Archaeological endeavors aimed at exploring the civilizations of the past have revealed a commonality across the world. A form of architecture developed independently on every continent. Evidence shows that Neolithic communities used fertile soils and alluvial clay to construct humble abodes, creating humankind’s first durable and solid building material. Earth architecture was born at a very early age in human history. The techniques soon suffered a gradual decline as lifestyles changed, cities grew, and industrialized materials flourished. Does earth architecture have a place in the 21st-century world?
During the first half of the 2nd century AD, one of the most important buildings in the history of Western architecture was erected in Rome: the Pantheon. Its main and most impressive feature is its coffered concrete dome, which ends in a perfectly round central opening. This oculus kicked off a series of later projects that noted the value of circular openings, which were replicated as glazed skylights and as compositional elements on facades. This eventually evolved, for example, into the detailed and colorful rose windows of the Gothic basilicas. In all its configurations, the oculus (meaning "eye" in Latin) holds symbolism that goes beyond that of a traditional window: its luminous projection gracefully marks the passage of time, solemnly highlighting an architectural space.
In the heyday of high modernism, architects such as Le Corbusier and Mies van der Rohe extolled the aesthetic value of whiteness, which they viewed as connoting purity and simplicity. Mies van der Rohe’s Farnsworth House, for example, paired the stripped-down whiteness of its structural skeleton with expansive floor-to-ceiling windows, using the enveloping natural light to further elevate the already heavenly aspirations of the space. Today, some contemporary architects and designers have evolved the sublime aesthetics of white high modern architecture by using translucent fabric partitions, complementing the purity of the white walls with the fabrics’ ethereal play of light and shadow. Below, we discuss different design strategies for working with white fabrics in this way, and include two examples of projects that have used translucent fabrics in soothing but innovative ways.
https://www.archdaily.com/957021/white-atmospheres-how-to-create-calm-spaces-with-fabric-partitionsLilly Cao
Los Angeles is a city of dreams. Known across the United States and the world, L.A. embodies both freedom and experimentation, defined as much by its freeways as its diversity. It is also a city of houses. Single-family homes cover almost half of Los Angeles, and as the city continues to evolve, architects have explored new ideas on modernity and daily life through the single-family typology.
Around 10 million people live in L.A. County, and Los Angeles itself has become one of the world's most ethnically diverse cities. The built environment reflects the nature of its residents, home to some of the most iconic residential and cultural architecture in the world. Los Angeles has its own dose of Lautner, Schindler, Wright, and Neutra. It's a city that has long embodied multiplicity and progressive forms, from the Eames House and Gehry's Residence to the iconic Stahl House. Through the lens of photographer Julius Shulman, many homes came to represent not only new residential styles but also the postwar culture of Southern California.
Starting on November 6, world leaders are gathering in Sharm el Sheikh, Egypt, for COP27. The name stands for the 27th conference of parties, an almost annual event started under the 1992 UN framework convention on climate change (UNFCCC). The purpose of these conferences is to ensure that counties around the world are committed to taking action to avoid dangerous climate change and find ways to reduce greenhouse gas emissions globally in an equitable way. The effectiveness of these meetings varied throughout the years, with some successful initiatives, like the 2015 Paris Agreement, a legally binding international treaty adopted by 196 Parties with the goal of limiting global warming below 2, preferably 1.5 degrees Celsius, compared to pre-industrial levels.
At ArchDaily, our work is grounded in stories. Between practice and projects, editorials and news, we write to share how architecture and design is changing both how we live and why. We also hold a responsibility in our choice of which stories get told and those that don't. The following is a reflection about design in Los Angeles, a beautiful, immense, sprawling, and diverse city that I've called home for many years.
The Portland Museum of Art, along with architects from Dovetail Design Strategists have announced four renowned architecture firms shortlisted for the unification and expansion of Portland Museum of Art’s new campus in the heart of Downtown Portland, Maine. Under the theme of "Art for All", PMA’s mission, vision, and commitment to Sustainability and Diversity, Equity, Accessibility, and Inclusivity were the basis of the value proposition guiding the museum unification and expansion, with a goal to "reflect a challenge to museums and cultural institutions to do more to create centers of belonging and foster social change".
Fortunately, architecture has the power to solve numerous issues of the modern world and how we live in it, and there are infinite ways of doing so. However, not all architecture is effective in providing solutions while also being sensitive and thought-provoking. With a portfolio that is getting richer every year, SO–IL, an architecture practice based in New York City, has proven that buildings can actually do this and much more.
