Every year, our curatorial team presents a retrospective of house projects that stood out over the period. This collection, a small selection of the more than two thousand projects published on ArchDaily Brasil this year alone, comprises a series of residences with specific design solutions that address, each in their own way, factors such as materials, construction techniques, structural systems, building processes, and programs.
Building roofs are advancing through a multidimensional optimization process that encompasses technological innovations, new materials, energy-saving performance, and faster construction methods. From green roofs and rainwater harvesting systems to solar panels, contemporary architects are working to balance aesthetics, performance, durability, and environmental impact in their projects. Roof renovation not only extends the service life of buildings but also reflects an environmental commitment by improving efficiency and sustainability.
There is a renewed interest in how food is produced and how its creation affects the well-being of both the land and the communities it supports. A similar shift is occurring in architecture, where material culture is emerging as the backbone of design innovation. LEVER Architecture exemplifies this movement with its pioneering "forest-to-frame" model, an approach that reimagines architecture not as an extractive process, but as a regenerative force with positive impacts that extend well beyond the boundaries of any individual building site.
Material intelligence refers to how materials perform, adapt, and interact with ecological and cultural systems. It considers how stone, steel, or timber respond to intertangled forces, how those materials are sourced and assembled, and how they persist after demolition. Designers are centering material intelligence in constructing our cities in a generation of environmental uncertainty and strained supply chains.
The term "biophilia" understandably conjures images of buildings engulfed by vegetation and integrated into natural landscapes. In modern architectural discourse, the concept has come to be associated with the incorporation of greenery into built environments, yet such applications represent only a sliver of biophilic design's true scope. Inarguably, nature plays a central role in biophilic design. However, its influence stretches to often-overlooked strategies that involve spatial configuration and environmental patterning. "Invisible" biophilia frequently leads to positive health outcomes for occupants, working impactfully beneath the surface.
As the anticipation builds for the XXXIII Olympic Games in Paris, the city is preparing to host a global sporting event and embark on a journey of urban renewal. In a departure from traditional stadium-centric hosting, Paris 2024 embraces a new approach to the Olympic experience. Sports architecture has the ability to transcend functionality and become a space of collective experience and shared joy. In that sense, it invites individuals from diverse backgrounds to forge connections while celebrating athleticism. This month’s curated collection focuses on diverse forms of sports architecture, stadiums, venues, and landscaping projects, dissecting what components come together to form different sports architecture experiences.
For the Qatar World Cup in 2022, Foster + Partners designed the iconic and more traditional Lusail FIFA stadium. In India, M:OFA Studios designed the National Institute of Water Sports, breaking away from the pragmatic norms of government institutions. In Hangzhou, China, the 2022 Asian Games featured a new Cricket Field by AZUT, emerging as an integration of sports infrastructure with the natural landscape. Meanwhile, in Order City, China, PLAT ASIA transformed an existing urban square into a Smart Sports Park, promoting community wellness and interaction. Finally, Opsis Architecture’s University of Idaho Arena serves as a main gateway to the University campus, celebrating the spirit of athleticism and community.
Whatever religion we classify ourselves as – or even if we actively renounce or denounce organized religion in all its forms – the one aspect of Christianity those in predominantly Christian countries are touched by at some point in their lives, is the classical aesthetic of church architecture.
Whether we actively attend church multiple times a week, begrudgingly once or twice a year, or once every ten years for one of life’s trinity of events: births, deaths, and marriages, while there we’re struck by the soaring arches, intricate stonework, and, on a sunny day, the spiritual beauty and colorful rainbows of light that stream through stained glass windows.
The American Institute of Architects has announced David Lake and Ted Flato, the founders of Texas-based firm Lake|Flato Architects, as the winners of the 2024 AIA Gold Medal. The pair was selected by the jury for their ability to make "sustainability exciting in a way few other architects have accomplished." Founded in San Antonia in 1984, their office set out to make environmentally conscientious design both accessible and exciting, by finding ways to strengthen he bond between humans and nature.
This article was originally published on Common Edge.
Origin myths,” “founding myths,” and “creation legends” provide a way for us to see into and imagine the distant past in metaphorical, poetic, and compelling ways. The oldest origin myths help us understand how a people or a place (such as the universe) were believed to have come into existence. Anthropologists describe these as creation myths or “cosmogonic” myths. They might explain how the world came to be. For example, Native North American peoples such as the Cherokee, Ojibwe, and Aztecs share an origin myth that land was first created on top of a great ocean. One of the most common Western origin myths is the creation of Adam and Eve. But founding stories exist for all kinds of social conditions, historical customs, and objects, as well as places—think of the myth of the brothers Romulus and Remus, suckled as babies by a wolf, who survive to found the city of Rome (after Romulus got rid of his brother).
This article was originally published on Common Edge.
There are extraordinary connections between the natural world and the capacity for creativity in human beings. In his book Last Child in the Woods, journalist and author Richard Louv observes: “Nature inspires creativity in a child by demanding visualization and the full use of the senses. Given a chance, a child will bring the confusion of the world to the woods, wash it in a creek, turn it over to see what lives on the unseen side of that confusion.” He concludes that in nature, “a child finds freedom, fantasy, and privacy: a place distant from the adult world, a separate peace.” The architect Frank Harmon likewise wrote touchingly about the outdoors, woods, and water as perfect settings for cultivating a thirst for learning and discovery: “Children raised by creeks are never bored. Creek children don’t know about learning by rote, neither are they conditioned to working nine to five. Berries are their first discoveries, and birds’ nests, and watching the stars come out. Later they discover books. To creek children, learning is discovery, not instruction.”
Despite being the smallest rooms of houses, bathrooms have always been one of the most challenging and critical to design, which often left them fairly simplified. The past few years, however, saw these spaces undergo significant change; what was once only limited to functionality, ease of maintenance, and privacy, is now being given a strong character with pops of color, classic fixtures, and patterned surfaces. Similarly for public bathrooms, where "functionality" and "ease of maintenance" are now complimented with aesthetics, technology, and high quality finishing. In this interior focus, we explore the three main bathroom typologies used in residential projects, and look at how architects have employed them through 12 examples.
