Andreas G. Gjertsen and Yashar Hanstad, principals of the architecture cooperative TYIN tegnestue Architects in Trondheim, Norway, have been named as this year’s winners of The European Prize for Architecture. The young Norwegian architects were honored for their humanitarian work designing and building with community participation in poor and underdeveloped areas in Africa and Asia.
Annually presented by The Chicago Athenaeum: Museum of Architecture and Design and The European Centre for Architecture Art Design and Urban Studies, the prize is awarded to influential European architects “who have demonstrated a significant contribution to humanity and to the built environment through the art of architecture”.
Continue reading for more information and a sample of TYIN tegnestue Architects’ work.
Today, the Southbank Centre announced its appointment of Feilden Clegg Bradley Studios (FCBS) as lead architect to refurbish and renew the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex. The UK-practice beat OMA, Heneghan Peng, Allies & Morrison, Eric Parry, van Heyningen & Haward and Grimshaw Architects to the job (see shortlist here). A formal appointment will be made after the statutory 10-day standstill period in accordance with EU regulations.
Rick Mather, Southbank Centre’s Masterplan Architect and a member of the selection panel, said: “We heard a huge amount of high quality and serious thinking demonstrating six quite different approaches to this part of the site. Feilden Clegg Bradley Studio’s proposals won because they best understood the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex and how it can be enjoyed and used more effectively. I look forward to seeing their designs develop over the coming months.”
The Building and Social Housing Foundation is now accepting entries for the 2013 edition of the World Habitat Awards!
The World Habitat Awards were established in 1985 by the Building and Social Housing Foundation as part of its contribution to the United Nations International Year of Shelter for the Homeless. Two awards are given annually to projects from the global North as well as the South that provide practical and innovative solutions to current housing needs and problems. An award of £10,000 is presented to each of the two winners at the annual United Nations global celebration of World Habitat Day.
What is the connection between sex, architecture and design? Opening tomorrow, September 29,Playboy Architecture, 1953-1979 explores the role of architecture in the famous men’s magazine Playboy. Colomina, along with the curators of NAiM/Bureau-Europa in Maastricht, The Netherlands, centers the exhibition around the research of Beatriz Colomina, a professor at the Princeton University School of Architecture and founder of their Media and Modernity program, who has been studying the connection for the past three years.
Playboy Architecture, 1953-1979 illustrates how cities, buildings, interiors, furniture and products have always played an important role in the fantasy world of Playboy. Ever since Hugh Hefner launched Playboy in 1952, its erotic spreads have featured the likes of Frank Lloyd Wright, Mies van der Rohe, Buckminster Fuller, Moshe Safdie, and Paolo Soleri. As Colomina’s program argues, “sexual revolution and architectural revolution are inseparable.” The exhibition reveals how Playboy reshaped masculinity with the influence of architecture and design.
Today, the Royal Institute of British Architects (RIBA) honored Swiss architect Peter Zumthor for his significant influence on the advancement of architecture by naming him the recipient of the 2013 Royal Gold Medal.
It all started in Switzerland, in 1979, when Zumthor founded his “small yet powerful and uncompromising practice”. Since, he has built a prestigious, international reputation for creating “highly atmospheric spaces through the mastery of light and choice of materials”. From his small rural chapels to the Thermal Baths at Vals, the Zumthor experience ignites the senses, with “every detail reinforcing the essence of the building and its surroundings.”
RIBA President Angela Brady, stated: “Peter Zumthor’s work renews the link with a tradition of modern architecture that emphasizes place, community and material practice. His writings dwell upon the experience of designing, building and inhabitation while his buildings are engaged in a rich dialogue with architectural history. I will be delighted to present him with the Royal Gold Medal.”
UP Projects and The Architecture Foundation has announced Duggan Morris Architects as winner of the Open Architecture Challenge to design the next phase of the acclaimed Floating Cinema project. This project has been commissioned by the Legacy List with corporate partner Bloomberg as part of the Bloomberg East series of artist-led programs to animate the waterways in East London working in partnership with the Canal and River Trust.
With a world plagued by the current economic crisis, David Chipperfield fears that the architects’ role is shrinking and the professions ability to influence the shape of our cities is diminishing.
Since the inauguration of this year’s Venice Biennale, Chipperfield has been amidst of a few heated debates, most notably debunking the harsh criticism of Coop Himmelb(lau)’s Wolf Prix – who claimed the “hollow” event was “no longer about lively discussion and criticism of topics in contemporary architecture” – by affirming Prix “hadn’t even visited Venice”.
Interestingly, Chipperfield has now initiated a debate, using similar rhetoric as Prix, that calls attention to the dwindling role of the architect and the impotence of contemporary architecture. The catch? He blames politicians.
Kickstarter, a site based on the seductive idea of “crowdfunding” – in which consumers collectively invest in a product in order for it to become reality – has taken on a life of its own. From straightforward consumer products (like a cool watch) to creative projects (Roman Mars’ radio show) and even to large-scale Urbanism projects (including an entire riverwater pool), Kickstarter has evolved to finance ever more complex, ambitious, and risky endeavors.
But are there limits? Can you harness the purchasing power of the public to “crowdfund” anything? To, say, design/build a city?
Well, if Colombia’s BD Bacatá building, the first ever crowdfunded skyscraper, is anything to go by – the answer would seem to be yes.
More images of the first ever crowdfunded skyscraper, BD Bacatá, after the break…
Vessel is a site-specific response to the theme of Common Ground – a wooden structure, composed of a stacked planks, that works in conversation with the layered brick construction of the Arsenale. Irish architects O’Donnell + Tuomey have created a contemplative space, hollowed out of solid matter, that is at once a light funnel, a lantern chamber, and a passage.
A wood-based nanomaterial composed of cellulose nanocrystals and cellulose nanofibrils is being evaluated at the Forest Products Laboratory, in support of a project at the Army Research Laboratory in Aberdeen, Maryland. The material, presumably stronger than Kevlar, is being produced to create clear composites as reinforced glass for clear applications. US Forest Services has opened a $1.7 million pilot plant in Wisconsin to develop the wood-based nanomaterial, whose future applications may include windshield and high performance glass.
Today the Nederlandse Tuinbouwraad (NTR) announced the City of Almere, along with it’s MVRDV-designed proposal, as winner of the prestigious world horticultural expo, Floriade 2022. The event takes place once every ten years in the Netherlands and is currently ending in Venlo.
The MVRDV plan for Almere is not a temporary expo site but a lasting green Cité Idéale as an extension to the existing city centre. The waterfront site opposite the city centre will be developed as a vibrant new urban neighborhood and also a giant plant library which will remain beyond the expo.
The ambition is to create a 300% greener exhibition than currently standard, both literally green and sustainable: each program on the site will be combined with plants which will create programmatic surprises, innovation and ecology. At the same time the site will be with a vast program such as a university, hotel, marina, offices and homes more urban than any other Floriade has ever been before, it is an exemplary green city. Continue after the break for more!
With last year’s opening of the 9/11 Memorial at Ground Zero and the near-completion of the World Trade Center One, Daniel Libeskind’s vision for the World Trade Center site is close to presenting the future of NYC’s downtown financial center, 11 years after the attacks. Studio Daniel Libeskind was selected to develop the master plan for the site in 2003, and since has been coordinating with NYC’s numerous agencies and individual architects to rebuild the site. The project, in Libeskind’s words, is a “healing of New York”, a “site of memory” and “a space to witness the resilience of America”.
Follow us after the break for more on the elements and progress of the master plan.
3-D Printing technology is developing at quickening pace as both engineers and architects experiment with its technological and social potential. Consider Enrico Dini’s D-Shape printer that prints large scale stone structures out of sand and an inorganic binder or Neri Oxman’s research at MIT which involves a 3-D printing arm and nozzles that can print with a variety of different materials, from concrete to recycled plastic.
Dutch firm DUS Architects, in collaboration with Ultimaker Ltd, Fablab Protospace, and Open Coop, have added another 3-D printing machine to the list known as KamerMaker, the room builder. KamerMaker is the world’s first mobile 3d printer and has the ability to print “rooms” that are up to 11 feet high and 7 feet wide. The machine was unveiled at OFF PICNIC, a precursor to Amsterdam’s annual PICNIC technology festival.
C+S Architects‘ contribution, Facecity, for the 2012 Venice Biennale, gives form to the idea of the curator, Fulvio Irace, of continuity in architecture. The exhibition reconsiders the architecture of Milan in the 50s and 60s, where architects, belonging to different generations and with different positions, built the identity of the city without giving up their personal poetics.
The central topic of this thought is the facade, commented by Alberto Savinio in Ascolto il tuo cuore città, 1945: ” …On the facade of buildings is not only written their date of birth, but also written the moods, the manners, the most secret thoughts of their time…, together with the flat window, theorized by Gio Ponti as the way to shape modernity.”
The American Institute of Architects (AIA) Academy of Architecture for Health (AAH) has announced four recipients of the AIA National Healthcare Design Awards program. The awards program highlights the “best of healthcare building design and healthcare design-oriented research” that exhibit “conceptual strengths that solve aesthetic, civic, urban, and social concerns as well as the requisite functional and sustainability concerns of a hospital”.
The AIA National Healthcare Design Award recipients are: