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Next year’s Tallinn Architecture Biennale (TAB) has been postponed until 2022. Announced by the Estonian Centre for Architecture, the 6th edition has been adjourned “due to the postponement of the Venice Architecture Biennale as well as the uncertain times that international cultural events are facing because of the coronavirus outbreak”.
WORKac in collaboration with Musea Brugge and Cultuurcentrum Brugge has created an exhibition entitled Water Works. Set to run initially from March 7th to June 7th, 2020 at the historic Poortersloge in Bruges, Belgium, the exhibition has been temporarily closed to the public due to the ongoing COVID-19 epidemic. However, the New York-based architectural practice has produced a brief video highlighting its six themed rooms and the eighteen projects on display.
Designed by OMA / Chris van Duijn, the Department Store Galleria in Gwanggyo, south of Seoul has just opened. The store’s sixth branch is located at the center of the relatively young and new urban development.
China’s latest landmark, the National Maritime Museum is now open to the public. 6 years in the making, the project is first of its kind. Designed by COX Architecture, after winning the international design competition back in 2013, the museum is located in the recently developed Binhai New Area, in the city district of Tianjin.
AMO, the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas and led by Samir Bantal, has announced a recent research collaboration with Volkswagen. Focused on rural areas and the countryside, the partnership will look into the future of rural mobility, through a first conceptual study on electric tractors.
Opening in February 2020, the Solomon R. Guggenheim Museum is showcasing an exhibition by Rem Koolhaas and AMO, the think tank of the Office for Metropolitan Architecture (OMA). Entitled Countryside, The Future the exhibition seeks to investigate urgent environmental, political, and socioeconomic transformations in the nonurban areas.
The third edition of the Hangar Exhibition was held this past October in the Jordanian capital, Amman, as part of the city's Design Week. Among the projects exhibited, one installation was able to momentarily teleport visitors into one of the country's most historic sites.
Designed by architect Rasem Kamal, Canyon Walls, a series of freestanding curvilinear partitions, served as a sanctuary for people to disconnect and remain in solitude for a period.
Victoria Lautman, the LA-based journalist, started taking pictures of stepwells in India, thirty years ago, collecting images from all over the country. The Fowler Museum at UCLA is exhibiting nearly fifty photographs of these water-harvesting structures, till the 20th of October 2019.
Originally published in Metropolis Magazine as "Inside the Homes and Workspaces of 8 Great Architects", this article shows the spaces occupied by some of the best-known architects in the world. Documented for an exhibition that will be featured at the Milan Design Week 2014, the images give a glimpse inside the private worlds of some of our favorite designers.
It's a cliche that architects have messy workspaces. From chaos comes creation, so the phrase goes. But an upcoming exhibition at this year's Salone del Mobile intends to dispel the myth. Studio Mumbai.
Curator Francesca Molteni interviewed each of the designers in their private homes and came away with one finding: architects are actually quite tidy. The studios are all pristinely ordered; books are neatly stowed away, figurines and objets astutely displayed, and table tops swept clean. The photographs below are part of the exhibition materials, produced with the help of scenographer Davide Pizzigoni, which faithfully document the physical environments in images, video, and audio. These will be used to recreate the architects’ “rooms” at Salone del Mobile in April.
Where Architects Live is not limited to satisfying our curiosity about what these architects’ homes look like. Richard Rogers’ affirmation that “a room is the beginning of a city” resonates with the project’s aim in trying to articulate its subjects’ personal tastes and obsessions, and how those are reflected in their architectural work.
Read on to see more images of the inside of architects' homes and studios
Since graduating from the Cooper Union School of Architecture in 1996, Vladimir Belogolovsky has crossed disciplinary boundaries by transitioning from practicing architecture to becoming an exhibition curator and critic to evolving as a conceptual installation artist in his pursuit of continuously scrutinizing two fundamental questions – what is an exhibition and what is architecture?
“A drawing should be a key to the understanding of architecture – what is there to like or dislike, where do architects’ ideas come from, how do these ideas make it to paper, and what is important in this process.” - Sergei Tchoban
For the past month the Russian-German architect, artist, and collector Sergei Tchoban has been the focus of the exhibition, Sergei Tchoban: Drawing Buildings/Building Drawings, bringing together fifty of the architect’s large-scale urban fantasy drawings. These drawings, while intriguing for their technical and artistic value, also reflect Tchoban's deeply personal contemplations about the past, present, and future of his favorite cities - Saint Petersburg, Rome, Amsterdam, Venice, Berlin, New York – along with in-depth documentation of five realized projects (two museums, two exhibition pavilions, and a theater stage design.)
A recent exhibition at the MAK Vienna - Austrian Museum of Applied Arts / Contemporary Art, is showcasing the works of Sagmeister & Walsh, a NYC-based design firm investigating what makes beauty so appealing.
Titled "Beauty," the exhibition explores the notion that beauty operates as an independent function, and that in itself, it can be the primary motive for architecture: form is a function. In collaboration with the YouTube channel and design studio Kurzgesagt (In A Nutshell), this video released along with the exhibition explains why beautiful things make us happy.
Inducing a surreal physical experience through minimal maneuvers, buildings with smooth concrete panels and simple geometric volumes instinctively hint at the work of Japanese architect Tadao Ando. At an ongoing exhibition at the Centre Pompidou, photographs of the headquarters of Fabrica, Ando's first European commission in 1992, are showcased. Located near the city of Treviso, the building was an old villa restored to become a thriving creative research center.
Villa Pastega Manera, built on an area of 51,000 square meters, went through a rigorous study of traditional construction techniques and material sampling to commence the redesign. The photographs feature the harmonious integration between the historical structure and seamless renovations.
As part of a collaboration between the Centre Pompidou and the Mao Jihong Arts Foundation, the Cosmopolis #1.5: 'Enlarged Intelligence' exhibition features the developments of NLÉ Makoko Floating School. The Minjiang Floating System (MFS IIIx3), the fourth prototype and the third iteration of the prefabricated self-built system for water, investigates methods to counter the challenges posed by urbanization and climate change.
Earlier prototypes of the Makoko Floating School include the Waterfront Atlas (MFS II) launched in Venice, Italy and the Minne Floating School (MFS III) in Bruges, Belgium. The project, initially developed for the water in Lagos, is now usable in all these sites including the Jincheng Lake in Chengdu.
From city master plans to pocket-sized products, Zaha Hadid Architects (ZHA) have explored architectural formalism through innovative digital design methods. In 2006, the collaboration with furniture-makers and fashion houses led to the creation of Zaha Hadid Design that served both as an iterative process for and a resultant of ongoing architectural design.
A pop-up exhibition, located suitably on the ground floor of ZHA's renowned condominium along the High Line in New York City, features a scale model of the building itself on display. To honor and present the work produced by the firm in the last four decades, the Zaha Hadid Gallery showcases a series of projects in a wide range of mediums including the six 'Silver Models' that represent eight of the firm's key works.
They say one cannot separate art from the artist, or perhaps in this case, the artist from the architect. Arguably one of the most criticized architects, Le Corbusier is often portrayed as cold and controlling. Depicting his more dreamy and humorous nature, the Nasjonalmuseet's exhibition titled, “Le Corbusier by the Sea,” draws upon his memories from his summer travels along the coast of southwest France.
Hosted in Villa Stenersen, one of the National Museum's venues, the exhibition showcases Le Corbusier's work as an artist during the period 1926-36. Not only does the exhibition include fifteen of his reproduced paintings alongside a collection of sketches, but also screens two films from Le Corbusier's own footage of his surrounding views.
.jpg?1590479740 "TAB 2019 \"Beauty Matters\", Head Curator Yael Reisner. Image © Tõnu Tunnel")
.jpg?1590479729 "TAB 2019 \"Beauty Matters\", Head Curator Yael Reisner. Image © Tõnu Tunnel")
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