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The Monadnock Building in Chicago began construction in 1891 and is still in use today. The building features a somber facade without ornamentation and a colossal height - at the time - of 16 floors. It is considered the first skyscraper built in structural masonry, with ceramic bricks and a granite base. To support the entire load of the building, the structural walls on the ground floor are 1.8 meters thick, and at the top, 46 centimeters. One hundred and thirty years later, this construction system remains common and allows for the erection of taller buildings with much thinner walls, accomplishing even new architectural works economically and rationally. But what is structural masonry about, and how can designers use it in architectural projects? And for what kinds of buildings is this system most suitable?

Many architectural projects have been giving special attention to cabinetry and built-in furniture. These custom-made wood pieces are designed for specific purposes and can be used to organize the space, which can be living rooms, bedrooms, studies, kitchens, and bathrooms. Besides functionality, these elements also introduce different materials, textures, and colors into the environments. This article will explore some examples of how colorful cabinets and furniture can make architectural projects more vibrant.

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Whether to mark a change of direction, to highlight its first steps or its own presence in a room, stairs that combine two or more materials tend to draw attention by establishing dialogs between particular characteristics of each material. Concrete, steel and wood are some of the most common choices to compose the structure of stairs due to their high strength and versatility. But, when combined, these different materials expand their individual possibilities and reveal how the design can be tailored to their peculiarities and connections.

The combination of textures, colors, and finishes among materials can provide a number of creative solutions for these elements used for vertical circulation, as shown in LÂM’s Home, by AD+studio and House 9A, by 23o5Studio, characterized by stairs with a sturdy and rough base that meets a light and sleek structure of steps. The opposite composition order, a lighter base that meets a robust set of steps, thrives ingeniously in Luis Carbonell's Casa Chulavista and messina | rivas' Angatuba House, where the light wooden stairs' base is followed by raw concrete steps.

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Founded in 1997, the São Paulo architecture firm Andrade Morettin Arquitetos Associados began with a partnership between Vinicius Andrade and Marcelo Morettin, which later included the architects Marcelo Maia Rosa and Renata Andrulis. Today, the office has more than two decades of history and a wide range of activities.

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In apartments and small houses, the rest and entertainment spaces tend to share the same environment, making the living room fully oriented towards the television. But what to do when television is removed from space? Here are ideas on how to organize the living room without having the television as the main object of the room.

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Historically, "cyclopean" referred to a building technique that superimposed large stone blocks together without any mortar. This allowed for a diverse array of structures across various civilizations, including defensive walls, talayots, navetas, nuraghes, temples, tombs, and forts. Nowadays, the term applies to any ancient structure consisting of large stones superimposed to form a polygonal shape.

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One of the biggest names in Brazilian and worldwide architecture, Paulo Mendes da Rocha, passed away at the age of 92. As his son Pedro Mendes da Rocha reported to ArchDaily, the architect was hospitalized in São Paulo due to lung cancer and passed away at dawn on Sunday, May 23, 2021.

Paulo Mendes da Rocha will be remembered for the great formative role he had. His architectural creation debated life above all, raising questions and challenging ready ideas and conformity. He consolidated an influence short of language or aesthetics, formed mainly by the way of acting and thinking, in which each project was an opportunity for transformation. His ideas and designs overflowed the limits of the program, place and materiality, always bringing a new point of view to achieve revolutionary simplicity.

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