects is ancient and complex. While they can spread disease and wipe out crops, they are also vital to our survival on Planet Earth, as pollinators and recyclers. Edward Osborne Wilson, a leading American biologist, stated in one of his articles that “If insects were to vanish, so would nearly all flowering plants and the food webs they support. This loss, in turn, would cause the extinction of reptiles, amphibians, birds and mammals: in effect, nearly all terrestrial animal life. The disappearance of insects would also end rapid decomposition of organic matter and thus shut down nutrient cycling. Humans would be unable to survive.”

Especially in the case of bees, public opinion has changed in recent years and their importance in food production has sparked warnings about the indiscriminate use of poisons and pesticides around the world. But unlike nature, with its meanders and countless possibilities for resting places, our modern cities and buildings generally do not create adequate environments for insects, and even birds or other animals. The English company Green&Blue has been working on this and creating refuges to incorporate nature into our buildings. We spoke with them to better understand these products.

Transcendentalist philosophers have long shared the idea that humans and nature are equal forces that should coexist in harmony. The notion has since expanded to the architecture world, with Frank Lloyd Wright shedding light on the term “organic architecture” as early as the 1900s. In recent years, driven by an increased interest in living closer to nature, architects continue to delve into the concept of integrating interior and exterior, blurring out visual and physical boundaries to bring landscapes indoors.

In Sky-Frame’s latest film, part of the series “My point of view”, a conversation with architect Dara Huang explores this notion, questioning how architecture can merge nature, sustainability and lifestyle within its form, without relying on more technology or materials to do so.