Designed by El Equipo de Mazzanti, the Fundación Santa Fe de Bogotá has been selected as the winner in the 'Healthcare Architecture' category of the 2018 Building of the Year Awards, making it the only Colombian project—and one of only two Latin American representatives—to win in the competition organized by ArchDaily, the network of websites to which ArchDaily Colombia also belongs.

The Building of the Year Awards are presented annually to the best projects published on our English-language edition—the most visited architecture website in the world—with winners chosen by the readers themselves, who can vote across 15 typological categories in two stages. In this edition, the competition reached 100,000 votes from around the world within a two-week period.

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José Joaquín de Olmedo Airport—Ecuador's second busiest—will relocate to the outskirts of Guayaquil in 2022, freeing up 240 hectares in the city center. In response to the unprecedented urban opportunity presented by this relocation, the firm Perkins Eastman has revealed the first images of Nueva Ciudad, a 2-million-square-meter master plan in Guayaquil.

Stephen Forneris, head of the Ecuador office, explained that the project "can be a catalyst for economic growth, cultural activities, and entertainment; it will be the spark that begins Guayaquil's journey to becoming the city of the future."

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Barça’s history is closely tied to Barcelona, the city where the soccer club was founded in 1899. Today, the reigning Spanish league champions paid tribute to the city with the launch of their third kit for the 2018/2019 season.

The third jersey features a pale pink color crossed by a diagonal sash running from the left shoulder to the bottom right. The stripe pays tribute to Avinguda Diagonal, one of Barcelona's most important avenues, and is superimposed on a reddish-toned satellite image of the Eixample district.

The challenge proposed by the competition, aimed at students, was to redefine the highway motel typology, creating a building that would engage with the Rio de Janeiro skyline and focus on design and entertainment for its guests.

According to the jury, “Many proposals focused on autonomous volumetric design, as if shifting volumes to meet a functional solution could account for the complexity required for urban integration. Therefore, the most critical evaluation criteria were program innovation, proper circulation planning, and the interaction between architecture and open spaces. In this regard, the proposals that managed to leverage the site's potential achieved the competition's objectives: the creation of an URBAN Motel.”

See the winners below.

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"How do Chileans live?" is the question directors Joaquín Mora and Verónica Wüst seek to answer in the series Habitar, which portrays the current reality of housing in Chile through the intimacy of their homes.

On October 22, the nine-episode series will launch on the official website of Proyecto Habitar and on ArchDaily en Español. It will also premiere on Thursday, October 26, as part of the Arqfilmfest programming.

Projections for the urban world have been updated. In May, the United Nations released a new edition of the World Urbanization Prospects, a report that takes an in-depth look at the planet's urban centers, concluding that 68% of the world's population will live in cities by 2050. This estimate is 2% higher than the previous study published in 2014, which is part of the series produced by the United Nations Department of Economic and Social Affairs (DESA).

At the end of each year, we issue a call for submissions for graduation projects from our Portuguese-speaking readers. Through this, we aim to select the most interesting proposals to present inspiring visions and foster debates for our entire audience.

For this edition, we received 466 proposals from all over Brazil, as well as cities like Lisbon and Luanda. Before presenting the 30 selected by our editorial team, it should be noted that this list does not necessarily feature the "best" projects received. Instead, it highlights the works we found most well-presented, graphically engaging, and with themes that seemed particularly relevant for a final graduation project. Rather than simply resolving a design program satisfactorily, we believe that a final graduation project—as a culmination of a student's efforts during the transition from academia to professional practice (while, importantly, still part of their academic journey)—should raise questions and provoke discussion about the proposed theme.

It is worth noting that several submissions did not follow the guidelines of the call and were disqualified or lacked sufficient material for evaluation. 

Below is our selection* of the best final graduation projects from Portuguese-speaking countries, accompanied by descriptions provided by their authors.

Architect Rafael Pina, from the ARKRIT Collective, presents an article comparing two prestigious German automotive brands and their effort to project, also through architecture, an image of modernity and power. These museums belong to a lineage of spectacular architecture, seeking to inspire admiration and surprise through showmanship across various dimensions: formal, technological, and financial.

Undoubtedly, 2018 has been one of the most important years in the history of ArchDaily México. Through both our existing and newly introduced tools, we have succeeded in providing inspiration, knowledge, and tools to architects currently facing the challenge of designing the future, aiming to improve the quality of life for those living in the world's urban centers.

This year, we connected more closely with our readers through various tools that fostered dialogue, participation, and the work of our Instagram community, aligning more closely with your interests. This community now consists of 71k followers who actively participate daily to discuss the present and future of architecture.

The American Planning Association (APA) recently announced that Sasaki’s 2006 Vision Plan for Beijing's 798 Art District has been honored with the organization's highest accolade, the Pierre L’Enfant International Planning Excellence Award. Today, the 798 Art District in Beijing is a thriving, mixed-use district that welcomes over three million visitors annually, earning a reputation as the city's third most popular destination after the Forbidden City and the Great Wall. The district's success has set a benchmark for the adaptive reuse of historic buildings and is internationally recognized as a model for industrial regeneration.

As ride-hailing services like Uber continue to gain popularity and draw attention for their impact on traffic congestion and other urban ills, cities around the world, from Washington, D.C., to São Paulo, are moving toward the inevitable next step: targeted fees.

This comes as no surprise. Recent research shows that these services are contributing to declining public transit ridership and an increase in private vehicles on the streets. However, new taxes and fees should do more than just raise revenue. They have the potential to make cities more livable and transport more sustainable. If ride-hailing services are taxed, this revenue must be allocated carefully, in ways that improve urban mobility as a whole.

The need for both physical and mental reconstruction opens the door to various interpretations, highlighting the human capacity to adapt despite adversity: resilient individuals facing challenges in remote territories once constrained by armed conflict, oppression, and fear.

Post-conflict architecture is one of the major contributions to rebuilding a country that needs greater social awareness in this peace process. Redefining territories, preserving memory, and fostering a sense of ownership are the essential characteristics shaping these architectural spaces and reclaiming areas once marked by violence. Today, their symbolism plays an important role within many communities that find identity through architecture, proving that these remote locations in Colombia are now examples of unity and coexistence.

In light of this reality, we have selected five projects that have fostered a deep connection to the territory, offering flexible spaces that support new ways of building social fabric.

Adolf Loos, Joaquín Vaquero Palacios, Fernando Moreno Barberá, Norman Foster, and the bicentennial of the Museo del Prado are just some of the key names and milestones set to take over Spanish museums in 2018.

Here are 10 highly recommended architecture exhibitions for the new year that offer a rich and compelling cultural lineup. They span Spanish and international architects, iconic buildings from Spain's architectural history, and the profound impact of emerging technologies—such as artificial intelligence and virtual reality—on the field of architecture. 

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The exhibition "Women Architects XIX-XX" on the role of women in the history of the profession, installed at the University of Beira Interior (UBI) in Portugal, was vandalized between last Friday night and Saturday morning. Held by the Integrated Master's in Architecture of the university's Department of Civil Engineering, the exhibition occupied the building's lobby and was destroyed, likely by punches and kicks, according to an article published by the Portuguese newspaper Expresso.

Aiming to reflect on how "the visibility of women architects in the context of established architectural history is minimal and does not do justice to their actual and real presence in building cities and architecture," the exhibition, organized by Patrícia Santos Pedrosa, showcased the results of research on the production and presence of female architects over the past two centuries who contributed to expanding "the way we make, think, and question architecture."

Closed for renovations since 2010, the Sesc branch on Avenida Paulista now has an official opening date: April 29. Designed by the firm Königsberger Vannucchi Arquitetos Associados, the renovation project transformed the former Sesc Paulista space, creating three auditoriums, workshop rooms, exhibition areas, rehearsal and fitness rooms, as well as the traditional services offered by all Sesc branches, such as a café, restaurant, and shops.

Focused on performing arts and body movement, the program of Sesc Paulista is spread over 17 floors, featuring a rooftop café and an observation deck overlooking the avenue. 

The Sebrae Sustainability Center (CSS), designed by architect and urban planner José Portocarrero, won the BREEAM Awards 2018 for best sustainable building in the Americas, as well as the popular vote category. Inspired by indigenous dwellings, which are benchmarks in bioclimatic design, the building in Cuiabá (MT) stands out for its thermal comfort and maximum use of natural light. Its double-shell roof enables internal cooling and rainwater harvesting, which is filtered and stored for garden irrigation and floor washing.

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Opened on April 29, Sesc Avenida Paulista featured an installation designed by architect and designer Guto Requena at its opening.

The project, titled Empatias Mapeadas, consists of an interactive parametric sculpture featuring pulsing lights and speakers that mix and broadcast the heartbeats of the participants who touch the piece.

Joaquim Manoel Guedes Sobrinho was a Brazilian architect and urbanist who graduated in 1954 from the School of Architecture and Urbanism at the University of São Paulo (FAU-USP)—as part of the institution's third graduating class—and was a leading figure of the so-called “Paulista School.” A prominent aspect of his professional practice was his partnership with his wife, Liliana Marsicano, with whom he established a lasting collaboration on a series of projects until 1974.

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Nearly a year after an earthquake struck Mexico City and several Mexican states on September 19, 2017, we are beginning to see the fruits of the many efforts that arose in response to the slow—and at times nonexistent—government reaction, with citizens taking it upon themselves to organize and help. Various associations, foundations, and collectives joined the cause, and the architectural community was no exception.

This gave rise to ReConstruir México, driven by the determination to put architectural expertise at the service of those most in need, assisting in the reconstruction and conservation of affected heritage by providing technical support and advice, as well as designing and proposing solutions. However, goodwill alone was not enough; a multidisciplinary, integrating entity was needed to channel these efforts into physical housing for the victims. PienZa Sostenible stepped into this role, coordinating the process as a non-profit organization. As a platform for study, analysis, critique, engagement, and implementation addressing Mexico's current situation, PienZa Sostenible promotes outreach and drives projects aimed at improving quality of life, social development, economic growth, and environmental sustainability in line with the United Nations 2030 Agenda for Sustainable Development.

We invited fifteen architectural photographers to share their playlists with us, now available on ArchDaily Brasil's Spotify.

If you want fast rendering, optimize the size of staging assets, textures, and light sources. Learn your rendering software inside out and construct your scenes based on actual resource needs. There is no point in using the largest, most detailed, or highest-resolution assets for every single case; doing so will only leave you frustrated with your computer and software, struggling to navigate the viewport while constantly wishing for the latest processor, graphics card, more RAM, and more money to upgrade your rig—entirely unnecessarily.

Whenever possible, choose a GPU-based renderer, such as Thea Render for SketchUp, which is used in the examples in this article.

Here are several tips to make your rendering workflow faster and more efficient:

Gentrification is not only a timely topic, but a widespread concern. Today, it might make more sense to speak of touristification, or perhaps the phenomenon itself has evolved. Nevertheless, the term gentrification can broadly encompass all these concepts related to the displacement of a neighborhood's "original" inhabitants, who are replaced by residents with higher purchasing power or by vacation rentals.

This is an issue that interests people from all walks of life, not just professionals in urban planning or architecture. It draws the attention of citizens who, like myself, set out to find explanations or try to gather clues about what the future may hold under this trend.

From my perspective as an engineer—but above all as a Madrid resident—I decided to research the data published by the City Council on the city's commercial premises to see if it was possible to draw any conclusions on the matter. The purpose of this study was purely exploratory, conducted without any external commission. I had no preconceived hypothesis or goal beyond identifying certain neighborhoods as gentrified; the analysis simply grew from there, keeping all possibilities open.

Not long ago, we read in one of the winning texts of the National Criticism Competition: “In Chimbote, a city that grew turning its back on its bay, shaped by the pursuit of an economically productive life, there is not much to do, not much to enjoy. And this is not only due to the lack of venues for cultural or recreational activities, but because in the street itself, in the public space, there is not much to encounter. It seems difficult for this situation to change when it comes to building the city (…) in a city that became boring, useful only for a precarious economic production, where the street is merely a transit space, of coming and going without much emotion (…). Hopefully, boredom will not rob us of the ability to imagine new ways of growth for our city.” A harsh and challenging critique of the city's future trajectory.

Today, this project emerges as a response, showcasing alternative ways of seeing, living, and growing for this warm city on Peru's northern coast. It is a way to rediscover a vibrant, colorful Chimbote, and we are thrilled to present and highlight it here: the flip side, the actions taken in response to criticism, or precisely what critical thinking can achieve. Beyond being a breath of fresh air, it serves as a replicable model of small yet significant initiatives that can be carried out in cities across the country, beyond Lima.

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The chapter The Limits of Objects addresses the theme of Walls of Air at the scale of architectural and urban interventions, in an attempt to measure the capacity of recent Brazilian production to mediate conflicting relationships between the public and private realms.

In contrast to the cartographic approach, which maps the multiple types of barriers that shape the Brazilian territory, this section presents architectural objects that encourage transcending the walls present in our cities. The selected proposals share the motivation of investigating new ways to deal with the limits, divisions, and ruptures of urban fabrics. At the same time, they bring to light the pressing need to use design as a means to transform conditions of exclusion into opportunities to bring people together.