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As people take greater control over the rituals surrounding their deaths, cremation has become an increasingly popular option worldwide. This shift has prompted the thoughtful design of spaces that address the profound emotions tied to cremation, life and death, and stillness. Architects are increasingly grappling with the question of what role architecture plays in these rituals.

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When discussing modernist living, several iconic private residential projects may first come to mind—Le Corbusier's Villa Savoye, the Case Study Houses, most notably by Richard Neutra, Pierre Koenig, and Charles and Ray Eames, as well as the glass houses by Mies van der Rohe and Philip Johnson. Most of these projects exemplified an idealized vision of modern living, set in picturesque landscapes and characterized by experimentation with new construction methods, materials, and spatial concepts. Their designs embraced openness, blurring the boundaries between private and public spaces, largely unburdened by constraints such as density, efficiency, accessibility, public transit integration, or communal considerations.

While these modern homes remain influential in contemporary residential design, they also—perhaps unexpectedly—laid the groundwork for high-density housing principles. Concepts such as the interplay between public and private space, modular construction, and prefabrication, initially explored in these private residences, have been adapted to the vastly different constraints of social housing. 

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